Abstract: Jewish-Roman cuisine, the traditional food of one of Europe’s longest-standing Jewish communities, is among Italy’s most distinctive hyper-local repertoires. Gastronomes increasingly acknowledge the importance of Jewish foodways for Italian cuisine, but a few famous “signature dishes” often dominate popular ideas of Jewish food in Italy. In Rome, carciofi alla giudìa – deep-fried “Jewish-style” artichokes – have long been used to symbolize the diverse and complex Jewish-Roman tradition. Blending ethnographic methods with discourse analysis, I ask how and why carciofi alla giudìa occupy this role, and what this means for contemporary Jewish-Roman identity. I then examine a selection of “origin stories” behind other dishes in the Jewish-Roman tradition, arguing that going beyond the near-ubiquitous artichoke can complicate and enrich our understanding of Jewish-Roman history, culture, and identity. Rather than attempting to prove or disprove these stories, I analyze them as tools for self-fashioning. I identify a variety of characteristics that these narratives are used to communicate: including ancient roots; resilience and resourcefulness; and an openness to new arrivals and external influences. Finally, I interrogate the relationship between the Jewish-Roman tradition and the city’s cuisine at large, arguing that this too has important repercussions for Roman and Jewish-Roman self-perception and identity.
Abstract: In the twenty-first century, Rome’s former Jewish Ghetto has experienced rapid “foodification,” in which food businesses come to dominate a previously residential or mixed-use neighborhood. Why and how has foodification taken place in Rome’s former Ghetto, and how unique is this case? What can this example teach us about foodification as a phenomenon? Foodification is influenced by broader forces, including gentrification, but is also affected by factors particular to this neighborhood. These include Jewish heritage tourism; religious dietary laws; and a growing curiosity about hyper-local food, such as cucina ebraico-romanesca (Jewish-Roman cuisine), and about dishes outside the Italian canon. Jewish-style and kosher restaurants have developed to stimulate and satisfy multiple demands, serving “traditional” Jewish-Roman dishes; Middle-Eastern and North African dishes; new interpretations of popular Italian dishes; and kosher versions of international foods popular in Italy, like hamburgers and sushi rolls. Contrary to the idea that this diversity threatens the Jewish-Roman tradition, I argue that the neighborhood’s foodscape reflects the variety of communities and tastes in contemporary Rome, where local specialties persist alongside a wide range of other options. This article argues that although foodification is often connected to gentrification and tourism, it should be distinguished from these phenomena. By asking how the former Ghetto’s new restaurants communicate heritage and identity, I demonstrate that foodification can take place in ways that are specific to a particular neighborhood, and that the food has become one of the major means by which the former Ghetto’s past and present character is articulated in Rome.
Abstract: This article explores how Jews in Finland relate to the musical traditions of their synagogues and the changes that have occurred in the customs over time and as the result of various cultural and spiritual influences. Based on ethnographic data, it focuses on rituals, liturgy, and music as contexts for negotiating relationships between the institution and the individual, memory practices, and contemporary innovation – being and doing Jewish, to use concepts from the vernacular religion framework. The article outlines the historical development of Minhag Finland, the vernacular liturgical customs. It concludes that the “turn to traditions” should be stated in the plural, as several Jewish customs, cultures, and context are engaged in the negotiations around liturgy. This is not just a way to freeze time and preserve the status quo. Instead, seeking for meaningful models in the past paves the way for change – especially when turning toward a broad range of traditions.
Abstract: Established in 1843, the Jewish residential quarter in Samarkand (located at the time in the Bukharan kingdom, and today in independent Uzbekistan) has been emptied of its Jewish residents in the wake of the Soviet Union’s demise. Since then, physical markers testifying to their history in the neighbourhood have also been eroding. This process has been organic, rather than a deliberate program of erasure. Still, these shifts in the built environment fit within Uzbekistan’s larger project of state-building, as Jewish homes and communal structures belie the Russian and Soviet colonial legacy, which has been spurned since independence. Drawing on recent and historical accounts, as well as my own observations in the 1990s and in 2013, this article documents the built environment in the very moment of transition, as physical structures transform and are separated from the history and memories that enlivened them. With this disappearance, a tourist opportunity for encountering global Jewish diversity is lost, and Uzbekistan’s project of nation-building – absent its historical minority populations – is further solidified.
