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Author(s): Ludi, Regula
Date: 2018
Author(s): Karn, Alexander
Date: 2018
Date: 2012
Author(s): Stögner, Karin
Date: 2025
Author(s): Dziri, Amir
Date: 2024
Abstract: Seit einigen Jahren dokumentiert die Antisemitismusforschung eine starke Zunahme von antisemitisch motivierten Äusserungen und Angriffen in diversen europäischen Ländern, sowie jüngst auch in der Schweiz. Dieser Umstand schlägt sich nieder in einer intensiven Diskussion über die Hintergründe und Ursachen dieser Zunahme, die unter dem Stichwort «Neuer Antisemitismus» zusammengefasst ist. Neben der Frage, inwiefern diese Zunahme auf Kontinuitäten judenfeindlicher Ressentiments christlich-religiöser, rassistisch-nationalistischer oder links-ideologischer Hintergrundfolien zurückzuführen ist, rückt auch die Frage nach judenfeindlichen Einstellungen in muslimisch sozialisierten Kontexten in den Vordergrund. Vor diesem Hintergrund verbindet das vorliegende Heft Expertisen aus der Antisemitismus-Forschung, der Geschichtsdidaktik, der interreligiösen Bildungsarbeit, der Islamwissenschaft wie auch der Islamisch-theologischen Studien, um der Herausforderung einer sachgerechten Darstellung in den je als notwendig erachteten Bezügen und Faktoren gerecht zu werden. Damit soll ein Beitrag geleistet werden für eine interkulturelle Antisemitismus-Aufklärung, die sich vor dem Hintergrund einer aktuellen gesellschaftlichen Aufgabe versteht und Verwertungsmöglichkeiten für die gesellschaftliche Bildungsarbeit aufzeigt. Akteur:innen aus der öffentlichen und religiösen Bildungsarbeit bietet das Heft eine interdisziplinäre Expertise, auf deren inhaltlichen Grundlagen eigene Formate und Angebote aufbauen können. Die interdisziplinäre Verzahnung bietet Fachwissenschafter:innen einen Einstieg in einen sich neu zusammensetzenden thematischen Blickwinkel in der Antisemitismusforschung. Die interessierte Öffentlichkeit gewinnt aus dem Heft eine kenntnisreiche Darstellung, die der Begleitung gesellschaftlicher Diskussionen dienlich sein kann.
Author(s): Antunes, Pedro
Date: 2025
Date: 2024
Abstract: Virtual reality and augmented reality experiences play an increasingly significant role in Holocaust memory and education as professional memory institutions continue to explore the affordances of integrating digital technologies into visitor and user experience. There is a rapidly expanding list of projects experimenting with cinematic virtual reality, photogrammetry, digital mapping, 3D modelling, 360-degree on-location survivor testimony as well as a growing portfolio of augmented and mixed reality mobile and tablet applications.

Principally being implemented as spatial technologies, several memorial sites and museums are exploring the possibilities of creating 3D graphic reconstructions of former sites of Nazi persecution in AR/VR such as the digital reconstruction of Falstad Concentration Camp, the Here: Spaces for Memory App at the Bergen-Belsen Memorial Site, the Sobibor AR exhibit, the project Auschwitz VR as well as the 360-degrees-walks at Neuengamme Concentration Camp Memorial. Going further, some digital initiatives are using VR/AR/MR technologies to zoom in on historical documents, testimonies and artefacts, notable projects include the ARt AR App at the Dachau Memorial Site and Museum which revivifies historical and contemporary drawings and paintings in-situ at the present-day site, the Anne Frank House VR which invites visitors to navigate the annex through a series of digital objects, and The Last Goodbye VR experience which foregrounds survivor testimony within Majdanek, the similarly survivor-driven Walk with Me at The Melbourne Holocaust Museum and numerous films that shape the Illinois Holocaust Museum and Education Center’s The Journey Back exhibition space.

