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Date: 2024
Date: 2024
Abstract: The severe restrictions on public life following the spread of the COVID-19 pandemic affected Holocaust memorials and museums worldwide, especially in Europe, Israel, and the United States. These measures posed significant challenges to contemporary forms of Holocaust commemoration, which were based on collaborative practices of remembering, particularly related to the experience of presence at the memorial sites. In our chapter, we ask in which ways the pandemic had an accelerating effect on global Holocaust memory by tracing, analyzing, and identifying the institutionalized use of online platforms and digital formats on social media. We present results from an online survey conducted with 32 key institutions in the field of Holocaust commemoration in the Spring and Summer of 2020 and discuss them in the context of various forms of digital activities initiated by Holocaust memorials and museums in response to the pandemic. For that purpose, we have created a comprehensive database of 45 digital projects, which were released in the first months of the pandemic, and conducted a multimodal analysis of selected projects. We identified a significant increase in social media use and digital tools, in particular video formats, helping institutions to communicate virtually with potential audiences. Memorials utilized various social media features like live streams, stories, and hashtags to implement elements of participatory memory culture that offer users the possibility to participate in new collaborative forms of mediated commemoration. In doing so, they helped to establish like-minded and co-creative commemoration communities.
Date: 2024
Date: 2024
Abstract: Virtual reality and augmented reality experiences play an increasingly significant role in Holocaust memory and education as professional memory institutions continue to explore the affordances of integrating digital technologies into visitor and user experience. There is a rapidly expanding list of projects experimenting with cinematic virtual reality, photogrammetry, digital mapping, 3D modelling, 360-degree on-location survivor testimony as well as a growing portfolio of augmented and mixed reality mobile and tablet applications.

Principally being implemented as spatial technologies, several memorial sites and museums are exploring the possibilities of creating 3D graphic reconstructions of former sites of Nazi persecution in AR/VR such as the digital reconstruction of Falstad Concentration Camp, the Here: Spaces for Memory App at the Bergen-Belsen Memorial Site, the Sobibor AR exhibit, the project Auschwitz VR as well as the 360-degrees-walks at Neuengamme Concentration Camp Memorial. Going further, some digital initiatives are using VR/AR/MR technologies to zoom in on historical documents, testimonies and artefacts, notable projects include the ARt AR App at the Dachau Memorial Site and Museum which revivifies historical and contemporary drawings and paintings in-situ at the present-day site, the Anne Frank House VR which invites visitors to navigate the annex through a series of digital objects, and The Last Goodbye VR experience which foregrounds survivor testimony within Majdanek, the similarly survivor-driven Walk with Me at The Melbourne Holocaust Museum and numerous films that shape the Illinois Holocaust Museum and Education Center’s The Journey Back exhibition space.

While it is important to note that VR technology is not new and has existed for more than 30 years, it is only recently that the technology has become more widely accessible in the heritage and museum sectors (in part, due to the affordability of headsets and devices in the domestic market). The proliferation of VR and AR projects within the sector, then, raises critical questions regards the opportunities for digital Holocaust memory practice and education while also bringing to the fore issues of curation, contextualisation, visitor experience and accessibility.

This report serves as an important first step in this work. It was created as part of the research project ‘Participatory Workshops – Co-Designing Standards for Digital Interventions in Holocaust Memory and Education’, which is one thread of the larger Digital Holocaust Memory Project at the University of Sussex. The participatory workshops project have focused on six themes, each of which brought together a different range of expertise to discuss current challenges and consider possible recommendations for the future.

The themes were:

AI and machine learning
Digitising material evidence
Recording, recirculating and remixing testimony
Social media
Virtual memoryscapes
Computer games
Author(s): Freedman, Rosa
Date: 2024
Abstract: Since 7th October 2023, when Hamas perpetrated the worst single massacre against Jews since the Holocaust, there has been a surge in antisemitism in UK universities. Some of this has tipped over into outright anti-Jewish discrimination and harassment. Jewish students and staff have reported feeling unable to fully participate in university life, for fear of being abused, harassed, or attacked. This report offers a summary of research by the IntraCommunal Professorial Group (ICPG) aimed at understanding free speech on university campuses especially with regard to the approaches to speech concerning Jews, Israel, Zionism, and the Middle East conflict.

This report sets out the key issues, and a series of recommendations based on the research and grouped together under the subheadings of our three key findings. Those key findings are as follows:

1. UK universities have (a) a general legal duty, to protect freedom of expression on campus; (b) a duty to prevent discrimination and harassment based on protected characteristics; (c) a university-specific institutional duty to protect the academic freedoms of research and study. Currently UK universities are meeting neither (b) nor (c) in their response to the menace to Jewish students and academic staff posed by antisemitism, particularly antiIsrael antisemitism. That is, they are neither preventing discrimination and harassment, nor protecting freedom of research or freedom to study.

2. Anti-Israel protests and encampments on campuses, including in online spaces, have exacerbated what was already considered a hostile environment by many Jewish students and staff. Some university departments, trade unions, and student political milieus – inperson and online – have directly and indirectly discriminated against, abused, harassed and/or excluded Jewish students.

3. Traditional antisemitic concepts and tropes are being used by pro-Palestinian and/or antiIsrael staff and students. Israel and Zionism are regularly demonised and delegitimised, often using blood libels or other anti-Jewish hatred, and students or academics labelled as Zionists are routinely viewed as legitimate targets for discrimination, harassment, abuse, and/or attack.
Author(s): Woolley, Ursula
Date: 2024
Abstract: The article aims to discern whether and how the historiography of the Holocaust in Ukraine has shown, from an external perspective, signs of change since 24 February 2022.