Abstract: As one of the most visited museums in Germany’s capital city, the Jewish Museum Berlin is a key site for understanding not only German-Jewish history, but also German identity in an era of unprecedented ethnic and religious diversity. Visitors to the House of Memory is an intimate exploration of how young Berliners experience the Museum. How do modern students relate to the museum’s evocative architecture, its cultural-political context, and its narrative of Jewish history? By accompanying a range of high school history students before, during, and after their visits to the museum, this book offers an illuminating exploration of political education, affect, remembrance, and belonging.
Abstract: Kristallnacht, 1938, was a defining moment, changing the course of history. Can the Jewish heritage destroyed before and during World War II be reconstructed? This paper will link eschatological thought and the relevant Mishnaic texts, in particular the value of holiness and its attributes both in time and place. Can a synagogue be de-sanctified? Is the value in the material or the use?
Reviewing these tragic events, the possible criteria for reconstructing the architectural components of Jewish life should be considered, through the evidence of history, the record of events, values of the past, and the new realities of the future. Another significant concern is not so much in understanding the changing and diverse values of a community but the approaches toward the interpretations of these values. In this debate, where existential or historical models play a major role, Judaism tends toward the former, recalling events over time and the allegory in the facts.
What remained in Europe were the ruins, the memory of places and events, and the resilience of the human spirit. However, there are compounded memories and multiple voices, ever changing, challenging the identities of real and virtual communities. How do we evaluate the facts and the extended contexts over time that demand renegotiation of their meaning and interpretation?
On current projections, the Jews may become an insignificant number in European society over the course of the twenty-first century. Can these buildings, as reconstructed, live without the spirit of the people; can new people inhabit the reconstructions, or is the ruin the true manifestation of the course of history? The divergent case studies of the three ShUM cities, Speyer, Worms, and Mainz, in Germany provide a glimpse into the debate and an appraisal of the moment in time.
There are common attitudes facing recovery and reconstructions for uprooted communities after tragedies that leave scars on history. The case studies of Jewish heritage reconstruction and the considerations of impermanence provide another perspective to the restorations of the Bamiyan Buddhas and together a chilling evidence to the consequences of racism.
Abstract: Since the early 2000s, Poland has experienced a remarkable Jewish revival, largely driven by non-Jewish Poles with a passionate new interest in all things Jewish. Klezmer music, Jewish-style restaurants, kosher vodka, and festivals of Jewish culture have become popular, while new museums, memorials, Jewish studies programs, and Holocaust research centers reflect soul-searching about Polish-Jewish relations before, during, and after the Holocaust. In Resurrecting the Jew, Geneviève Zubrzycki examines this revival and asks what it means to try to bring Jewish culture back to life in a country where 3 million Jews were murdered and where only about 10,000 Jews now live.
Drawing on a decade of participant-observation in Jewish and Jewish-related organizations in Poland, a Birthright trip to Israel with young Polish Jews, and more than a hundred interviews with Jewish and non-Jewish Poles engaged in the Jewish revival, Resurrecting the Jew presents an in-depth look at Jewish life in Poland today. The book shows how the revival has been spurred by progressive Poles who want to break the association between Polishness and Catholicism, promote the idea of a multicultural Poland, and resist the Far Right government. The book also raises urgent questions, relevant far beyond Poland, about the limits of performative solidarity and empathetic forms of cultural appropriatio
Abstract: This article focuses on the management of heritage and cultural tourism related to the complex identity of minority groups, where different components tend to produce different visions and practices. It highlights the impacts of globalized transnational networks and influences on political, cultural and religious identities and affiliations over long distances. In fact, diverse views, approaches, perceptions and representations may lead to disagreement and conflicts even within apparently compact ethnic or religious communities. The issues related to dissonant heritage management strategies and the related authorized heritage discourse, in terms of unbalanced power relations and diverging narratives, are considered. The theme of Jewish heritage tourism (J.H.T) is analysed, with a focus on the case of Syracuse, Italy. This historically cosmopolitan and multicultural city specializes in cultural tourism and tends to develop niche products, including J.H.T, in order to strengthen and diversify its international cultural destination status. Different components of the Jewish world, as well as non-Jewish stakeholders, practice different approaches to heritage tourism. Actors, discourses and reasons behind Jewish culture management and promotion will be highlighted and the reactions, perceptions and suggestions by the various stakeholders and groups involved will be portrayed, with the aim of contributing to the discussion about the complexity of niche heritage tourism processes in a multi-ethnic site.