While it is important to note that VR technology is not new and has existed for more than 30 years, it is only recently that the technology has become more widely accessible in the heritage and museum sectors (in part, due to the affordability of headsets and devices in the domestic market). The proliferation of VR and AR projects within the sector, then, raises critical questions regards the opportunities for digital Holocaust memory practice and education while also bringing to the fore issues of curation, contextualisation, visitor experience and accessibility.

This report serves as an important first step in this work. It was created as part of the research project ‘Participatory Workshops – Co-Designing Standards for Digital Interventions in Holocaust Memory and Education’, which is one thread of the larger Digital Holocaust Memory Project at the University of Sussex. The participatory workshops project have focused on six themes, each of which brought together a different range of expertise to discuss current challenges and consider possible recommendations for the future.

The themes were:

AI and machine learning
Digitising material evidence
Recording, recirculating and remixing testimony
Social media
Virtual memoryscapes
Computer games
Date: 2023
Abstract: The social media landscape is ever-changing as is its relationship to Holocaust memory and education. In the earlier days of Facebook and Twitter’s dominance, there was a clear divide of opinions in the Holocaust sector. On one hand, some institutions were early adopters (notably the Auschwitz State Museum) and others experimented with the affordances of these platforms such as the team at Grodzka Gate, Lublin extending the analogue practice of school pupils sending letters to child Holocaust victim Henio Zytomirski onto Facebook and the United States Holocaust Memorial Museum’s ‘tweet-up’ hybrid architecture tour. On the other hand, expressions of hesitance about these participatory spaces informed the need for the International Holocaust Remembrance Alliance’s Education Working Group to establish guidelines for using social media in this context (2014).

As practice grew, it also became somewhat formalised with most organisations predominantly focusing on Twitter, Facebook and Instagram for public engagement work, and most content presenting traditional curation of historical sources with additional narrative, promoting the organisation’s offline (or elsewhere online) work, or behind the scenes access to curator and educator experiences. Whilst, one of the

celebrated potentials about social media is their ability to help organisations to reach wider (global) audiences, little has changed online since Eva Pfanzelter’s (2014) claim that the Holocaust institutions that dominated previously offline, also dominate on social media platforms. Few others attract much engagement with their posts.

TikTok has brought both new opportunities and challenges for the Holocaust sector – organisations and individuals who have taken to creating content on the platform are seeing far greater engagement than they had on previous ones. Yet, TikTok is also one of the most data-invasive and opaque platforms regarding researcher access. Many also encounter far more Holocaust denial, distortion and trivialisation on this platform. However, the social media landscape is also far larger than the Holocaust sector has really acknowledged and much of the coded hate content that appears on mainstream platforms has been cultivated at scale on others, from 8Chan to Telegram, and gaming and VR social spaces. It is imperative therefore that we bring together a wide range of stakeholders and experts to discuss what the sector needs to move forward with its work on social media. If Holocaust memory and education is to remain visible in the ever-expanding digital world, then it must be visible across a variety of digital spaces.

This report serves as an important first step in this work. It was created as part of the research project ‘Participatory Workshops – Co-Designing Standards for Digital Interventions in Holocaust Memory and Education’, which is one thread of the larger Digital Holocaust Memory Project at the University of Sussex.

The participatory workshops project have focused on six themes, each of which brought together a different range of expertise to discuss current challenges and consider possible recommendations for the future. The themes were:

