The aesthetics of alternation and the returns of race: Poland and the Jewish Question
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Abstract
The racial formation of nationalism from the perspective of migration produces multiple forms of “whiteness”. “Not quite/not white” (Bhabha) translated racial difference into a culturally-hybrid formulation of the postcolonial subject in postcolonial theory. The consequence of translating racial difference into culturally hybridity also diluted a focus on the nation by focusing on the diasporic subject. In Eastern Europe however, “whiteness” is firstly marked by the ambiguous history of the racial other within the nation rather than the historical colonization of racial others beyond. Further, the often traumatic displacement of racial others in/from Eastern Europe has more to do with forms of nationalism than colonialism. Thus, the displacement of racial others in relation to Eastern European nationalism take on an importance largely missing in deracinated postcolonial condemnations of the nation. Europe-based Israeli artist Yael Bartana’s And Europe will be stunned: the Polish trilogy, provides a provocative invitation to think the disturbing place of race in the formation of nationalism in Eastern Europe precisely from these two dimensions: the history of racial difference (Jews) within the nation (Poland), and the centering of racial “returns” for the past and future of nations both in Eastern Europe and beyond it. Through film, public performance and spoken/written word, And Europe… firstly stages the nation from the historical perspective of displaced/exterminated racial others. Through a provocative call to return of the Jews into the Polish nation from which they fled or were exterminated, Bartana proposes a ghostly and literal racially hybridity within the nation to counter the ongoing construction of “whiteness” in Eastern Europe. Secondly, And Europe.. also performs a powerful critique of the problematic politics of return in Israel which deploys Europe’s treatment of its Jewish others to now consecrate the Israeli nation as an exclusively Jewish state. The currency of “whiteness” from the doubled perspective of a future Poland and the present in Israel delivers contradictory returns for the nation by producing hybridity here in Europe and homogeneity there outside it.
By thinking “whiteness” for/against the nation, the essay shows how the returns of race and of racial others can help think a hybrid nation both within Eastern Europe and outside it. Seen from a global perspective, “Whiteness” in Eastern Europe thus offers the racially hybrid nation rather than the culturally hybrid postcolonial subject as a counter to the racism of contemporary nationalisms.
By thinking “whiteness” for/against the nation, the essay shows how the returns of race and of racial others can help think a hybrid nation both within Eastern Europe and outside it. Seen from a global perspective, “Whiteness” in Eastern Europe thus offers the racially hybrid nation rather than the culturally hybrid postcolonial subject as a counter to the racism of contemporary nationalisms.
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Antisemitism Race Racism Nationalism National Identity Jewish Culture Jewish Heritage Main Topic: Culture and Heritage Jewish Arts
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156-176
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978-1-5261-7220-4
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Link to download in university repository, The aesthetics of alternation and the returns of race: Poland and the Jewish Question
Bibliographic Information
The aesthetics of alternation and the returns of race: Poland and the Jewish Question. . 2024: 156-176. https://archive.jpr.org.uk/object-4070
