Abstract: La presenza della memoria della Shoah nel discorso pubblico italiano si è profondamente modificata negli ultimi decenni, innanzitutto a partire da uno sviluppo storiografico iniziato nel 1988, cinquantesimo anniversario delle leggi razziali del fascismo. Più tardi, nel 2001, è stato introdotto per legge il Giorno della memoria (27 gennaio), data che ha prodotto un riconoscimento ufficiale nel calendario civile italiano degli eventi della Shoah, ma anche una ritualizzazione e sovrapproduzione del ricordo. Paradossalmente, inoltre, la legge italiana istitutiva del 27 gennaio non contiene la parola “fascismo”. È in seguito prevalsa nel discorso pubblico la commemorazione costante dei “Giusti”, cioè dei salvatori degli ebrei, a discapito del ricordo degli italiani che arrestarono gli ebrei nel 1943-1945, collaborando con i tedeschi alla loro deportazione. La più recente fase della “postmemoria” lascia intravedere un possibile superamento della monumentalizzazione, ad esempio attraverso la posa delle “pietre di inciampo” nelle città italiane ed europee, che ricordano le singole vittime nei luoghi del loro arresto. Fioriscono inoltre narrazioni, che intrecciano storia e letteratura, prodotte da una terza generazione anche non ebraica. Ma la memoria degli eventi della Shoah, per essere “autentica”, deve continuare a nutrirsi sia di racconto che di storia.
Abstract: During World War II, Bosnia and Hercegovina was occupied by the Ustashe-led Independent State of Croatia, a Nazi collaborator par excellence. Ustashe, mostly Croats, Muslims-Bosniaks, and domestic Germans, overwhelmingly participated in the annihilation of more than 85 % of the Bosnian Jewish population during the Shoah. Beside the physical destruction of the community, these Nazi collaborators plundered Jewish assets in an estimated value of over one billion US dollars and robbed priceless cultural artifacts along with the communal archives. While witness accounts agree that looting of most movable property (books, artwork, and other valuables) was carried out in the first days of occupation by the Nazis themselves, the robbery of Jewish property (apartments, houses, businesses) as well as torture and killings of domestic Jews was committed by the Ustashe. What complicates the restitution in this country is the state and memory politics, but also the inexistence of a central registry of stolen items that could be claimed. Moreover, it is of the essence that the GLAM institutions (galleries, libraries, archives, and museums) within Bosnia and the former Yugoslavia region engage in conducting detailed provenance research of their respective collections.
Abstract: The Holocaust is the Philoktetes wound tormenting every European country occupied by Hitler’s armies between 1939 and 1945. Paradoxically, it may be the Germans who feel this pain the least, as they have nowhere left to escape the curse of their role as perpetrators. This article presents the results of research on the memory of the events in Hungary, the last theatre of Hitler’s European campaign against the Jews. The researchers returned to the sites of the drama that unfolded in the summer of 1944, searching for traces of the vanished Jewish life in both the physical and social-psychological spaces, where the void created by the destruction of the Jews is filled with fear, distrust, confusion, silence, and cognitive dissonance. Based on the research findings, it can be stated that 80 years after the Holocaust, in Hungarian villages, small towns, and Budapest, both within and outside the current national borders, today, in Macbeth’s words, “nothing is, but what is not”.
Abstract: This paper presents two digital public history resources—online maps—that are concerned with the everyday lives and reminiscences of Jewish people in two cities in the United Kingdom: London and Manchester. Using techniques derived from Geographic Information Systems (GIS), and the spatial humanities more broadly, these resources take the form of interactive maps which compile recordings of oral history interviews with background research, documentary photographs, and historical maps. Drawing on the work of Raphael Samuel and Pierre Nora, and the insights derived from space syntax urban research and what we have termed ‘memory mapping,’ we discuss the tensions between memory, which in Nora’s sense refers to the past as it is recalled informally and colloquially, and history, the academic study of the past. Digital mapping technologies, we argue, shape new opportunities for exploring the relationship between these two modes of historical thinking. Through a consideration of specific examples taken from the two maps, we discuss how bringing these materials into dialogue with cartographic maps opens new avenues for spatially and historically situated research into memory.
Abstract: Why do non-Jewish football fans chant "Yid Army" or wave "Super Jews" banners—especially in support of clubs that are not Jewish? The Making of "Jew Clubs" explores how four major European football clubs—FC Bayern Munich, FK Austria Vienna, Ajax Amsterdam, and Tottenham Hotspur—came to be seen as "Jew Clubs," even though they have never officially identified as Jewish.
