Abstract: Eine Vielzahl von Institutionen und Initiativen in Deutschland, Österreich und der Schweiz sammelt, erforscht und vermittelt jüdische Geschichte und Kultur. Dazu gehören Museen, Bibliotheken und Archive, Gedenkstätten, Vereine, Kommissionen, Universitätsinstitute und private Initiativen; es gibt Projekte zur Erforschung jüdischer Friedhöfe ebenso wie genealogische Gesellschaften. Sie sind lokal, regional sowie überregional tätig und werden durch staatliche Förderung oder privates Engagement getragen.
Das Buch bietet erstmals eine aktuelle Bestandsaufnahme dieser Institutionen und Initiativen, die mitunter auf eine lange Tradition zurückblicken können, insbesondere in den letzten drei Jahrzehnten aber an Zahl zugenommen und Bedeutung gewonnen haben. In diesem übersichtlichen Nachschlagewerk beschreiben die einzelnen Institutionen ihre Entstehung, Entwicklung und Aufgaben. Genaue Angaben zu den Archiv- und Sammlungsbeständen ermöglichen Interessierten einen Zugang zu schriftlichen, bildlichen und materiellen Überlieferungen zur jüdischen Geschichte und Kultur im deutschsprachigen Raum.
Abstract: Since the 1989 political transition, a multifaceted process of knowledge production and memory formation regarding rural Jews has been ongoing in Hungary’s civil and academic spheres, often starting from or leading to local history research. These initiatives typically have multiple aims and functions: mourning the losses of the Holocaust, confronting and facing the difficult past, and uncovering the historical values of specific localities. Through the
presentation of examples and analysis of a bibliography on the subject, this article evaluates the achievements, directions, and shortcomings in this field, using historian Diana Pinto’s conceptual framework of “Jewish Space.” Building on the theoretical and practical analyses by Diana Pinto, Erica Lehrer, and Ruth Ellen Gruber, the author emphasizes that the social memory of European Jews can be most effectively created in spaces where Jewish and non-Jewish organizations and individuals can collaborate, engage in dialogue, and make joint contributions. The analysis also highlights the need for more professional and financial support for individuals and organizations active in this area and stresses the importance of coordinating their work and developing strategies based on professional criteria to ensure the efficient use of resources.
Abstract: This paper uses archival and ethnological research to analyze the fates of former synagogues during two totalitarian regimes in present-day Slovakia. The processes described here were catalyzed by the Holocaust. Between 1938 and 1945, over 100,000 Jews from Slovakia were murdered. Out of the 228 Jewish religious communities (JRCs) active before the war, only 79 were reconstituted after liberation. Most were later disbanded because of aliyah to Palestine/Israel. Their abandoned synagogues passed into the administration of the newly founded Central Union of Jewish Religious Communities (CUJRC). During the Communist era (1948-1989), the majority of these synagogues were sold because the CUJRC did not have sufficient resources for their maintenance.
The second section of this paper discusses synagogues in different parts of Slovakia to show how representatives of the CUJRC tried to ensure the temples’ new owners did not violate their religious dignity. Purchase and sale agreements generally prohibited using the synagogues for entertainment purposes, instead preferring their conversion into warehouses, silos, workshops, etc. Although, as soon as the 1940s, part of the community requested that the synagogues be used as cultural centers, this did not happen on a large scale until after the revolution of 1989. A synagogue is not defined by its four walls but rather by the activities that take place inside it. The repurposed buildings are frequently located in regions with no active Jewish organizations. They are mere relics of the past and, bar a few exceptions, do not contribute to the renewal of traditional Jewish life. Believers nevertheless tend to have a negative view of the events that are held in the former synagogues, with some going as far as to consider them disrespectful. Even many secular Jews feel that the former synagogues do not fulfil their original purpose and have definitively transformed into non-synagogues.
