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Walking-with, re-membering the Holocaust: Forced Walks: Honouring Esther, a case study of somatic and digital creative practice

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Abstract

The paper discusses a walking and multi-media arts project seeking to renew agency in Holocaust testimony and generate contemporary resonances. Forced Walks is a programme of speculative, socially engaged experiments, initiated by artists Richard White and Lorna Brunstein. Honouring Esther (2015–2017), the first Forced Walks project, walked the route of a Nazi Death March digitally transposed to Somerset (UK), subsequently retracing it in Lower Saxony, Germany. The project engaged walkers in co-creating an immanent reflective space materialized in mark-making, social media and installation. An emergent hybrid somatic/digital process, ‘making the return’ in a specific Holocaust context, is presented.

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Volume/Issue

28(3)

Page Number / Article Number

302-330

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Link to article (paywalled), Walking-with, re-membering the Holocaust: Forced Walks: Honouring Esther, a case study of somatic and digital creative practice

Bibliographic Information

White, Richard S. Walking-with, re-membering the Holocaust: Forced Walks: Honouring Esther, a case study of somatic and digital creative practice. Holocaust Studies: A Journal of Culture and History. 2022: 302-330.  https://archive.jpr.org.uk/10.1080/17504902.2021.1979177