In this transnational study, Pavel Brunssen traces how both Jewish and non-Jewish actors perform Jewishness, antisemitism, and philosemitism within European football cultures over the 20th and 21st centuries. Drawing on a wide array of primary sources—from fan chants and matchday rituals to media portrayals and club histories—the book reveals how football stadiums have become unexpected stages for negotiating memory, identity, and historical trauma.
Offering a new approach to Holocaust memory, sports history, and Jewish studies, The Making of "Jew Clubs" shows how football cultures reflect and reshape Europe's conflicted relationship with its Jewish past.
Abstract: Cette contribution tente d’approcher les sentiments nourris par le souvenir du Yiddishland à la fin du XXe siècle et au début du XXIe siècle. Elle cherche, afin d’aborder cette sphère habitée par l’ancrage familial, traversée par des antagonismes idéologiques, hantée par le souvenir de l’émigration et de l’intégration ainsi que celui de souffrances inouïes et longtemps indicibles, à suivre les représentations idéales d’un monde perdu, dans le domaine de la culture et dans celui des utopies politiques, en s’intéressant d’une part à des aspects du renouveau de l’expression culturelle yiddish en France au cours des trois dernières décennies, en particulier dans la chanson (Jacques Grober, Violette Szmajer, Batia Baum, Michèle Tauber et le groupe du Paon doré) ; d’autre part aux survivances des motifs d’utopie politique trouvant leur source dans l’épopée idéologique et historique du Yiddishland (Charles Melman, Mojsze Zalcman) ; enfin à la réappropriation de la mémoire véhiculée par le yiddish telle qu’elle peut être perçue dans les interviews réalisées par Max Kohn entre 2006 et 2016. Cette recherche, tentative d’exploration d’un cheminement affectif vers le yiddish de la part d’un enfant né à cette époque en Israël et ayant grandi en France dans une famille non yiddishophone, se limitera à certaines expressions de cette mémoire et de ces motifs d’espérance en France, sans s’interdire de les mettre en rapport avec des expressions analogues dans d’autres pays de la diaspora juive ou en Israël.
Topics: Attitudes to Israel, Attitudes to Jews, Holocaust, Israeli-Palestinian Conflict, Israeli-Arab Conflict, Israel Criticism, Main Topic: Culture and Heritage, Memory, Literature, Film, Television
Abstract: Examines an important relational shift in British and German cultural depictions of Palestine and Israel since 1987
Develops relationality as a critical tool to challenge mainstream ideas about Israeli and Palestinian narratives as separate and not connected to European histories of the Holocaust and colonialism
Argues that Israel and Palestine are used as geopolitical and imaginary spaces to discuss social and political concerns in the United Kingdom and in Germany
Examines works by authors and directors from outside of Israel and Palestine, including those with no direct link to the conflict, thus extending our understanding of Palestine and Israel as signifiers in the contemporary period
Offers a comparative analysis of British and German literature, TV drama, and film which focuses on country-specific case studies to identify common trends in imagining and reimaging Israel and Palestine since the first Palestinian Intifada
Discusses works published since 1987 which depict encounters between (Israeli) Jews and Palestinians since 1947 which depict encounters between (Israeli) Jews and Palestinians and their narratives since 1947
Isabelle Hesse identifies an important relational turn in British and German literature, TV drama, and film published and produced since the First Palestinian Intifada (1987-1993). This turn manifests itself on two levels: one, in representing Israeli and Palestinian histories and narratives as connected rather than separate, and two, by emphasising the links between the current situation in Israel and the Occupied Palestinian Territories and the roles that the United Kingdom and Germany have played historically, and continue to play, in the region. This relational turn constitutes a significant shift in representations of Israel and Palestine in British and German culture as these depictions move beyond an engagement with the Holocaust and Jewish suffering at the expense of Palestinian suffering and indicate a willingness to represent and acknowledge British and German involvement in Israeli and Palestinian politics.
Abstract: The article engages with institutionalized German anti-anti-Semitism in recent debates about the ongoing Israeli-Palestinian conflict. To elucidate Germany's raison d’état, current silencing of political dissent and drawing on Stuart Hall's notion of “conjuncture,” the first step is to sketch the dynamics of memory politics after the Holocaust: the silence of the postwar period, the student movement's struggle against bystanders and perpetrators, subsequent debates of representation, memorialization, trauma and finally the provincialization and nascent globalized memory (Conjunctures and the Politics of Memory). Articulating the aporias of current German (memory) politics between history and event, historical antecedents and singularity, particularity and universalism, in a second step the tensions between German raison d'état, anti-anti-Semitism and postcolonial perspectives are addressed that delimit the frameworks of negotiating anti-Semitism in the public sphere (Conjunctures and Aporias). In this sense, the remarks contribute to the critical debate on anti-anti-Semitism.