Abstract: The aim of the article is to demonstrate the specifics of the gastronomic code as a phenomenon of cultural model and as a particular element of the formation of Jewish identity during the Soviet period using the example of the situation of Jews in Latgale. The study is part of a research project focusing on the Jewish text in Latgale, a region in south-eastern Latvia, during the 1970s–1990s. Within the project, a field study – semi-structured interviews – was carried out. The informants interviewed were representatives of Jewish ethnicity, born in the 1960s–1970s, who currently reside in Latvia and Israel.
During the research, the key components of the gastronomic code were identified: remarkable dishes, awareness of the ethnic tradition, understanding of religion, model of knowledge transmission from generation to generation.
Considering the specifics of the field study material, the following conclusion has been drawn. The gastronomic code of the Jewish community in Latgale during the Soviet period reflects a blend of Ashkenazi Jewish traditions and the norms of Soviet household practices.
Abstract: This book explores and reveals the intricacies of Jewish heritage in contemporary Germany, the role it plays as a "moral heritage" in the symbolic representation of Jews and Judaism in the national landscape, and its relevance for the cultural sustainability of local Jewish communities. The practice of synagogue music in the past and present is a central case study in the discussions. This ethnographic study examines how Jewish liturgical music as the cultural heritage of minorities has been constructed, treated, discussed, appropriated, and passed on to different actors in different forms and for different purposes over time. It also examines the resulting moral and ethical questions and power imbalances. The author discusses how both Jewish and non-Jewish stakeholders utilize the music of 19th- and early 20th-century Reform Judaism and the Minhag Ashkenaz for a symbolic reconstruction of German Jewry. Furthermore, they repatriate it in local Jewish communities today. This is usually done for individual, sometimes commercial, rather than religious reasons. The Jewish-musical cultural heritage process is characterized by moral imperatives and complex negotiations about power and representation. It reveals problematic aspects of German-Jewish relations, cross-generational rifts, and denominational differences between the Jewish communities in post-war Germany.
Abstract: In recent decades, comedy studies have displayed a concern with understanding the power dynamics and cultural norms shaping the ‘marginal’ and ‘mainstream’ in comedy. Rarely, however, have intersecting norms concerning religion, gender and race been taken as a point of departure in this field. Through a qualitative analysis of Creeger’s 2022 set Pray It Forward! and of a semi-structured interview conducted with the comedian in August 2022, this chapter explores precisely these issues. Stand-up comedian Rachel Creeger, whose work is the central focus of this chapter, experiences particular intersecting forms of marginalization as an Orthodox Jewish woman on the normatively secular British comedy circuit. She experiences both covert misogyny and anti-Semitism, and more subtle forms of exclusion. At the same time, the frame of marginality is not always experienced by Creeger as a straightforwardly ‘negative’ thing. Instead, Creeger’s comedy complicates the frame of ‘marginality’ through an emphasis on the advantages of having a ‘unique voice’ and on the relatability of her material. Specifically, a repertoire of popular culture references in Creeger’s material blurs the imagined binary between the categories of ‘religion’ and ‘the secular’ and implicitly disrupts norms concerning religion and gender entangled with this binary frame.
Topics: Attitudes to Israel, Attitudes to Jews, Holocaust, Israeli-Palestinian Conflict, Israeli-Arab Conflict, Israel Criticism, Main Topic: Culture and Heritage, Memory, Literature, Film, Television
Abstract: Examines an important relational shift in British and German cultural depictions of Palestine and Israel since 1987
Develops relationality as a critical tool to challenge mainstream ideas about Israeli and Palestinian narratives as separate and not connected to European histories of the Holocaust and colonialism
Argues that Israel and Palestine are used as geopolitical and imaginary spaces to discuss social and political concerns in the United Kingdom and in Germany
Examines works by authors and directors from outside of Israel and Palestine, including those with no direct link to the conflict, thus extending our understanding of Palestine and Israel as signifiers in the contemporary period
Offers a comparative analysis of British and German literature, TV drama, and film which focuses on country-specific case studies to identify common trends in imagining and reimaging Israel and Palestine since the first Palestinian Intifada
Discusses works published since 1987 which depict encounters between (Israeli) Jews and Palestinians since 1947 which depict encounters between (Israeli) Jews and Palestinians and their narratives since 1947
Isabelle Hesse identifies an important relational turn in British and German literature, TV drama, and film published and produced since the First Palestinian Intifada (1987-1993). This turn manifests itself on two levels: one, in representing Israeli and Palestinian histories and narratives as connected rather than separate, and two, by emphasising the links between the current situation in Israel and the Occupied Palestinian Territories and the roles that the United Kingdom and Germany have played historically, and continue to play, in the region. This relational turn constitutes a significant shift in representations of Israel and Palestine in British and German culture as these depictions move beyond an engagement with the Holocaust and Jewish suffering at the expense of Palestinian suffering and indicate a willingness to represent and acknowledge British and German involvement in Israeli and Palestinian politics.