Abstract: Os Cadernos de Orações Criptojudaicas e Notas Etnográficas de Judeus e Cristãos-Novos de Bragança resultam de uma investigação baseada em trabalho de campo antropológico realizado em Bragança e são uma coletânea de dados que atestam a persistência da cultura judaica, criptojudaica, ou cristã-nova no distrito, até à contemporaneidade Incluem-se nesta obra uma síntese do levantamento histórico e um conjunto de dados etnográficos respeitantes ao património cultural judaico e cristão-novo da região nas suas dimensões imateriais, narrativas ou discursivas, e nas suas dimensões materiais, objetificadas - peças que atestam que se trata de um legado que não só perdura na memória coletiva local, como é ainda no presente um legado estruturante da identidade local, tornando-a multicultural. O leitor encontrará uma parte do que existe deste património judaico e cristão-novo transmontano, pois uma etnografia é sempre algo em construção, um olhar inacabado que carece de constante atualização, dado que a permanente transformação e construção fazem parte da própria essência de todas as culturas. Mas é sobretudo um tributo aos brigantinos que participaram nesta construção e que, vencendo os receios do secretismo, se deixaram motivar pela esperança de se integrarem num judaísmo plural e num Portugal mais intercultural.
Abstract: This dissertation illustrates how a moral burden of history manifests itself in social relationships, cultural processes, and material products. Specifically, it argues that what appears to many as a superficial, commercially motivated revival of Jewishness in Poland is also a significant joint venture between non-Jewish Poles and Jewish visitors to Poland in exploring inter-ethnic memory-building and reconciliation. The findings are based on 18 months of ethnographic research in the historical Jewish quarter (Kazimierz) in Krakow, Poland, with further research in Israel and the United States among diaspora Jews. My research reveals that the notion of uniform Holocaust tourism disguises a movement to contest lachrymose conceptions of Jewishness as victimhood. I document a sense of Jewish connection to Poland---overlooked in mainstream discourses---that animates new generations of Jews and Poles to seek each other out. Similarly, much of the Jewish revival in Kazimierz is orchestrated by non-Jewish Poles. I show how they use identification with Jewishness to reconfigure their own Polishness and their visions for a pluralistic Polish nation state. I conclude that (1) popular cultural products, practices, and spaces can be important manifestations of---and tools for---moral reckoning; (2) identification with someone else's ethnicity/religion (often called appropriation) can be understood as an enlargement of, rather than an escape from, the self, and (3) Kazimierz in Krakow represents the cutting edge of Polish-Jewish relations via local grassroots culture brokers who use Jewishness to expand the Polish universe of obligation.
Abstract: Italy holds most of the world's cultural heritage, and its Jewish cultural heritage is also of the greatest importance. Only after Emancipation did Italian Jews begin to pay attention to their material heritage – synagogues, cemeteries, libraries, archives, silver furnishings, textiles and artifacts. Their preservation came to be understood as a means of preserving the identity and history of the Jews. After the war, and especially since the early 1980s, the importance of preserving the Jewish cultural heritage as a memory not only for Jews, but for the whole country, began to be acknowledged not only by Jews, but also by the general population, including the Italian authorities.
Abstract: Der Beitrag vergleicht das Rigaer KGB-Museum, im Volksmund Eckhaus genannt, mit dem Rigaer Ghetto-Museum. Beide Museen sind zirka im gleichen Zeitraum (zwischen 2010 und 2016) entstanden bzw. erweitert worden und befinden sich an Originalschauplätzen. Beide Museen legen ein besonderes Augenmerk darauf darzustellen, welche Folgen die nationalsozialistische bzw. kommunistische Besatzung und Diktatur auf Lettland hatte. So beinhaltet das Rigaer Ghetto-Museum eine Ausstellung zum jüdischen Leben in Lettland vor 1941. Beide Ausstellungen legen großen Wert darauf, Zeugnisse von Überlebenden einzubeziehen. Da die Opfer des Rigaer Ghetto-Museums auch aus Deutschland und Österreich kamen, ist die Einbeziehung einer europäischen Perspektive hier vom Untersuchungsgegenstand vorgegeben. Die Europäisierung des Holocaustgedenkens wird auch anhand mehrerer Ausstellungsstücke, so zum Beispiel eines nachkonstruierten Zugwaggons, deutlich. Hingegen stellt das KGB-Eckhaus primär die lettische Geschichte aus: Der Fokus liegt auf den zivilen lettischen Opfern der kommunistischen Diktatur, die im Kellergefängnis des NKWD bzw. des KGB gefoltert wurden. Eine »Europäisierung« wird nur in Querverweisen zu anderen Museen deutlich, die ebenfalls die Geschichte der kommunistischen Diktatur ausstellen, wie z.B. das Haus des Terrors in Budapest.
