Abstract: Since the 1989 political transition, a multifaceted process of knowledge production and memory formation regarding rural Jews has been ongoing in Hungary’s civil and academic spheres, often starting from or leading to local history research. These initiatives typically have multiple aims and functions: mourning the losses of the Holocaust, confronting and facing the difficult past, and uncovering the historical values of specific localities. Through the
presentation of examples and analysis of a bibliography on the subject, this article evaluates the achievements, directions, and shortcomings in this field, using historian Diana Pinto’s conceptual framework of “Jewish Space.” Building on the theoretical and practical analyses by Diana Pinto, Erica Lehrer, and Ruth Ellen Gruber, the author emphasizes that the social memory of European Jews can be most effectively created in spaces where Jewish and non-Jewish organizations and individuals can collaborate, engage in dialogue, and make joint contributions. The analysis also highlights the need for more professional and financial support for individuals and organizations active in this area and stresses the importance of coordinating their work and developing strategies based on professional criteria to ensure the efficient use of resources.
Abstract: Cet article aborde la restauration de la mémoire de la Shoah en Ukraine, ainsi que le rôle, dans ce processus, de différents acteurs de la mémoire et de leurs actions. Cette question sera étudiée à la lumière des changements intervenus dans la politique historique ukrainienne au cours des années 1990-2010, à travers le prisme de l’interaction entre un récit national ethnocentré et la mémoire de la Shoah. Les choix mémoriels de l’Ukraine s’inscrivent dans ce qu’on pourrait qualifier de « modèle est-européen » au sein duquel domine un récit focalisé sur le groupe ethnique majoritaire qui y tient le rôle principal. L’histoire de l’Ukraine est celle des Ukrainiens ethniques et est racontée comme le long cheminement d’un peuple vers la création d’un État national (ou vers le rétablissement de celui-ci). On y observe enfin surtout des discours post-traumatiques et postcoloniaux, ainsi qu’une lecture des relations avec les pays voisins fondée sur des rivalités. Dans ce contexte, l’appropriation de la mémoire sociale (culturelle) de la Shoah et son inclusion dans le récit mémoriel officiel font inévitablement face à des difficultés.
En Ukraine, cette intégration rencontre les mêmes obstacles qu’ailleurs en Europe centrale et orientale et dans les pays baltes :
Premièrement, nous l’avons dit, on ne peut brosser le tableau complet de la Shoah sans se heurter au récit national canonique dans lequel la mémoire de la Shoah, que ce soit sous sa forme nationale ou transnationale, n’est pas présentée comme faisant partie de la mémoire collective…
Abstract: To be valid, history must be predicated on absolute, uncompromising truth, not manipulation. Eighty years ago, 48,000 Jews were not deported from Bulgaria — while 11,343 other Jews were cruelly loaded on trains bound for Treblinka where they were murdered. These are two interdependent realities that cannot be and must not be allowed to be uncoupled.