Abstract: As elsewhere in eastern and southern Europe, many Jewish communities in Greece were almost completely destroyed during the Holocaust, which resulted in the near erasure of many distinctive religious and cultural practices. Among these erased communities were the Romaniote Jews, an Indigenous Judeo-Greek population distinct from the Sephardic Jews who arrived in Greece following the Spanish Inquisition. The cultural losses included their musical practices, which were largely orally transmitted. A few Romaniote leaders and practitioners continue the musical-liturgical traditions today in Greece, as well as in the United States and Israel. The living practice of this musical liturgy that is ever-changing in the typical manner of orally transmitted repertoires arguably embodies a process of remembering destruction. This process is shown by the imprint of gaps in memory caused by rupture embedded in the repertoire. While remembering destruction is an intrinsically Jewish practice, it is of specific importance to the Jews of Ioannina (a city that once was, and arguably still is, the spiritual center of Romaniote Jews) and their descendants. In the past decade, an annual pilgrimage to Ioannina to attend a Romaniote Yom Kippur service has become a pivotal experience for both Romaniote Jews and others, enabling them to remember and mourn the pre-Holocaust community. This annual pilgrimage, at the epicenter of Romaniote religious and social significance, generates a new Jewish collective based on Romaniote identity and history that includes the restoration of distinct musical practices.
Abstract: Over half a century after the Holocaust, in Eastern European countries where the Jewish community remained only a small part of the population, products of Jewish culture (or what is perceived as Jewish culture), including music, have become vital components of the popular public domain. In Poland, there are festivals and concerts of Jewish music, more and more records with this music, Jewish museums, and renovated Jewish districts, with Jewish cuisine, and music that are offered to tourists visiting Poland as the main attractions. They attract enthusiastic – and often non-Jewish – crowds. I consider how non-Jews involved in this movement in Poland perceive and implement Jewish culture, why they do it, how much it involves the recovery of Jewish heritage, and how this represents the musical culture of Jews in museums and at events organized for tourists. I also consider the relation of non-Jews as a majority group to Jews as a minority group, as well as the impact of the musical actions of the former on the musical culture of the latter. The article is based on field research and observations I have made during more than twenty years, both among the remaining Jews in Poland and in mixed or non-Jewish communities where music perceived as Jewish is promoted.
Abstract: The filigree ground mosaic is placed at the heart of the Grindel neighbourhood in Hamburg, Germany. Tracing the footprint of the former synagogue that once stood there, proudly, it demarcates an absence. It is a reminder of what the Nazis destroyed and sought to extinguish. The fact that the synagogue will finally be rebuilt, in the same place, with the support of the Federal government and the city, is anything but a matter of course. This will be the first reconstruction project of a synagogue of this size in Germany since the Second World War. Yet the project has been controversial in some respects. The two main concerns expressed in the public debate about the form of reconstruction and whether and how to integrate the Synagogue Monument at first sight appeared to be in irreconcilable competition: the importance of maintaining a culture of remembrance, and the legitimate claim of the Jewish Community to recover and rebuild its former place of worship. This would not merely be, as is often said, a sign of Jewish belonging, of identity and representation, in the urban society. Rather, it is about modes of existence that the architecture itself, in the materiality of its form and its presence, embodies and makes possible. To the people, architecture is what makes the difference. It thus shapes the political landscape.