Abstract: Der 1. Juni 2018 bedeutete eine Zäsur für die staatlichen Einrichtungen des Freistaats Bayern. Mit diesem Stichtag mussten Kreuze als Symbol »bayerischer Kultur«, so Ministerpräsident Söder, in den Foyers staatlicher Institutionen angebracht werden: Staatliche Symbolpolitik wurde für den öffentlichen Raum verordnet, für Museen wurde sie immerhin noch empfohlen. Spätestens seit der Flüchtlingskrise von 2015 wird die Angst vor einem »importierten Antisemitismus« durch populistische Parteien in Deutschland wie in Österreich politisch verwertet. Gemeinsam mit dem Feindbild des »politischen Islam«, das sich mittlerweile auf alle Muslim_innen erstreckt, trug dies zu einem markanten Anstieg offenen Antisemitismus innerhalb der deutschen Gesellschaft bei. Populisten, die die Bevölkerung immer mehr in ein »wir« und »die anderen« spalten, die den Hass gegen Minderheiten politisch verwerten und Antisemitismus entweder klein reden oder ausschließlich jenen zuschreiben, die sie bekämpfen, haben Einzug in den politischen Mainstream gefunden. Jüdische Museen müssen heute auf diese Entwicklung antworten: Als Museum zur Geschichte einer Minderheit und als Ort, der sich zwangsläufig mit den Folgen von Antisemitismus und politisch motivierter Ausgrenzung auseinandersetzt, haben sie eine gesellschaftspolitische Verantwortung. Dies bedeutet, dass sich jüdische Museen öffnen müssen, und zwar in mehrerer Hinsicht: 1. thematisch, wenn es darum geht, historischen und aktuellen Antisemitismus und dessen Folgen für die jüdische Bevölkerung zu thematisieren, 2. politisch, um gegen Populismus, rassistische Hetze und Instrumentalisierung von Religionen aufzutreten, und 3. räumlich, wenn es darum geht, nicht nur ein kulturell interessiertes Publikum, sondern die Stadtbevölkerung anzusprechen.
Abstract: Wenn Peter Sloterdijk Museen allgemein als »Schule der Befremdung« erkennt, wie ergeht es dann erst Besucherinnen und Besuchern von jüdischen Museen? Gehört jüdische Geschichte »zu uns« oder nicht? Ist jüdische Kultur Teil des »Eigenen« oder des »Anderen«? Jüdische Museen sind, um eine Formulierung von Zygmunt Baumann zu verwenden, konstitutiv »auf dem Zaun«, in einer prekären Lage der Ambivalenz, der Zweideutigkeit situiert. In Zeiten, in denen Identitätsdebatten in Europa mehr und mehr im Zeichen des Ausschluss des »Anderen« – und heute vor allem im Zeichen des Ausschlusses von Muslimen – stehen, werden Juden und jüdische Geschichte – aber auch der Staat Israel – auf andere Weise relevant als noch vor zwanzig Jahren. Der politische Mainstream, aber auch wachsende Teile der populistischen Rechten, sehen im »Jüdischen« nun offenbar das »gute Andere« Europas, das sich im neuen rassistischen Diskurs trefflich instrumentalisieren lässt. Der Druck auf jüdische Museen wächst, sich einer scheinbaren Eindeutigkeit zu verschreiben, die die neuen europäischen Identitätsdiskurse nicht länger stört.
