Abstract: Transnistria, meaning “beyond the Dniester”, was an artificial geographic term created during the Second World War, referring to a region in the Ukraine that was situated between the Dniester River on the west and the Bug River on the east, also extending southward to the Black Sea. During October and November 1941, thousands of terrorized Jews, mostly without food and water, were deported on foot or by wagon to Transnistria. Depending on whose numbers one uses, between 120,000 and 180,000 Jews were deported to Transnistria from Bessarabia and Northern Bukovina. Of this group, only 50,000 would survive the war.
For years, the fate of the Jews in Transnistria was not emphasized in Holocaust remembrance, education, or commemoration. The reasons for this were manifold. They included problems of documentation; attitudes of Eastern European governments until the transition of the 1990s; priorities of major Holocaust memorial organizations until that transition; activities, primarily internally focused, of the survivor organizations from Bukovina, Bessarabia, and Transnistria; and, finally, the dynamics among Jewish survivors from Romania as they reassembled their lives in the first postwar decades. All this contributed to Transnistria becoming “the forgotten Holocaust”.
As the last Jewish survivors of the Transnistrian ghettos and camps reached their eighth and ninth decades at the beginning of the 21st century, various political, social, educational, and demographic factors coalesced, changing pre-existing dynamics regarding the memory of Transnistria. In this chapter, I focus on these factors, showing how and why this “forgotten Holocaust” is slowly being remembered again.
Abstract: Public engagement with the Holocaust in Romania has developed slowly and unevenly, shaped by decades of political constraint and institutional silence. Until 1989, restricted archival access and an antifascist ideological framework marginalized the specificity of Jewish persecution, subsuming it under a generalized narrative of “victims of fascism”. A substantive public acknowledgment of Romania’s responsibility emerged only in 2004, with the adoption of the Final Report of the International Commission on the Holocaust in Romania. This belated recognition profoundly influenced the spatial articulation of memory in Bucharest.
The chapter examines the fragmented mnemonic landscape of the city through a theoretical distinction between imprints and places. Imprints are material interventions – monuments, plaques, museums – that inscribe historical facts into public space. While essential for visibility and moral acknowledgment, they operate largely as static markers. Places, by contrast, are urban sites whose latent memory is reactivated through collective engagement. Rather than merely preserving the past, they generate memory through interaction, interpretation, and embodied experience.
Through case studies – including Giurgiului Cemetery, the Bucharest Holocaust Memorial (2009), and the Memorial to the Martyrs of the Bucharest Pogrom (2016) – the chapter traces the transition from enclosed, community-bound remembrance to civic visibility. It then analyzes the pedagogical project PLACES (2021), developed with architecture students, which reconstructed the prewar addresses of the 125 pogrom victims and reinscribed them into the contemporary city through mapping, archival research, and digital interfaces.
By shifting attention from sites of death to spaces of everyday life, PLACES exemplifies a performative model of remembrance grounded in secondary witnessing. The study argues that, in the absence of living testimony, urban space itself becomes a medium of memory – capable not only of conserving history but of ethically reactivating it within the present.
Abstract: The Auschwitz-Birkenau State Museum received two million visitors in 2019, making it the most heavily visited museum in Poland. This entry situates tourism at Auschwitz within the broader context of Holocaust tourism by providing an historical account of the phenomenon. It begins with those visitors to the camp before 1945 who were not tourists (Nazi officials, local suppliers, engineers), drawing attention to tourism’s ethical ambiguity. Since the museum’s 1947 opening, tourists have encountered a site undergoing continual development, its exhibition spaces and its messaging evolving from the Stalinist era through the Cold War to the present period. This chapter considers how shifts in the site’s memory politics, especially regarding the representation of different victim groups, have led to unresolved tensions that still surface during the tour. It then considers some present-day challenges to the legitimacy of tourism at Auschwitz, such as visitor behaviour or the difficulties in providing an appropriate, authentic, and informative experience to large crowds. Finally, the chapter reviews different scholarly approaches to Holocaust tourism, such as dark tourism theory and empirical visitor research, before concluding with questions for future research into Auschwitz tourism.
Abstract: The chapter addresses the key problem of Polish collective memory of Auschwitz, that is, how Poles perceive the former camp, in a wider context of Polish memory of World War II, Nazi camps, and the Holocaust. It presents and discusses results of surveys representative of Poland’s population, particularly two designed by the authors and conducted in 2020. The surveys show that the war is the major theme of Polish collective memory, and Nazi camps in general and Auschwitz in particular belong to top Polish lieux de mémoire. Auschwitz evokes in Poles mostly general and universalist associations with destruction, murder, crematoria, gas chambers, and death. The Holocaust is spontaneously associated with Auschwitz only rarely. On the other hand, the camp is the most frequently associated site of the destruction of Jews. The Polish collective memory of Auschwitz hinges upon a poor awareness of the number, nationality, and countries of origin of the camp’s victims. However, Poles are aware of the major historical functions of the camp and share different symbolic meanings of it. Some survey results suggest that a cosmopolitan Holocaust memory focusing on Auschwitz developed among Poles while others indicate that the Polish memory of Auschwitz has nationalist characteristics.