Abstract: In 1905, Yiddish poet and Glasgow union activist Avrom Radutsky described the Jewish population of Scotland as ‘a mere drop in the ocean’. Nevertheless, by 1920 this drop had swelled to 20,000 people, centred primarily (though by no means exclusively) around the Gorbals in Glasgow. The area was characterised by vibrant community life, but also cramped low-quality housing, poor sanitation and harsh economic inequality. Many of Glasgow’s Jews began to climb a social ladder that would lead them out of the Gorbals and towards more spacious residences in the south-west of the city, but maintained regular contact with its streets, shops and places of worship. Large-scale demolition of the neighbourhood in the 1960s mean that the Gorbals looks very different today, and the Jews are gone. The Jewishness of this space, however, still remains: a remembered or imagined presence in the minds of second and third generations, celebrated through community outreach, or romantically evoked in popular narratives. Equally, an absence of Jewish life in today’s Gorbals has been paralleled by the emergence of wide-ranging and socially minded virtual networks of shared memory. Through analysis of contemporary accounts and archival sources, oral histories, fieldwork interviews, and lively online discussion groups, this article examines how this former densely populated Jewish neighbourhood now functions as an important lieu de memoire, but in a significantly different way to Eastern Europe’s pre-war Jewish spaces. At the geographical edges of more traumatic histories, the Gorbals instead provides an affective link for contemporary, assimilated Scottish Jews, while at the same time the area’s Jewish history becomes part of a wider virtual online community – signifying an emotional connection to immigrant narratives and grounding personal and social histories.
Topics: Synagogues, Rabbis, Jewish Leadership, Jewish Heritage, Jewish Continuity, Religious Observance and Practice, Religious Denominations, Sephardi Jews, Main Topic: Culture and Heritage, Jewish Museums, Artefacts and Material Culture
Abstract: This article explores how rabbis, directors and members of Amsterdam’s Jewish religious communities view the heritagisation of Jewish religious life by analysing how they interact with Amsterdam’s main synagogues and their collections of ceremonial objects. It focuses on the synagogues of the Jewish Cultural Quarter – the Portuguese Synagogue with its accompanying Sephardi community, and the former Ashkenazi synagogue complex, now the Jewish Museum. From a dynamic heritage perspective, this heterogeneous constellation raises questions about how and why heritage making occurs here. Following a Constructivist Grounded Theory methodology, concurrent data collection and analysis let emerge interrelated conceptual categories that explain how communities interact with these functioning and musealised synagogues and objects: Embodying the transmission of tradition; Instrumentalising the heritage of Jewish religious life; Transforming the beauty of holiness; and Assembling in heritagised synagogues. These categories intersect in the core category of the Jewish religious heritage continuum, which this article presents as a dynamic embodiment of remembering, reconnection, and revival of Jewish tradition. For the interviewees, these performances, and the deployment of functioning and musealised synagogues and collections, form a cultural apparatus that marks their present, diverse and living material culture and grafts a Jewish future onto a Jewish past.
Abstract: András Koerner is the author of a number of critically acclaimed, award-winning CEU Press titles on the cultural history of Hungarian Jews and Jewish cuisine. This volume continues that tradition by discussing the phenomenon of exhibits on Jewish culinary culture in museums and galleries around the world.
The first part of the book provides an overview of the cultural history of "foodism" and the proliferation of Jewish museums. In addition, it examines the role of cuisine in Jewish identity. It offers an analysis of the history and recent examples of exhibitions on Jewish culinary culture, a subject that has not received scholarly attention until now.