Il suffirait de si peu. Au regard de maints États européens alliés, satellisés ou occupés par l’Allemagne nazie, la politique de la Bulgarie envers les populations juives pendant la Seconde Guerre mondiale se prête à une lecture moins sombre. Signataire du Pacte tripartite le 1er mars 1941, le pays ne participa pas à l’offensive allemande de juin 1941 contre l’URSS ; son armée ne prit aucune part à la « Shoah par balles » et ses citoyens n’apportèrent pas de contribution aux exactions des Einsatzgruppen, ces unités mobiles d’extermination du Reich. Le « vieux royaume de Bulgarie » (frontières d’avant avril 1941) ne procéda pas à l’internement systématique et à l’extermination sur son territoire de ses citoyens juifs à la différence, par exemple, de l’État indépendant croate ustaša, né du démantèlement du royaume de Yougoslavie après son invasion par les nazis en avril 1941. La Bulgarie ne connut pas non plus les atrocités des pogroms de Bucarest et de Iaşi perpétrés dans la Roumanie de 1941, cet autre allié du Reich. Enfin, la presque totalité de la communauté juive de Bulgarie, soit environ 48 000 citoyens, survécut à la guerre après que le gouvernement eut reporté, puis renoncé à déporter une partie, sinon de la totalité, de cette communauté…
Abstract: Lors du festival Open City organisé à Lublin, en octobre 2019, l’artiste Dorota Nieznalska a présenté une installation intitulée « Judenfrei (Bûcher numéro 1) ». Cette œuvre présentait un bûcher recouvert de pancartes partiellement brûlées, sur lesquelles figuraient les noms de localités où, entre 1941 et 1946, des pogroms contre les Juifs furent perpétrés par des Polonais. À proximité de l’installation, les organisateurs avaient disposé un panneau explicatif précisant que ces crimes furent commis en toute connaissance de cause par des membres des communautés locales, animés par des instincts bas, la haine, l’antisémitisme et l’appât d’un enrichissement facile. Przemysław Czarnek, alors voïvode de la région de Lublin et futur ministre de l’Éducation et des Sciences au sein du gouvernement du parti Droit et Justice (PiS), a vivement réagi. Il a dénoncé publiquement l’installation de Nieznalska, la qualifiant d’« acte antipolonais », tout en fustigeant le panneau d’information qu’il a accusé de véhiculer un « mensonge ». Il a exigé du maire de Lublin qu’il fasse retirer cette œuvre controversée. Face à cette critique, la chercheuse Joanna Tokarska-Bakir, spécialiste des pogroms, a dénoncé l’ignorance du voïvode et s’en est indignée : « Comment peut-on laisser libre cours à ses intuitions face à des études scientifiques irréfutables qui attestent l’existence des pogroms dénoncés par l’artiste ? »
Malheureusement, les seules intuitions de Przemysław Czarnek ne sont pas le cœur du problème…
Abstract: Depuis les années 1990, l’usage des termes « révisionnisme » et « révisionniste » s’est imposé dans l’espace intellectuel et médiatique pour désigner, au-delà des auteurs d’extrême droite et faux savants niant l’existence des chambres à gaz, qualifiés de « négationnistes », tous ceux qui, d’une manière ou d’une autre, relativisent le génocide des Juifs et la complicité criminelle du gouvernement de Vichy. La négation d’un côté ; la minoration de l’autre. Dès 1990, l’historien Henry Rousso, auquel on doit l’introduction de la notion de « négationnisme » en France, évoquait une « histoire “révisionniste” de Vichy » à propos d’un ouvrage de François-Georges Dreyfus, Histoire de Vichy (Perrin), qui reprenait un certain nombre d’arguments pétainistes.
Mais, étonnamment, cet usage reste rarement explicité, alors qu’il a une histoire. L’objet du présent article vise à établir la généalogie et à retracer les évolutions et les lignes de force du contre-récit historique sur Vichy et les Juifs, de 1945 à nos jours. Pour cela, il se fonde sur l’étude de nombreux écrits et d’archives privées d’auteurs désireux de réhabiliter les dirigeants du régime pétainiste, de proposer une vision « pacifiante » des années noires ou d’aller à l’encontre d’une supposée doxa sur le sujet.Jusqu’à la fin des années 1960, les écrits justifiant la politique de Vichy et niant ou minimisant ses crimes sont d’abord et avant tout le fait d’avocats ou de parents des grandes figures liées à l’État français.
En juillet-août puis en octobre 1945, Philippe Pétain et l’ex-chef du gouvernement de Vichy Pierre Laval ont été jugés et condamnés à mort par la Haute Cour de justice pour trahison – la peine du vieux maréchal a été commuée en détention perpétuelle…
Abstract: Проаналізовано значення поняття «культура історичної пам’яті», розглянуто історію її формування у Західній Європі, особливості ландшафту пам’яті у Східній Європі та Україні, визначено ключові питання історичної політики України, які мають потенціал перешкодити європейській інтеграції України. Внаслідок проведеного дослідження встановлено, що Україна належить до східноєвропейського регіону історичної пам’яті, якому притаманні етатизм, єдність та героїчність, віктимність, сек’юритизація. На шляху до європейської інтеграції перед Україною поставатимуть проблеми піднесення ролі Голокосту в історичній пам’яті та визнання часткової відповідальності за злочини колаборантів, обмеження регулювання з боку держави історичної сфери, українсько-польських історичних конфліктів. Водночас може відбуватися дифузія західноєвропейської та східноєвропейської моделей пам’яті.