It looks at approaches taken in research published on the topic in Ukraine before and since 24 Feb 22. The historical context includes a glance at the longer-term historiography of the Holocaust in Ukraine, from abroad as well as domestically. The importance of the wider context requires a look at some issues and debates in memory politics and public history. The article considers all this material in the context of recent historiography from outside Ukraine.

There have been frequent surveys of the academic literature on the Holocaust in Ukraine, including some published since 24 February 2022. The novelty of this article consists in taking an early look at the apparent effects of the full-
scale invasion on the scholarship in this field, with an external perspective which inevitably perceives context differently.

The article argues that the experience of the invasion and occupation, direct and indirect, may for a cross-section of scholars inspire new understanding and scholarship, however much unlooked for. It argues that scholarship
in the field continues to come closer to considering and understanding trauma inflicted and undergone; that Russian propaganda is well-resourced and impactful; and that the new trauma of the new war helps and hinders equally public discussion and wider public understanding, domestically and internationally.
Author(s): Ilchuk, Yuliya
Date: 2024
Abstract: The contested historical memory of the Second World War in Ukraine has exposed an uneasy transition from an ethnolinguistic type of national identity to the idea of Ukraine as a political nation, expedited with the Revolution of Dignity in 2014. Many Ukrainian writers of non-Jewish origin began to write about the fate of Ukrainian Jews during the Holocaust. If a previous generation of post-Soviet Ukrainian writers have embedded Jewish characters and subplots about the Holocaust into their historical novels about colonization by the Soviet Union and the national struggle for independence during the war, the new generation of writers reveals a shift from the idea of a homogeneous “national memory” to an idea of the “multidirectional” memory of the Second World War which had a profound traumatic impact on all actors involved in it. The growing interest among non-Jewish Ukrainian writers in the contested history of the Holocaust has been shaped by the unexpected affinity seen between the suffering of Ukrainians at present and of Jews in the past, which unifies them in collective victimhood. This paper examines the contested memory of the Holocaust in Sofia Andrukhovych’s novel Amadoka (2020). The writer develops a complex narrative structure that captures the traumatic memory of Second World War from the perspective of different actors, showing that the extermination of Jews in Buczacz was a communal tragedy that can be represented only through a polyphonic act of remembrance taking place on a shared if uneven terrain. Employing two concepts from memory studies – dismemory and Postmemory – the analysis of the narrative construction of traumatic memory in Amadoka aims to show how literary narrative can capture trauma, on the one hand, and how trauma can shape identity, on the other.
Date: 2024
Date: 2024
Date: 2024
Date: 2024
Date: 2024
Date: 2024
Abstract: Not all children growing up in the charedi1
community are being denied secular education. However,
many are. This paper sets out current loopholes and gaps in UK education policy and enforcement,
and the implications for children, especially boys, growing up in the chassidic2
segment of the UK
charedi community. We should note that similar issues arise in other countries with large chassidic
communities.
However, irrespective of sex, or the type of institution, the systemic goal of the leadership in parts of
the charedi community, is that the education in their schools should not provide children with access
to a broad and balanced school education, nor access to further education. As a result, many charedi
children are prevented from accessing the wider workforce, as there is no route to many career
opportunities.
Restricting secular education limits the future autonomy of charedi boys due to lack of literacy,
numeracy and recognised qualifications. For girls, the restriction on future autonomy is a
consequence of the lack of access to KS5 qualifications and early arranged marriage, which can be
socially coerced, and motherhood.
We have set out in this paper our suggested solutions; some of which would require primary
legislation. Other solutions require secondary legislation, or simply improved oversight, enforcement
and better funding.
We have set out the consequences of denial of secular education and lack of access to qualifications
in addendum C. We have also set out more details on the diversity of the charedi community in
addendum D. A glossary of Hebrew and Yiddish terms is set out in appendix 5.
Date: 2024
Abstract: The World Wide Web (WWW) and digitisation have become important sites and tools for the history of the Holocaust and its commemoration. Today, some memory institutions use the Internet at a high professional level as a venue for self-presentation and as a forum for the discussion of Holocaust-related topics for potentially international, transcultural and interdisciplinary user groups. At the same time, it is not always the established institutions that utilise the technical possibilities and potential of the Internet to the maximum. Creative and sometimes controversial new forms of storytelling of the Holocaust or more traditional ways of remembering the genocide presented in a new way with digital media often come from people or groups who are not in the realm of influence of the large memorial sites, museums and archives. Such "private" stagings have experienced a particular upswing since the boom of social media. This democratisation of Holocaust memory and history is crucial though it is as yet undecided how much it will ultimately reinforce old structures and cultural, regional or other inequalities or reinvent them.

The “Digital space” as an arbitrary and limitless archive for the mediation of the Holocaust spanning from Russia to Brazil is at the centre of the essays collected in this volume. This space is also considered as a forum for negotiation, a meeting place and a battleground for generations and stories and as such offers the opportunity to reconsider the transgenerational transmission of trauma, family histories and communication. Here it becomes evident: there are new societal intentions and decision-making structures that exceed the capabilities of traditional mass media and thrive on the participation of a broad public.
Author(s): Susán, Eszter
Date: 2024
Author(s): Wich, Nico
Date: 2024
Date: 2024
Date: 2024