The second part complements this by offering a detailed case study of the book’s subject. It showcases a 2022 exhibition in Budapest on the History of Hungarian Jewish Culinary Culture. András Koerner was the co-curator of the show, thus he is able to offer an insider’s account of its implementation – concept, scope, goals, audience, and design. He also openly discusses the compromises made and mistakes committed in the exhibition’s preparatory work.
This subjective account, quite different from the dry objectivity of catalogues, offers an unusual, behind-the-scenes look at how a complex exhibition like this is prepared. At the same time, the book’s appendix includes images of the display boards and some of the exhibited objects – thus it can also stand for a valuable ex-post catalogue.
Abstract: The racial formation of nationalism from the perspective of migration produces multiple forms of “whiteness”. “Not quite/not white” (Bhabha) translated racial difference into a culturally-hybrid formulation of the postcolonial subject in postcolonial theory. The consequence of translating racial difference into culturally hybridity also diluted a focus on the nation by focusing on the diasporic subject. In Eastern Europe however, “whiteness” is firstly marked by the ambiguous history of the racial other within the nation rather than the historical colonization of racial others beyond. Further, the often traumatic displacement of racial others in/from Eastern Europe has more to do with forms of nationalism than colonialism. Thus, the displacement of racial others in relation to Eastern European nationalism take on an importance largely missing in deracinated postcolonial condemnations of the nation. Europe-based Israeli artist Yael Bartana’s And Europe will be stunned: the Polish trilogy, provides a provocative invitation to think the disturbing place of race in the formation of nationalism in Eastern Europe precisely from these two dimensions: the history of racial difference (Jews) within the nation (Poland), and the centering of racial “returns” for the past and future of nations both in Eastern Europe and beyond it. Through film, public performance and spoken/written word, And Europe… firstly stages the nation from the historical perspective of displaced/exterminated racial others. Through a provocative call to return of the Jews into the Polish nation from which they fled or were exterminated, Bartana proposes a ghostly and literal racially hybridity within the nation to counter the ongoing construction of “whiteness” in Eastern Europe. Secondly, And Europe.. also performs a powerful critique of the problematic politics of return in Israel which deploys Europe’s treatment of its Jewish others to now consecrate the Israeli nation as an exclusively Jewish state. The currency of “whiteness” from the doubled perspective of a future Poland and the present in Israel delivers contradictory returns for the nation by producing hybridity here in Europe and homogeneity there outside it.
By thinking “whiteness” for/against the nation, the essay shows how the returns of race and of racial others can help think a hybrid nation both within Eastern Europe and outside it. Seen from a global perspective, “Whiteness” in Eastern Europe thus offers the racially hybrid nation rather than the culturally hybrid postcolonial subject as a counter to the racism of contemporary nationalisms.
Abstract: The starting point for the present study is the thematization of the concept of “Jewish cultural heritage” and, in this context, the outlining of the role and position of cemeteries in Jewish tradition. The case study focuses on the Hungarian village of Apc, which was home to a Jewish community of just over a hundred people before World War II. After the Holocaust, only a few survivors returned to the settlement; some of them emigrated, while others remained in Apc for the rest of their lives. In recent decades, what has become of the cemetery, one of the most important sites for the former Jewish community of Apc? This paper explores the process of the heritagization of the local Jewish cemetery, one of the activities carried out by the Together for Apc Association, a civil society initiative launched two decades ago. In 2003, the dilapidated and abandoned “Israelite cemetery” was the first of the settlement's deteriorating assets to be declared as local cultural heritage. With the involvement of various actors from the local community (volunteers and local entrepreneurs), and in contact with Jewish organizations (the Federation of Hungarian Jewish Communities, the Foundation for Hungarian Jewish Cemeteries), the cemetery was restored over a period of two years and was “inaugurated” in 2006 in the presence of a rabbi, a cantor, a Jewish secular leader, Holocaust survivors and members of the local society. In the fifteen years since then, care has been taken to ensure that the achievements are sustainable and maintained, and the cemetery has been kept open not only for the descendants of the Jewish community but for all interested parties. But the salvaging of the Apc Jewish cemetery is not only an example of the preservation of the built heritage of a single community: while for the village residents it forms part of their local identity, for the Jewish organizations it represents part of their Jewish identity. What happens when two communities stake a claim to the heritagization of the same site? As a shared goal, or “cause,” the “bipolar” process of the heritagization of the Jewish cemetery in Apc has provided an opportunity for dialogue, collective thinking, and problem solving between Jewish and non-Jewish society, even if the various heritagization goals, coming from different directions, have in many cases generated tensions.