Abstract: This volume considers the uses and misuses of the memory of assistance given to Jews during the Holocaust, deliberated in local, national, and transnational contexts. History of this aid has drawn the attention of scholars and the general public alike. Stories of heroic citizens who hid and rescued Jewish men, women, and children have been adapted into books, films, plays, public commemorations, and museum exhibitions. Yet, emphasis on the uplifting narratives often obscures the history of violence and complicity with Nazi policies of persecution and mass murder. Each of the ten essays in this interdisciplinary collection is dedicated to a different country: Belarus, Denmark, France, Germany, Greece, North Macedonia, the Netherlands, Poland, Slovakia, and Ukraine. The case studies provide new insights into what has emerged as one of the most prominent and visible trends in recent Holocaust memory and memory politics. While many of the essays focus on recent developments, they also shed light on the evolution of this phenomenon since 1945.
Abstract: In discussions of commemorative spatial practices, landscape has often been relegated to the background of more figured forms of architecture and sculpture. This paper presents three recent landscape-based Holocaust Memorial projects – Esterwegen Concentration Camp, Platform 17 Memorial, and Memorial Place at Mühldorfer Hart – which centre on trees to address key themes of absence and resilience. Unlike the German Holocaust memorials that rely on Minimalist forms to communicate, these projects embrace ambiguity and process. In doing so, these projects present a powerful counterpoint to the dehumanising abstraction of other Holocaust sites. Through these case studies, this discussion will engage memorial scholarship by James E. Young, Jacky Bowring, and Andrew Shanken to illuminate how landscape can create complex and enduring memorial narratives. Using the author’s site photos, the project designers’ published documentation, and key theoretical works, this paper will compare these projects to suggest new strategies for spatialising memory.
Abstract: La memoria del Holocausto y los crímeLa memoria del Holocausto y los crímenes del nazismo comienza a tomar forma como fenómeno cultural en España desde, al menos, finales de la década de los setenta y se articula como objeto político a comienzos del presente siglo. Desde el año 2000 han proliferado una serie de políticas memoriales, fundamentalmente educativas y conmemorativas, del genocidio de los judíos europeos en España, así como políticas públicas de memoria e iniciativas del movimiento memorialista en recuerdo de los republicanos españoles deportados. Esta consolidación del recuerdo de dos eventos históricos, distinguibles analíticamente – el Holocausto de los judíos europeos y el encarcelamiento en campos de concentración nazi del exilio republicano español – pero solapados en el tiempo pasado y amalgamados en muchas de las expresiones memoriales del presente, como fuente de políticas públicas de memoria, recurso en conflictos por la interpretación común del pasado, y fundamento de producción de identidades nacionales, étnicas, ideológicas y activistas es el sustrato material que ha motivado la realización de la presente tesis...
Abstract: La presenza della memoria della Shoah nel discorso pubblico italiano si è profondamente modificata negli ultimi decenni, innanzitutto a partire da uno sviluppo storiografico iniziato nel 1988, cinquantesimo anniversario delle leggi razziali del fascismo. Più tardi, nel 2001, è stato introdotto per legge il Giorno della memoria (27 gennaio), data che ha prodotto un riconoscimento ufficiale nel calendario civile italiano degli eventi della Shoah, ma anche una ritualizzazione e sovrapproduzione del ricordo. Paradossalmente, inoltre, la legge italiana istitutiva del 27 gennaio non contiene la parola “fascismo”. È in seguito prevalsa nel discorso pubblico la commemorazione costante dei “Giusti”, cioè dei salvatori degli ebrei, a discapito del ricordo degli italiani che arrestarono gli ebrei nel 1943-1945, collaborando con i tedeschi alla loro deportazione. La più recente fase della “postmemoria” lascia intravedere un possibile superamento della monumentalizzazione, ad esempio attraverso la posa delle “pietre di inciampo” nelle città italiane ed europee, che ricordano le singole vittime nei luoghi del loro arresto. Fioriscono inoltre narrazioni, che intrecciano storia e letteratura, prodotte da una terza generazione anche non ebraica. Ma la memoria degli eventi della Shoah, per essere “autentica”, deve continuare a nutrirsi sia di racconto che di storia.
