‘Pop’ Antisemitism and Deviant Communities: An Analysis of French Social Media Users’ Reactions to the Dieudonné (2020) and Kanye West (2022) Antisemitism Controversies.
Author(s)
Publication Name
Publication Date
Publication Place
Publisher
Abstract
Social media platforms and the interactive web have had a significant impact on political socialisation, creating new pathways of community-building that shifted the focus from real-life, localised networks (such as unions or neighbourhood associations) to vast, diffuse and globalised communities (Finin et al. 2008, Rainie and Wellman 2012, Olson 2014, Miller 2017). Celebrities or influencers are often focal nodes for the spread of information and opinions across these new types of networks in the digital space (see Hutchins and Tindall 2021). Unfortunately, this means that celebrities’ endorsement of extremist discourse or narratives can potently drive the dissemination and normalisation of hate ideologies.
This paper sets out to analyse the reaction of French social media audiences to antisemitism controversies involving pop culture celebrities. I will focus on two such episodes, one with a ‘national’ celebrity at its centre and the other a ‘global’ celebrity: the social media ban of the French-Cameroonian comedian Dieudonné M’bala M’bala in June–July 2020 and the controversy following US rapper Kanye West’s spate of antisemitic statements in October–November 2022. The empirical corpus comprises over 4,000 user comments on Facebook, YouTube and Twitter (now X). My methodological approach is two-pronged: a preliminary mapping of the text through content analysis is followed by a qualitative Critical Discourse Analysis that examines linguistic strategies and discursive constructions employed by social media users to legitimise antisemitic worldviews. We lay particular emphasis on the manner in which memes, dog-whistling or coded language (such as allusions or inside jokes popular within certain communities or fandoms) are used not only to convey antisemitic meaning covertly but also to build a specific form of counter-cultural solidarity. This solidarity expresses itself in the form of “ deviant communities” (see Proust et al. 2020) based on the performative and deliberate transgression of societal taboos and norms.
This paper sets out to analyse the reaction of French social media audiences to antisemitism controversies involving pop culture celebrities. I will focus on two such episodes, one with a ‘national’ celebrity at its centre and the other a ‘global’ celebrity: the social media ban of the French-Cameroonian comedian Dieudonné M’bala M’bala in June–July 2020 and the controversy following US rapper Kanye West’s spate of antisemitic statements in October–November 2022. The empirical corpus comprises over 4,000 user comments on Facebook, YouTube and Twitter (now X). My methodological approach is two-pronged: a preliminary mapping of the text through content analysis is followed by a qualitative Critical Discourse Analysis that examines linguistic strategies and discursive constructions employed by social media users to legitimise antisemitic worldviews. We lay particular emphasis on the manner in which memes, dog-whistling or coded language (such as allusions or inside jokes popular within certain communities or fandoms) are used not only to convey antisemitic meaning covertly but also to build a specific form of counter-cultural solidarity. This solidarity expresses itself in the form of “ deviant communities” (see Proust et al. 2020) based on the performative and deliberate transgression of societal taboos and norms.
Topics
Antisemitism: Online Anti-Antisemitism Main Topic: Antisemitism Boycott Divestment and Sanctions (BDS) Social Media Antisemitism: Discourse Discourse and Discourse Analysis
Editor
Genre
Geographic Coverage
Copyright Info
This work is licensed under an CC BY 4.0 Attribution 4.0 International. This license
enables reusers to distribute, remix, adapt, and build upon the material in any medium
or format, so long as attribution is given to the creator. The license allows for commercial
use. CC BY includes the following elements: credit must be given to the creator.
Attribution should include the following information:
enables reusers to distribute, remix, adapt, and build upon the material in any medium
or format, so long as attribution is given to the creator. The license allows for commercial
use. CC BY includes the following elements: credit must be given to the creator.
Attribution should include the following information:
Original Language
Page Number / Article Number
75-106
DOI
Bibliographic Information
‘Pop’ Antisemitism and Deviant Communities: An Analysis of French Social Media Users’ Reactions to the Dieudonné (2020) and Kanye West (2022) Antisemitism Controversies.. . 2024: 75-106. https://archive.jpr.org.uk/10.11647/obp.0406.03