Abstract: The term ‘cultural heritage’, as defined and developed by the UNESCO, includes oral traditions and living expressions inherited from our ancestors and passed on to our descendants. The ways, how the understanding of this concept is put into practice is, however, often limited to visual rather than audible forms of culture, such as within the context of Jewish culture in Switzerland. Here, much effort has been put e.g. into the preservation of the tangible Jewish heritage of the two villages Endingen and Lengnau in Surbtal, but less into safeguarding of the musical traditions of these two villages. Against this background, the chapter argues to apply the concept of cultural sustainability in the study of the so-called Minhag Ashkenaz (the Western-German custom) in Swiss synagogue music. Within the context of this chapter, the concept is first of all understood as an independent and alternative concept from UNESCO’s intangible cultural heritage. Thus transformed, it better represents the discursive and dynamic processes of preserving, transmitting and sharing cultural expressions – such as orally transmitted synagogue chants.
Abstract: The good air transport links with most major European cities and Malta, has led to an increase in tourists from all over the world. This has also led to an increase in tourists of the Jewish faith. These tend to be mainly coming from North America, and the cultural tours that are planned for them, always provide a number of visits to Jewish related historical and cultural locations. The itineraries that are planned make sure that the Jewish heritage on the islands is visited. What are these locations that attract the attention of Jewish visitors to Malta?
The earliest mention of a Jewish community in Malta is securely dated to the first centuries of the Common Era. In various underground burial places, around the old capital city of Malta, there are catacombs with Jewish symbols carved on the walls of burial places. These tend to confirm the presence of a substantial Jewish community in Malta. The fate of this community is not known. The 13th century sees Abraham Abulafia, considered as a prophet, living in Malta and presumably dying here. Documentary evidence from the 13th century, point to a small Jewish community living here. By the 15th century it is clearly evident that there was a Jewish community, forming part, and taking part within the everyday life of Medieval Malta. Jews were to be recorded in Malta throughout the following centuries.
There are cemeteries dating from the 4th and 6th centuries, and others from the 19th century onwards. There is an indication of where the Jewish Silk Market was located during the Medieval times. Nowadays, pilgrimages are taking on a different aspect. The religious aspect of such a visit is not of great importance, while visiting places associated with the Jewish communities in Malta throughout the centuries, is of great significance. This can be referred to as nostalgic pilgrimage, and not necessarily a religious and spiritual pilgrimage. This is part of a cultural type of pilgrimage, identifying with previous communities of the same religious views.
Abstract: This paper specifies and describes the main four stages and strategies of intercultural and memory survival of Sephardic women in Bosnia in the past (during the interwar period) and in the contemporary world (before, during, and after the collapse of Yugoslavia). The first strategy, named here as a (manu)script and orality/textuality one, is illustrated by a study Sephardic Woman in Bosnia (1932) by Jewish Sarajevo feminist Laura Papo Bohoreta (1891–1942). The second one, labeled as a translation and print strategy, is connected with the activity of Muhamed Nezirović (1934–2008), especially his translation of Papo’s book from Ladino into Bosnian (2005). The third one, recognized here as a cultural transfer strategy, is represented by the novels The Scent of Rain in the Balkans (1986) and The Ballad of Bohoreta (2006) by contemporary Serbian female writer Gordana Kuić (1942). And—last but not least—the fourth strategy of digitizing manuscripts and archival texts by Laura Papo is represented by Edina Spahić, Cecilia Prenz Kopušar, and Sejdalija Gušić, a team who prepared and has recently edited three collected books with Papo’s manuscripts (2015–2017
Abstract: Introduction: The importance of multiculturalism for the development of tourism, consistently emphasized in the literature, shows the long history and rich tradition of this form of tourism. Poland has
historically been a land of transition between East and West, a land where different cultures have existed
side by side: German, Jewish, Polish, and Russian. For centuries Poland was a meeting place of different
religions and cultures and today’s landscape still shows evidence of this. The catastrophe of World War II
brought the annihilation of a multicultural society and created a homogeneity, unprecedented in our history.
Jewish heritage and urban cultural tourism: In their almost 2000-year diaspora, Jews have been
present in Poland for eight hundred years: from the early middle ages until the Holocaust, the annihilation during World War II. The Jews were distinguished from other community groups by their religion,
language, customs, art and architecture. In the interwar period of the 20th century, Poland was home to
the largest Jewish community in Europe, distinguished by its enormous cultural and intellectual vitality.