Abstract: During World War II, Bosnia and Hercegovina was occupied by the Ustashe-led Independent State of Croatia, a Nazi collaborator par excellence. Ustashe, mostly Croats, Muslims-Bosniaks, and domestic Germans, overwhelmingly participated in the annihilation of more than 85 % of the Bosnian Jewish population during the Shoah. Beside the physical destruction of the community, these Nazi collaborators plundered Jewish assets in an estimated value of over one billion US dollars and robbed priceless cultural artifacts along with the communal archives. While witness accounts agree that looting of most movable property (books, artwork, and other valuables) was carried out in the first days of occupation by the Nazis themselves, the robbery of Jewish property (apartments, houses, businesses) as well as torture and killings of domestic Jews was committed by the Ustashe. What complicates the restitution in this country is the state and memory politics, but also the inexistence of a central registry of stolen items that could be claimed. Moreover, it is of the essence that the GLAM institutions (galleries, libraries, archives, and museums) within Bosnia and the former Yugoslavia region engage in conducting detailed provenance research of their respective collections.
Abstract: The Holocaust is the Philoktetes wound tormenting every European country occupied by Hitler’s armies between 1939 and 1945. Paradoxically, it may be the Germans who feel this pain the least, as they have nowhere left to escape the curse of their role as perpetrators. This article presents the results of research on the memory of the events in Hungary, the last theatre of Hitler’s European campaign against the Jews. The researchers returned to the sites of the drama that unfolded in the summer of 1944, searching for traces of the vanished Jewish life in both the physical and social-psychological spaces, where the void created by the destruction of the Jews is filled with fear, distrust, confusion, silence, and cognitive dissonance. Based on the research findings, it can be stated that 80 years after the Holocaust, in Hungarian villages, small towns, and Budapest, both within and outside the current national borders, today, in Macbeth’s words, “nothing is, but what is not”.
Abstract: This paper presents two digital public history resources—online maps—that are concerned with the everyday lives and reminiscences of Jewish people in two cities in the United Kingdom: London and Manchester. Using techniques derived from Geographic Information Systems (GIS), and the spatial humanities more broadly, these resources take the form of interactive maps which compile recordings of oral history interviews with background research, documentary photographs, and historical maps. Drawing on the work of Raphael Samuel and Pierre Nora, and the insights derived from space syntax urban research and what we have termed ‘memory mapping,’ we discuss the tensions between memory, which in Nora’s sense refers to the past as it is recalled informally and colloquially, and history, the academic study of the past. Digital mapping technologies, we argue, shape new opportunities for exploring the relationship between these two modes of historical thinking. Through a consideration of specific examples taken from the two maps, we discuss how bringing these materials into dialogue with cartographic maps opens new avenues for spatially and historically situated research into memory.
Abstract: Why do non-Jewish football fans chant "Yid Army" or wave "Super Jews" banners—especially in support of clubs that are not Jewish? The Making of "Jew Clubs" explores how four major European football clubs—FC Bayern Munich, FK Austria Vienna, Ajax Amsterdam, and Tottenham Hotspur—came to be seen as "Jew Clubs," even though they have never officially identified as Jewish.
In this transnational study, Pavel Brunssen traces how both Jewish and non-Jewish actors perform Jewishness, antisemitism, and philosemitism within European football cultures over the 20th and 21st centuries. Drawing on a wide array of primary sources—from fan chants and matchday rituals to media portrayals and club histories—the book reveals how football stadiums have become unexpected stages for negotiating memory, identity, and historical trauma.