Abstract: Jewish-Roman cuisine, the traditional food of one of Europe’s longest-standing Jewish communities, is among Italy’s most distinctive hyper-local repertoires. Gastronomes increasingly acknowledge the importance of Jewish foodways for Italian cuisine, but a few famous “signature dishes” often dominate popular ideas of Jewish food in Italy. In Rome, carciofi alla giudìa – deep-fried “Jewish-style” artichokes – have long been used to symbolize the diverse and complex Jewish-Roman tradition. Blending ethnographic methods with discourse analysis, I ask how and why carciofi alla giudìa occupy this role, and what this means for contemporary Jewish-Roman identity. I then examine a selection of “origin stories” behind other dishes in the Jewish-Roman tradition, arguing that going beyond the near-ubiquitous artichoke can complicate and enrich our understanding of Jewish-Roman history, culture, and identity. Rather than attempting to prove or disprove these stories, I analyze them as tools for self-fashioning. I identify a variety of characteristics that these narratives are used to communicate: including ancient roots; resilience and resourcefulness; and an openness to new arrivals and external influences. Finally, I interrogate the relationship between the Jewish-Roman tradition and the city’s cuisine at large, arguing that this too has important repercussions for Roman and Jewish-Roman self-perception and identity.
Abstract: In the twenty-first century, Rome’s former Jewish Ghetto has experienced rapid “foodification,” in which food businesses come to dominate a previously residential or mixed-use neighborhood. Why and how has foodification taken place in Rome’s former Ghetto, and how unique is this case? What can this example teach us about foodification as a phenomenon? Foodification is influenced by broader forces, including gentrification, but is also affected by factors particular to this neighborhood. These include Jewish heritage tourism; religious dietary laws; and a growing curiosity about hyper-local food, such as cucina ebraico-romanesca (Jewish-Roman cuisine), and about dishes outside the Italian canon. Jewish-style and kosher restaurants have developed to stimulate and satisfy multiple demands, serving “traditional” Jewish-Roman dishes; Middle-Eastern and North African dishes; new interpretations of popular Italian dishes; and kosher versions of international foods popular in Italy, like hamburgers and sushi rolls. Contrary to the idea that this diversity threatens the Jewish-Roman tradition, I argue that the neighborhood’s foodscape reflects the variety of communities and tastes in contemporary Rome, where local specialties persist alongside a wide range of other options. This article argues that although foodification is often connected to gentrification and tourism, it should be distinguished from these phenomena. By asking how the former Ghetto’s new restaurants communicate heritage and identity, I demonstrate that foodification can take place in ways that are specific to a particular neighborhood, and that the food has become one of the major means by which the former Ghetto’s past and present character is articulated in Rome.
Abstract: This article explores how Jews in Finland relate to the musical traditions of their synagogues and the changes that have occurred in the customs over time and as the result of various cultural and spiritual influences. Based on ethnographic data, it focuses on rituals, liturgy, and music as contexts for negotiating relationships between the institution and the individual, memory practices, and contemporary innovation – being and doing Jewish, to use concepts from the vernacular religion framework. The article outlines the historical development of Minhag Finland, the vernacular liturgical customs. It concludes that the “turn to traditions” should be stated in the plural, as several Jewish customs, cultures, and context are engaged in the negotiations around liturgy. This is not just a way to freeze time and preserve the status quo. Instead, seeking for meaningful models in the past paves the way for change – especially when turning toward a broad range of traditions.