Abstract: This paper, intended as a contribution to transnational memory studies, analyzes museums devoted to people who helped Jews during the Holocaust that recently opened in Bulgaria, France, Germany, Lithuania, and Poland. The author’s particular interest lies in the “traveling motifs” of the “Righteous” narratives. This category encompasses symbols such as a list of names of the help-providers, a fruit tree/orchard, or a wall with photographs of Holocaust victims, which recur in many of the examined exhibitions and are a clear reference to Yad Vashem and other well-established Holocaust memorials. At first sight, they seem to point to a “cosmopolitanization” of Holocaust remembrance and to the emergence of a common reservoir of historical notions and images. However, on closer inspection one discovers that the use of these symbols varies and that they refer to differing ways of understanding and telling history.
Abstract: This book addresses the issues of memory (a more suitable word would be Marianne Hirsh’s term of postmemory) of the Holocaust among young Poles, the attitudes towards Jews and the Holocaust in the comparative context of educational developments in other countries. The term “Jews” is, as rightly noted Joanna Tokarska-Bakir (2010) a decontextualized term used here in the meaning of Antoni Sułek (2010) as a collective “symbolic” entity. The focus was on education (transmitting values), attitudinal changes and actions undertaken to preserve (or counteract) the memory of Jews and their culture in contemporary Poland. The study to which the book primarly refers was conducted in 2008 and was a second study on a national representative sample of Polish adolescents after the first one undertaken in 1998. The data may seem remote from the current political situation of stepping back from the tendency to increase education about the Holocaust which dominated after 1989 and especially between 2000 and 2005, nonetheless they present trends and outcomes of specific educational interventions which are universal and may set examples for various geopolitical contexts.
The focus of this research was not primarily on the politics of remembrance, which often takes a national approach, although state initiatives are also brought to the attention of the reader, but rather on grassroots action, often initiated by local civil society organizations (NGOs) or individual teachers and/or students. This study has attempted to discover the place that Jews have (or do not have) in the culture of memory in Poland, where there lived the largest Jewish community in pre-war Europe, more than 90% of which was murdered during the Holocaust. The challenge was to show the diversity of phenomena aimed at integrating Jewish history and culture into national culture, including areas of extracurricular education, often against mainstream educational policy, bearing in mind that the Jews currently living in Poland are also, in many cases, active partners in various public initiatives. It is rare to find in-depth empirical research investigating the ensemble of areas of memory construction and the attitudes of youth as an ensemble, including the evaluation of actions (programmes of non-governmental organisations and school projects) in the field of education, particularly with reference to the long-term effects of educational programmes. The assumption prior to this project was that the asking of questions appearing during this research would stimulate further studies.
The book is divided into three parts: Memory, Attitudes and Actions. All three parts of the book, although aimed at analysing an ongoing process of reconstructing and deconstructing memory of the Holocaust in post-2000 Poland, including the dynamics of the attitudes of Polish youth toward Jews, the Shoah and memory of the Shoah, are grounded in different theories and were inspired by various concepts. The assumption prior to the study was that this complex process of attitudinal change cannot be interpreted and explained within the framework on one single academic discipline or one theory. Education and the cultural studies definitely played a significant role in exploring initiatives undertaken to research, study and commemorate the Holocaust and the remnants of the rich Jewish culture in Poland, but the sociology, anthropology and psychology also played a part in helping to see this process from various angles.
Abstract: The main issue explored in this thesis is how and why food is used as a channel through which everyday identities are informed and elaborated. The thesis explores when, how and in which circumstances food and the activities involved in its preparation, consumption and exchange can be used as vehicles for identities. My ethnographic focus is on the Jewish population of Thessaloniki, the largest and most economically viable city of Northern Greece. The Jewish past of this city is quite remarkable: the Thessalonikian Jews remained a significant part of the overall population and existed continuously until early twentieth century. Dramatic events during the twentieth century and in particular the coming of Asia Minor refugees in 1922-3 and the Second World War in 1939-45 caused significant upheavals and resulted in a radical reduction of the city's Jewish population. My ethnographic data confirm that this turbulent history is reflected in the construction of present-day Thessalonikian Jewish identities. Food and the associated activities like preparing, serving, eating, talking and remembering through food are explored as meaningful contexts in which the Jews of Thessaloniki make statements about their past, create their present, construct or reject collective identifications, express their fears and preoccupations, imagine their future. The identities of my informants were multiple and complex. Being Jewish interacted with being Sephardic, Thessalonikian and Greek. In the thesis I argue that food was a way of experiencing and expressing these identities. I use the term "community" cautiously since it fails to reflect the complexity of Thessalonikian Jewish experiences and the varying degrees of identification by individuals with that community. Different degrees of belonging are considered in relation to gender, age, economic and social status. Therefore, the ambivalence or often the reluctance of Jewish people living in Thessaloniki to be identified as members of "a community" is an important theme of the thesis. Another important theme discussed is the tension and the overlapping between religion and tradition meaning kosher diet and Sephardic food as it is translated and perceived by the Jewish people themselves.