Offering a new approach to Holocaust memory, sports history, and Jewish studies, The Making of "Jew Clubs" shows how football cultures reflect and reshape Europe's conflicted relationship with its Jewish past.
Abstract: Cette contribution tente d’approcher les sentiments nourris par le souvenir du Yiddishland à la fin du XXe siècle et au début du XXIe siècle. Elle cherche, afin d’aborder cette sphère habitée par l’ancrage familial, traversée par des antagonismes idéologiques, hantée par le souvenir de l’émigration et de l’intégration ainsi que celui de souffrances inouïes et longtemps indicibles, à suivre les représentations idéales d’un monde perdu, dans le domaine de la culture et dans celui des utopies politiques, en s’intéressant d’une part à des aspects du renouveau de l’expression culturelle yiddish en France au cours des trois dernières décennies, en particulier dans la chanson (Jacques Grober, Violette Szmajer, Batia Baum, Michèle Tauber et le groupe du Paon doré) ; d’autre part aux survivances des motifs d’utopie politique trouvant leur source dans l’épopée idéologique et historique du Yiddishland (Charles Melman, Mojsze Zalcman) ; enfin à la réappropriation de la mémoire véhiculée par le yiddish telle qu’elle peut être perçue dans les interviews réalisées par Max Kohn entre 2006 et 2016. Cette recherche, tentative d’exploration d’un cheminement affectif vers le yiddish de la part d’un enfant né à cette époque en Israël et ayant grandi en France dans une famille non yiddishophone, se limitera à certaines expressions de cette mémoire et de ces motifs d’espérance en France, sans s’interdire de les mettre en rapport avec des expressions analogues dans d’autres pays de la diaspora juive ou en Israël.
Topics: Attitudes to Israel, Attitudes to Jews, Holocaust, Israeli-Palestinian Conflict, Israeli-Arab Conflict, Israel Criticism, Main Topic: Culture and Heritage, Memory, Literature, Film, Television
Abstract: Examines an important relational shift in British and German cultural depictions of Palestine and Israel since 1987
Develops relationality as a critical tool to challenge mainstream ideas about Israeli and Palestinian narratives as separate and not connected to European histories of the Holocaust and colonialism
Argues that Israel and Palestine are used as geopolitical and imaginary spaces to discuss social and political concerns in the United Kingdom and in Germany
Examines works by authors and directors from outside of Israel and Palestine, including those with no direct link to the conflict, thus extending our understanding of Palestine and Israel as signifiers in the contemporary period
Offers a comparative analysis of British and German literature, TV drama, and film which focuses on country-specific case studies to identify common trends in imagining and reimaging Israel and Palestine since the first Palestinian Intifada
Discusses works published since 1987 which depict encounters between (Israeli) Jews and Palestinians since 1947 which depict encounters between (Israeli) Jews and Palestinians and their narratives since 1947
Isabelle Hesse identifies an important relational turn in British and German literature, TV drama, and film published and produced since the First Palestinian Intifada (1987-1993). This turn manifests itself on two levels: one, in representing Israeli and Palestinian histories and narratives as connected rather than separate, and two, by emphasising the links between the current situation in Israel and the Occupied Palestinian Territories and the roles that the United Kingdom and Germany have played historically, and continue to play, in the region. This relational turn constitutes a significant shift in representations of Israel and Palestine in British and German culture as these depictions move beyond an engagement with the Holocaust and Jewish suffering at the expense of Palestinian suffering and indicate a willingness to represent and acknowledge British and German involvement in Israeli and Palestinian politics.