AI and machine learning
Digitising material evidence
Recording, recirculating and remixing testimony
Social media
Virtual memoryscapes
Computer games
Date: 2021
Abstract: Conspiracy fantasy or – to use the more common but less accurately descriptive term – ‘conspiracy theory’ is an enduring genre of discourse historically associated with authoritarian political movements. This article presents a literature review of research on conspiracy fantasy as well as two empirical studies of YouTube videos by three leading conspiracy fantasists. Two of these fantasists have been linked to the far right, while one maintains connections to figures on the far right and the far left. The first study employs content analysis of the 10 most popular videos uploaded by each of the three, and the second employs corpus analysis of keywords in comments posted on all videos uploaded by the three fantasists. Jewish-related entities such as Israel, Zionists and the Rothschild family are found to be among the entities most frequently accused of conspiracy in the videos. Conspiracy accusations against other Western nations (especially the United States and the United Kingdom), as well as their leaders and their media, were also common. Jewish-related lexical items such as ‘Zionist’, ‘Zionists’, ‘Rothschild’ and ‘Jews’ are found to be mentioned with disproportionate frequency in user comments. These findings would appear to reflect the conspiracy fantasy genre’s continuing proximity to its roots in the European antisemitic tradition and add weight to existing findings suggesting that the active YouTube audience responds to latently antisemitic content with more explicitly antisemitic comments.
Date: 2025
Abstract: Pole/Jew brings together a group of scholars—about half of them Jewish, about half of them ethnic Poles—from the United States, Poland, the United Kingdom, and Canada and enlists their diverse methodological and generational perspectives to push debates over Polish-Jewish relations beyond entrenched and reductive positions. At the core of the volume are the following questions:

–What impact has the Holocaust had on Polish history and Polish literature?
–How has the Holocaust affected Polish-Jewish—and Polish—identity?
–What future is there for relations between Poland’s small Jewish minority and the country’s overwhelming ethnic Polish majority? Between Poland and Israel? Between Jews of the diaspora and ethnic Poles abroad?
–Which research areas have yet to be addressed or revisited and reexamined?
–Are there ways to move beyond the reductive notion of 1989 (i.e., the fall of the communist regime in Poland) as wall and fulcrum?

By addressing these compelling questions, this volume offers fresh perspectives and encourages a nuanced understanding of Polish-Jewish relations.

Contributors:

M. B. B. Biskupski
Robert Blobaum
John J. Bukowczyk
Patrice M. Dabrowski
Halina Filipowicz
Agnieszka Jeżyk
Bożena Karwowska
Kamil Kijek
Kate Korycki
Elżbieta Kossewska
Grażyna J. Kozaczka
Stanisław Krajewski
Adam Lipszyc
Wiktor Marzec
Alina Molisak
Stanisław Obirek
Benjamin Paloff
Antony Polonsky
Brian Porter-Szűcs
Piotr Puchalski
Roma Sendyka
Dariusz Stola
Katarzyna Zechenter
Joshua D. Zimmerman
Geneviève Zubrzycki
Sławomir Jacek Żurek

Author(s): Gutfleisch, Henning
Date: 2026
Date: 2023
Date: 2019
Abstract: The Nazis and their cohorts stole mercilessly from the Jews of Europe. In the aftermath of the Holocaust, returning survivors had to navigate unclear and hostile legal paths to recover their stolen property from governments and neighbors who often had been complicit in their persecution and theft. While the return of Nazi-looted art and recent legal settlements involving dormant Swiss bank accounts, unpaid insurance policies and use of slave labor by German companies have been well-publicized, efforts by Holocaust survivors and heirs over the last 70 years to recover stolen land and buildings were forgotten. In 2009, 47 countries convened in Prague to deal with the lingering problem of restitution of prewar private, communal, and heirless property stolen during the Holocaust. The outcome was the Terezin Declaration on Holocaust Era Assets and Related Issues, aiming to “rectify the consequences” of the wrongful Nazi-era immovable property seizures. This book sets forth the legal history of Holocaust immovable property restitution in each of the Terezin Declaration signatory states. It also analyzes how each of the 47 countries has fulfilled the standards of the Guidelines and Best Practices of the Terezin Declaration. These standards were issued in 2010 in conjunction with the establishment of the European Shoah Legacy Institute (ESLI), a state-sponsored NGO created to monitor compliance. The book is based on the Holocaust (Shoah) Immovable Property Restitution Study commissioned by ESLI, written by the authors and issued in Brussels in 2017 before the European Parliament.
Date: 2024
Abstract: The World Wide Web (WWW) and digitisation have become important sites and tools for the history of the Holocaust and its commemoration. Today, some memory institutions use the Internet at a high professional level as a venue for self-presentation and as a forum for the discussion of Holocaust-related topics for potentially international, transcultural and interdisciplinary user groups. At the same time, it is not always the established institutions that utilise the technical possibilities and potential of the Internet to the maximum. Creative and sometimes controversial new forms of storytelling of the Holocaust or more traditional ways of remembering the genocide presented in a new way with digital media often come from people or groups who are not in the realm of influence of the large memorial sites, museums and archives. Such "private" stagings have experienced a particular upswing since the boom of social media. This democratisation of Holocaust memory and history is crucial though it is as yet undecided how much it will ultimately reinforce old structures and cultural, regional or other inequalities or reinvent them.