Abstract: Established in 1843, the Jewish residential quarter in Samarkand (located at the time in the Bukharan kingdom, and today in independent Uzbekistan) has been emptied of its Jewish residents in the wake of the Soviet Union’s demise. Since then, physical markers testifying to their history in the neighbourhood have also been eroding. This process has been organic, rather than a deliberate program of erasure. Still, these shifts in the built environment fit within Uzbekistan’s larger project of state-building, as Jewish homes and communal structures belie the Russian and Soviet colonial legacy, which has been spurned since independence. Drawing on recent and historical accounts, as well as my own observations in the 1990s and in 2013, this article documents the built environment in the very moment of transition, as physical structures transform and are separated from the history and memories that enlivened them. With this disappearance, a tourist opportunity for encountering global Jewish diversity is lost, and Uzbekistan’s project of nation-building – absent its historical minority populations – is further solidified.
Abstract: As one of the most visited museums in Germany’s capital city, the Jewish Museum Berlin is a key site for understanding not only German-Jewish history, but also German identity in an era of unprecedented ethnic and religious diversity. Visitors to the House of Memory is an intimate exploration of how young Berliners experience the Museum. How do modern students relate to the museum’s evocative architecture, its cultural-political context, and its narrative of Jewish history? By accompanying a range of high school history students before, during, and after their visits to the museum, this book offers an illuminating exploration of political education, affect, remembrance, and belonging.
Abstract: Kristallnacht, 1938, was a defining moment, changing the course of history. Can the Jewish heritage destroyed before and during World War II be reconstructed? This paper will link eschatological thought and the relevant Mishnaic texts, in particular the value of holiness and its attributes both in time and place. Can a synagogue be de-sanctified? Is the value in the material or the use?
Reviewing these tragic events, the possible criteria for reconstructing the architectural components of Jewish life should be considered, through the evidence of history, the record of events, values of the past, and the new realities of the future. Another significant concern is not so much in understanding the changing and diverse values of a community but the approaches toward the interpretations of these values. In this debate, where existential or historical models play a major role, Judaism tends toward the former, recalling events over time and the allegory in the facts.
What remained in Europe were the ruins, the memory of places and events, and the resilience of the human spirit. However, there are compounded memories and multiple voices, ever changing, challenging the identities of real and virtual communities. How do we evaluate the facts and the extended contexts over time that demand renegotiation of their meaning and interpretation?
On current projections, the Jews may become an insignificant number in European society over the course of the twenty-first century. Can these buildings, as reconstructed, live without the spirit of the people; can new people inhabit the reconstructions, or is the ruin the true manifestation of the course of history? The divergent case studies of the three ShUM cities, Speyer, Worms, and Mainz, in Germany provide a glimpse into the debate and an appraisal of the moment in time.
There are common attitudes facing recovery and reconstructions for uprooted communities after tragedies that leave scars on history. The case studies of Jewish heritage reconstruction and the considerations of impermanence provide another perspective to the restorations of the Bamiyan Buddhas and together a chilling evidence to the consequences of racism.
Abstract: Since the early 2000s, Poland has experienced a remarkable Jewish revival, largely driven by non-Jewish Poles with a passionate new interest in all things Jewish. Klezmer music, Jewish-style restaurants, kosher vodka, and festivals of Jewish culture have become popular, while new museums, memorials, Jewish studies programs, and Holocaust research centers reflect soul-searching about Polish-Jewish relations before, during, and after the Holocaust. In Resurrecting the Jew, Geneviève Zubrzycki examines this revival and asks what it means to try to bring Jewish culture back to life in a country where 3 million Jews were murdered and where only about 10,000 Jews now live.