Abstract: The article engages with institutionalized German anti-anti-Semitism in recent debates about the ongoing Israeli-Palestinian conflict. To elucidate Germany's raison d’état, current silencing of political dissent and drawing on Stuart Hall's notion of “conjuncture,” the first step is to sketch the dynamics of memory politics after the Holocaust: the silence of the postwar period, the student movement's struggle against bystanders and perpetrators, subsequent debates of representation, memorialization, trauma and finally the provincialization and nascent globalized memory (Conjunctures and the Politics of Memory). Articulating the aporias of current German (memory) politics between history and event, historical antecedents and singularity, particularity and universalism, in a second step the tensions between German raison d'état, anti-anti-Semitism and postcolonial perspectives are addressed that delimit the frameworks of negotiating anti-Semitism in the public sphere (Conjunctures and Aporias). In this sense, the remarks contribute to the critical debate on anti-anti-Semitism.
Abstract: This paper, intended as a contribution to transnational memory studies, analyzes museums devoted to people who helped Jews during the Holocaust that recently opened in Bulgaria, France, Germany, Lithuania, and Poland. The author’s particular interest lies in the “traveling motifs” of the “Righteous” narratives. This category encompasses symbols such as a list of names of the help-providers, a fruit tree/orchard, or a wall with photographs of Holocaust victims, which recur in many of the examined exhibitions and are a clear reference to Yad Vashem and other well-established Holocaust memorials. At first sight, they seem to point to a “cosmopolitanization” of Holocaust remembrance and to the emergence of a common reservoir of historical notions and images. However, on closer inspection one discovers that the use of these symbols varies and that they refer to differing ways of understanding and telling history.
Abstract: This book addresses the issues of memory (a more suitable word would be Marianne Hirsh’s term of postmemory) of the Holocaust among young Poles, the attitudes towards Jews and the Holocaust in the comparative context of educational developments in other countries. The term “Jews” is, as rightly noted Joanna Tokarska-Bakir (2010) a decontextualized term used here in the meaning of Antoni Sułek (2010) as a collective “symbolic” entity. The focus was on education (transmitting values), attitudinal changes and actions undertaken to preserve (or counteract) the memory of Jews and their culture in contemporary Poland. The study to which the book primarly refers was conducted in 2008 and was a second study on a national representative sample of Polish adolescents after the first one undertaken in 1998. The data may seem remote from the current political situation of stepping back from the tendency to increase education about the Holocaust which dominated after 1989 and especially between 2000 and 2005, nonetheless they present trends and outcomes of specific educational interventions which are universal and may set examples for various geopolitical contexts.
The focus of this research was not primarily on the politics of remembrance, which often takes a national approach, although state initiatives are also brought to the attention of the reader, but rather on grassroots action, often initiated by local civil society organizations (NGOs) or individual teachers and/or students. This study has attempted to discover the place that Jews have (or do not have) in the culture of memory in Poland, where there lived the largest Jewish community in pre-war Europe, more than 90% of which was murdered during the Holocaust. The challenge was to show the diversity of phenomena aimed at integrating Jewish history and culture into national culture, including areas of extracurricular education, often against mainstream educational policy, bearing in mind that the Jews currently living in Poland are also, in many cases, active partners in various public initiatives. It is rare to find in-depth empirical research investigating the ensemble of areas of memory construction and the attitudes of youth as an ensemble, including the evaluation of actions (programmes of non-governmental organisations and school projects) in the field of education, particularly with reference to the long-term effects of educational programmes. The assumption prior to this project was that the asking of questions appearing during this research would stimulate further studies.
The book is divided into three parts: Memory, Attitudes and Actions. All three parts of the book, although aimed at analysing an ongoing process of reconstructing and deconstructing memory of the Holocaust in post-2000 Poland, including the dynamics of the attitudes of Polish youth toward Jews, the Shoah and memory of the Shoah, are grounded in different theories and were inspired by various concepts. The assumption prior to the study was that this complex process of attitudinal change cannot be interpreted and explained within the framework on one single academic discipline or one theory. Education and the cultural studies definitely played a significant role in exploring initiatives undertaken to research, study and commemorate the Holocaust and the remnants of the rich Jewish culture in Poland, but the sociology, anthropology and psychology also played a part in helping to see this process from various angles.