The “Digital space” as an arbitrary and limitless archive for the mediation of the Holocaust spanning from Russia to Brazil is at the centre of the essays collected in this volume. This space is also considered as a forum for negotiation, a meeting place and a battleground for generations and stories and as such offers the opportunity to reconsider the transgenerational transmission of trauma, family histories and communication. Here it becomes evident: there are new societal intentions and decision-making structures that exceed the capabilities of traditional mass media and thrive on the participation of a broad public.
Date: 2025
Abstract: CLe 10 octobre 2013, lors d’une réunion plénière à Toronto, l’Alliance internationale pour la mémoire de l’Holocauste (IHRA) a marqué un tournant dans la compréhension des manipulations historiques en introduisant l’expression « distorsion de la Shoah ». Cette nouvelle terminologie qui étend la réflexion sur les menaces posées par l’antisémitisme et le négationnisme, dépasse le simple ajout lexical. Elle reflète une prise de conscience accrue face à la complexité des discours visant à remettre en question la réalité historique de la Shoah.
Le « négationnisme », un mot inventé en 1987 par l’historien Henry Rousso dans son ouvrage Le Syndrome de Vichy, désigne les idées de ceux qui minimisent ou nient l’extermination des Juifs durant la Seconde Guerre mondiale. À l’époque, l’historien souhaitait rectifier l’usage inapproprié du terme « révisionnisme », souvent confondu avec celui de négationnisme, et rappeler que, dans une démarche scientifique, le révisionnisme se distingue clairement de ce dernier. Il expliquait alors :
Le révisionnisme de l’histoire étant une démarche classique chez les scientifiques, on préférera ici le barbarisme, moins élégant mais plus approprié, de « négationnisme », car il s’agit bien d’un système de pensée, d’une idéologie et non d’une démarche scientifique ou même simplement critique.
Le négationnisme, en tant qu’idéologie, cherche avant tout à effacer ou déformer la réalité de la Shoah. Toutefois, cette définition s’avère insuffisante pour désigner d’autres formes de falsifications historiques qui, plutôt que de nier directement l’événement, le réinterprètent de manière à le banaliser, le déformer ou le trivialiser…
Author(s): Hutter, Michael
Date: 2025
Date: 2025
Abstract: This article examines the role of antisemitism in international politics. Drawing on a genealogy of European antisemitism, it proposes the analytic framework of the ‘enemy within’ to foreground instances when Jewish ‘enemy’ figures are positioned on both sides of the boundaries organising international political orders. This particular permutation of (racial) bordering is porous and ambivalent, even or especially as ‘hard’ and binary racial borders are simultaneously enforced. The article identifies four characteristics of the Jewish ‘enemy within’: a shared origin story with European Christendom; simultaneous presence on both sides of a (racial) boundary; a prompting of fears around contagion, infiltration and assimilation; and deployment to legitimise strategies of hyper-vigilance, surveillance and purification. The genealogy traces how the Jewish ‘enemy within’ is mobilised in consolidation or defence of, first, Christian medieval order and, second, raced nation-states, economies, and bodies, in modernity. In both periods, the Jewish ‘enemy within’ appears as both an insider and outsider whose perceived ambivalence threatens, and is mobilised to defend, religious, racial and political international orders. Finally, the article applies this framework to contemporary antisemitism. Overall, the article offers a novel engagement with antisemitism in International Relations and a tool for analysing complex forms of racial bordering in global politics.
Date: 2024
Date: 2021
Date: 2024
Author(s): Grigat, Stephan
Date: 2022