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‘Retaining the Tradition – but with an Open Mind’ – Change and Choice in Jewish Musical Practices

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This article focuses on religion and change in relation to music. Its starting point is the argument that music plays a central role as a driving force for religious change, as has recently been suggested by several researchers of religion. Music is seen to comprise elements that are central to contemporary religiosity in general: participation , embodiment, experience, emotions, and creativity. This article approaches the discussion from a Jewish point of view, connecting the theoretical perspective to an ethnographic case study conducted among progressive Jews in London with special focus on music, religious practice, and change. The article outlines the ongoing discussion on religion and change by focusing on features of individualism, personal choice, and processes of bricolage, critically assessing them from an inclusive point of view, focusing on individuals as simultaneously both personal and socially as well as culturally embedded agents. The analysis highlights a visible trend among the interviewees of wanting to combine a radically liberal theology with an increasingly traditional practice. In these accounts musical practices play a pivotal yet ambiguous role as instigators and insignia of religious change. As a conclusion, insights into more 'sonically aware religious studies' are suggested. We need a kind of … something that retains the tradition; that holds on to these precious traditions and rituals, the music and all the rest – but with an open mind and a much more questioning and open approach to Jewish law. In these words Rebecca 1 expresses what she strives to achieve in her work as an innovative yet historically perceptive and liturgically informed can-1 The names of the persons interviewed have been anonymised, and common Jewish names are used as aliases. See the reference list for or more detailed information about the ethnographic research material and research method.

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Under the Creative Commons Attribution-NonCommercial-NoDerivs license, the Author/s and users are free to share (copy, distribute and transmit the contribution) under the following conditions:

the Work must be attributed to the Publication,
the Work may not be used for commercial purposes,
the Work may not be altered or transformed.

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53(2)

Page Number

197-218

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Link to article including link to pdf, ‘Retaining the Tradition – but with an Open Mind’ – Change and Choice in Jewish Musical Practices
‘Retaining the Tradition – but with an Open Mind’ – Change and Choice in Jewish Musical Practices

Bibliographic Information

Illman, Ruth ‘Retaining the Tradition – but with an Open Mind’ – Change and Choice in Jewish Musical Practices. Temenos. Nordic Journal of Comparative Religion. 2017: 197-218.  https://archive.jpr.org.uk/object-uk452