Pandemic time: The outbreak of the COVID-19 pandemic has hit the tourism sector hard, and travel
restrictions still apply to us. Therefore, it is necessary to verify the forecasts and prepare new recommendations for cultural tourism destinations during and after the pandemic.
Conclusions: Recently there has been a revival of interests in Jewish heritage and many tourists
(both domestic and foreign) want to explore Jewish culture and remaining monuments of the past.
Despite pandemic time restrictions it is also possible, however new actions and policy are required to
secure sanitary recommendations and rebuild consumer confidence.
Abstract: Culture is the cornerstone where societies have always supported their respective identities. It is a way of life, as long as it expresses not only the values, but also the education, the art, and the daily life of all those who live and work in a society. Thessaloniki has been a multicultural city, gathering populations from different nations and religions over time. The city was a refuge destination for many persecuted Jews in Europe, between 1492 and 1943, which led to the creation of a large Jewish community. As a result, the long tradition combined with the several elements of Jewish cultural interest attracts a large number of tourists from Israel every year. This paper presents the main research results conducted in Thessaloniki regarding tourists’ from Israel motivations and characteristics, but also their main elements of interest. Thessaloniki has all the essential elements, such as history, tradition, monuments, infrastructure, and services for the development of cultural tourism. These, however, need to be improved, so that the city of Thessaloniki becomes a more popular tourist destination for Israelis.
Abstract: Throughout the Middle Ages, Jewish quarters, known as juderías, were vibrant spaces in Navarrese cities and towns. However, although Jewish past significantly contributed to Navarre's historical identity and has occupied an important place in regional historiography, Jewish heritage has only recently awakened interest in historians, archaeologists and local councils. This article aims to carry out case studies of three different juderías, specifically in Tudela, Estella and Pamplona, as cultural and tourist assets and discuss the weaknesses and strengths of their touristic potential. Tudela has been making use of this potential for several years now, while Estella only rather recently began to explore the diverse ways of taking advantage of its latent qualities. On the contrary, to date, Pamplona seems to have totally ignored the Jewish component of its medieval past. This article argues that the (in)visibility of Jewish heritage is an apt indicator of the recognition that supply-side stakeholders give this cultural and touristic asset.
Abstract: Tourism destinations located within rich and complex cultural contexts tend to offer a wide range of different experiences to visitors, spanning from standardized to more alternative ones. The quest for authenticity is central in the construction of tourism image and business, but easily raises questions related to appropriation, commercialization and trivialization. This study focuses on Jewish heritage tourism, a niche segment gradually turning into a mass tourism experience, through a qualitative research made in Krakow, Poland. Jewish-themed tourism in the area has gone through intense growth in spite of its dwindling Jewish population. As a consequence, the representation and consumption of the related heritage mostly occurs independently from the Jewish community itself and shows clear signs of commercial exploitation. The study results show that, in spite of the issues related to simplified narratives and staged practices, commodification, with its partial and functional reconstruction of the past, does not interfere with the religious or secular activities of the Jewish community, which is more pragmatically focused on present-day life.
Abstract: Studie se zabývá obrozením budapešťského židovské čtvrti. Část města, kterou dnes takto označujeme, leží v centru Budapešti, konkrétně ve čtvrtích Erzsébet a Teréz, na hranici šestého a sedmého městského obvodu. Ve studii jsou na příkladech několika restaurací, knihkupectví, prohlídkových okruhů a tzv. barů na staveništi popsány nové tendence, ke kterým v židovském městě dochází. Svou typickou architektonickou podobu získalo židovské město během 19. století a před první světovou válkou. V roce 1944 bylo na jeho území „velké ghetto“. Na zničení architektonicky cenné zástavby se nepodepsala ani tak válka, jako spíše období socializmu, které následovalo po ní. Budovy chátraly, různým vlnám modernizace a přestaveb však čtvrť nepodlehla. Po změně režimu dávalo město stále větší prostor investorům, kteří staré budovy demolovali. Proti těmto necitlivým zásahům se vzedmula vlna občanských iniciativ. Hospodářská krize, která vypukla v roce 2008, pomohla snahám aktivistů o záchranu čtvrti. Mnoho parcel zůstalo po stržení budov prázdných a další demolice byly odloženy. V zachovalých budovách a na volných prostranstvích začaly vznikat různé podniky se zvláštní atmosférou dočasnosti.