Abstract: Despite the increasingly diverse societal landscape in Greece for more than three decades within a context of migration, understandings of its fragile histories are still limited in shaping a sense of belonging that is open to ‘otherness’. While Greek communities have utilised history as a pathway to maintain identity, other parallel histories and understandings do not resonate with ‘Greekness’ for most, such as the case of Greek Jewry. Critical historical perspectives can benefit from tracing ‘re-membering’ as a feminist practice in the reassessment of societal values of inclusivity. Histories of violence and injustice can also include elements of ‘difficult histories’ and must be embraced to seek acknowledgement of these in promoting social change and cultural analysis for public humanities informing curation and curricula. Between eduscapes, art heritage spaces, an entry into contested and conflictual histories can expand a sense of belonging and the way we imagine our own connected histories with communities, place and nation. Greek Jews do not constitute a strong part of historical memory for Greeks in their past and present; in contrast to what is perceived as ‘official’ history, theirs is quite marginal. As a result, contemporary Greeks, from everyday life to academia, do not have a holistic understanding in relation to the identities of Jews in Greece, their culture or the Holocaust. Given the emergence of a new wave of artistic activism in recent years in response to the ever-increasing dominance of authoritarian neoliberalism, along with activist practices in the art field as undercurrents of resistance, in this intervention I bring together bodies of works to create a dialogic reflection with historical, artistic and feminist sources. In turn, the discussion then explores the spatiotemporal contestations of the historical geographies of Holocaust monuments in Greece. While interrogating historical amnesia, I endeavour to provide a space to engage with ‘difficult histories’ in their aesthetic context as a heritage of healing and social justice.
Abstract: In several of Sjón’s works, there is a preoccupation with the Second World War, especially the issues and ideologies at stake in the run-up to the conflict and in its aftermath. This is evident, for instance, in his trilogy CoDex 1962 and in his most recent novel Korngult hár, grá augu (Red Milk). The issues addressed in these texts are, for instance, the fate of the Jewish immigrant in Iceland, and the peculiar circumstances of the rise of neo-Nazism in post-war Iceland. The memory of the war in Iceland is in many ways at odds with the narratives established elsewhere in Europe. The particular circumstances of the country—occupied by allied forces from 1940 onwards, with its concomitant incursion of modernity, urbanisation, and creation of wealth in what had historically been a very poor country—have greatly influenced how the war is memorialised, or more to the point rather, not memorialised in Iceland. This chapter looks at how Sjón’s novels engage with the ruling national narrative and go against that memory by telling an alternative history of the war, focussing on transnational and marginalised histories and cultures that historically have been ignored in Icelandic cultural memory.
Topics: Memory, Jewish Neighbourhoods, Jewish Space, Jewish Heritage, Oral History and Biography, Holocaust, Holocaust Commemoration, Holocaust Memorials, Holocaust Survivors, Holocaust Survivors: Children of, Main Topic: Holocaust and Memorial
Abstract: In 1905, Yiddish poet and Glasgow union activist Avrom Radutsky described the Jewish population of Scotland as ‘a mere drop in the ocean’. Nevertheless, by 1920 this drop had swelled to 20,000 people, centred primarily (though by no means exclusively) around the Gorbals in Glasgow. The area was characterised by vibrant community life, but also cramped low-quality housing, poor sanitation and harsh economic inequality. Many of Glasgow’s Jews began to climb a social ladder that would lead them out of the Gorbals and towards more spacious residences in the south-west of the city, but maintained regular contact with its streets, shops and places of worship. Large-scale demolition of the neighbourhood in the 1960s mean that the Gorbals looks very different today, and the Jews are gone. The Jewishness of this space, however, still remains: a remembered or imagined presence in the minds of second and third generations, celebrated through community outreach, or romantically evoked in popular narratives. Equally, an absence of Jewish life in today’s Gorbals has been paralleled by the emergence of wide-ranging and socially minded virtual networks of shared memory. Through analysis of contemporary accounts and archival sources, oral histories, fieldwork interviews, and lively online discussion groups, this article examines how this former densely populated Jewish neighbourhood now functions as an important lieu de memoire, but in a significantly different way to Eastern Europe’s pre-war Jewish spaces. At the geographical edges of more traumatic histories, the Gorbals instead provides an affective link for contemporary, assimilated Scottish Jews, while at the same time the area’s Jewish history becomes part of a wider virtual online community – signifying an emotional connection to immigrant narratives and grounding personal and social histories.