Drawing on a decade of participant-observation in Jewish and Jewish-related organizations in Poland, a Birthright trip to Israel with young Polish Jews, and more than a hundred interviews with Jewish and non-Jewish Poles engaged in the Jewish revival, Resurrecting the Jew presents an in-depth look at Jewish life in Poland today. The book shows how the revival has been spurred by progressive Poles who want to break the association between Polishness and Catholicism, promote the idea of a multicultural Poland, and resist the Far Right government. The book also raises urgent questions, relevant far beyond Poland, about the limits of performative solidarity and empathetic forms of cultural appropriatio
Abstract: This article focuses on the management of heritage and cultural tourism related to the complex identity of minority groups, where different components tend to produce different visions and practices. It highlights the impacts of globalized transnational networks and influences on political, cultural and religious identities and affiliations over long distances. In fact, diverse views, approaches, perceptions and representations may lead to disagreement and conflicts even within apparently compact ethnic or religious communities. The issues related to dissonant heritage management strategies and the related authorized heritage discourse, in terms of unbalanced power relations and diverging narratives, are considered. The theme of Jewish heritage tourism (J.H.T) is analysed, with a focus on the case of Syracuse, Italy. This historically cosmopolitan and multicultural city specializes in cultural tourism and tends to develop niche products, including J.H.T, in order to strengthen and diversify its international cultural destination status. Different components of the Jewish world, as well as non-Jewish stakeholders, practice different approaches to heritage tourism. Actors, discourses and reasons behind Jewish culture management and promotion will be highlighted and the reactions, perceptions and suggestions by the various stakeholders and groups involved will be portrayed, with the aim of contributing to the discussion about the complexity of niche heritage tourism processes in a multi-ethnic site.
Abstract: Os Cadernos de Orações Criptojudaicas e Notas Etnográficas de Judeus e Cristãos-Novos de Bragança resultam de uma investigação baseada em trabalho de campo antropológico realizado em Bragança e são uma coletânea de dados que atestam a persistência da cultura judaica, criptojudaica, ou cristã-nova no distrito, até à contemporaneidade Incluem-se nesta obra uma síntese do levantamento histórico e um conjunto de dados etnográficos respeitantes ao património cultural judaico e cristão-novo da região nas suas dimensões imateriais, narrativas ou discursivas, e nas suas dimensões materiais, objetificadas - peças que atestam que se trata de um legado que não só perdura na memória coletiva local, como é ainda no presente um legado estruturante da identidade local, tornando-a multicultural. O leitor encontrará uma parte do que existe deste património judaico e cristão-novo transmontano, pois uma etnografia é sempre algo em construção, um olhar inacabado que carece de constante atualização, dado que a permanente transformação e construção fazem parte da própria essência de todas as culturas. Mas é sobretudo um tributo aos brigantinos que participaram nesta construção e que, vencendo os receios do secretismo, se deixaram motivar pela esperança de se integrarem num judaísmo plural e num Portugal mais intercultural.
Abstract: This dissertation illustrates how a moral burden of history manifests itself in social relationships, cultural processes, and material products. Specifically, it argues that what appears to many as a superficial, commercially motivated revival of Jewishness in Poland is also a significant joint venture between non-Jewish Poles and Jewish visitors to Poland in exploring inter-ethnic memory-building and reconciliation. The findings are based on 18 months of ethnographic research in the historical Jewish quarter (Kazimierz) in Krakow, Poland, with further research in Israel and the United States among diaspora Jews. My research reveals that the notion of uniform Holocaust tourism disguises a movement to contest lachrymose conceptions of Jewishness as victimhood. I document a sense of Jewish connection to Poland---overlooked in mainstream discourses---that animates new generations of Jews and Poles to seek each other out. Similarly, much of the Jewish revival in Kazimierz is orchestrated by non-Jewish Poles. I show how they use identification with Jewishness to reconfigure their own Polishness and their visions for a pluralistic Polish nation state. I conclude that (1) popular cultural products, practices, and spaces can be important manifestations of---and tools for---moral reckoning; (2) identification with someone else's ethnicity/religion (often called appropriation) can be understood as an enlargement of, rather than an escape from, the self, and (3) Kazimierz in Krakow represents the cutting edge of Polish-Jewish relations via local grassroots culture brokers who use Jewishness to expand the Polish universe of obligation.