Abstract: The past is never past, wrote William Faulkner. The great American writer had in mind his native Mississippi, but he might as well have written those words about Poland. Indeed, among history-conscious Poles, the findings of historians have had far-reaching social and political consequences that transcend the esoteric discussions of scholars. This was corroborated in recent times by the emergence of a discourse in Poland over what some have called polityka historyczna (Geschichtspolitik, or history policy), which focuses on the question of whether historians who write of the less glorious episodes in Polish history are actually acting against the interests of the nation. Many Polish historians, including the best-known scholars among them, have protested against this suggestion, which poses a clear danger to the fidelity of their discipline. The dissolution of the Communist regime in Poland at the end of the 1980s made possible the deconstruction of every aspect of contemporary history. The process of reconstruction, begun in earnest, proved to be complex and painful. This was particularly the case when dealing with the bitterest chapters in the millennial story of Polish-Jewish relations, which were, and continue to be, the subject of popular and intellectual discussion as well as serious scholarly research. Out of this process emerged a new understanding of history, one that renders much of the earlier canon on the topic virtually obsolete. It had, in fact, been under way for some years even before the collapse of Communism – especially in the pages of Poland’s extraordinarily vibrant underground press and also, to an impressive extent given the prevailing censorship, in those of Poland’s legally operated independent Catholic press. Polish émigré journals were also regularly smuggled into Poland and had significant influence. Nevertheless, it was only with the collapse of the old regime and the birth of Poland’s Third Republic that this activity could be carried out without interference and Poland could finally undergo its own Vergangenheitsbewältigung (coming to terms with the past). This chapter discusses the evolution of Poland’s confrontation with the destruction of Polish Jewry.
Abstract: This chapter explains contemporary manifestations of antisemitism in Southeast European football by analysing football fan cultures of three post-Yugoslav states: Croatia, Serbia, and especially Bosnia and Herzegovina, where several antisemitic incidents have occurred during the last decade. The geographic scope is determined by the cultural proximity of these fan cultures, allowing for a comparative analysis of region’s forms of antisemitism, as well as socialist (dis-)continuities of political antisemitism. Whilst international football governing bodies and international media readily condemned the incidents in Bosnia-Herzegovina, social media discussions amongst their football fans proved to be diametrically opposed, especially in the context of the Israeli–Palestinian conflict. The chapter examines the nature of anti-Jewish, anti-Israel, anti-Zionist, and antisemitic fan (and non-fan) practices and narratives, to extrapolate their inherent political nuances and to illustrate their transformations over the last two decades. By evaluating their significance for the wider public discourse, the chapter provides a more nuanced reflection of the issues at stake, within football and beyond.
Abstract: his chapter primarily focuses on antisemitism in French football since the turn of the new millennium, which has seen an intensification of debates about nationality, diversity, and identity in France, as well as a rise in antisemitism. France has historically had few high-profile Jewish players and lacks a major club that is seen as being ‘Jewish’. However, antisemitism has been a very real issue within professional and amateur levels of men’s football in recent decades, with abuse directed at players, team officials, and fans who are – or are perceived to be – Jewish, taking a variety of forms. The chapter examines the broader history of antisemitism in France and how this has influenced the French state’s relationship with religion today and is linked to both contemporary domestic issues and international matters, such as Israeli–Palestinian tensions. In addition, the chapter argues that French football has struggled to tackle, or sought to minimise, several forms of discrimination.
Abstract: Racism and more specifically prejudice against the Jewish community have been consistent throughout Italy’s complex socio-political history, underpinned by the Catholic Church’s marginalisation and fascist persecution of ‘Jewishness’. While Italian antisemitism is mainly ‘low intensity’, it is pervasive and enduring in the way it normalises prejudices and conspiracy theories that portray Jews as avaricious, controlling, and powerful, which prevail in contemporary political discourse. The localised nature of Italian fandom, which encourages the abuse of others based on traits deemed feminine, foreign, or weak – has historically reproduced and arguably reinforced dominant ideas on race and antisemitic prejudices that prevail in Italian society, as this chapter will explain. Despite many prominent antisemitic instances involving owners, administrators and especially fans, the Italian Football Federation has been slow to tackle the issue. Drawing upon empirical research on Italian ultras – a fan culture centred around neo-fascist and neo-Nazi symbols and ideologies – this chapter situates Jewish communities within Italy and explains the nature of antisemitism within Italian football, as well as failures to combat it and other forms of discrimination.
Abstract: Despite efforts by clubs, fans, and officials to combat discrimination and hate speech, antisemitism in German football and fan cultures still persists today. Antisemitism is expressed by supporters, players, coaches, club and league officials, security personal, and others. In most cases, no Jews need to be present to stimulate antisemitic behaviour. This chapter argues that contemporary antisemitism in and around German football is manifest in five different forms, which are explained with illustrative examples: far-right antisemitism; classical antisemitism; secondary antisemitism; antisemitism against Jewish Makkabi clubs; and antisemitic ressentiment-communication. This chapter also questions who does what against antisemitism in German football. By looking at each actor individually – football’s governing bodies; professional clubs; social pedagogical fan projects; stadium security and police; third sector organisations; and fans – it is evident that neither a common nor a long-term strategy exists, although a broad range of activities and actions take place, often initiated by, or implemented after, the pressure of fan groups.
Abstract: Today, Hungary’s Jewish population, that was decimated by the Holocaust, totals about 47,200, the largest in East Central Europe. This chapter provides an historical overview of the complex political and socio-cultural conditions, key events, and regime changes since the end of the 19th century to explain the Jewish community’s experience and how antisemitism has manifested in Hungarian society and how this, in turn, is reflected in Hungary’s football culture. Antisemitism has found expression in contemporary Hungary in extreme right-wing nationalist ideology through enduring stereotypes and allegations of Jewish conspiracy, wealth, and power, epitomised by the treatment of the Hungarian-born, Jewish-American philanthropist George Soros. The chapter explains how football has been used by successive Hungarian regimes for political purposes, including by the current long-serving leader Viktor Orbán, who has dismissed accusations of antisemitism and enjoys cordial relations with Israel. It considers the pre-1945 anti-Jewish legislation of the state and Hungarian Football Federation (MLSZ), as well as the verbal and physical atrocities suffered by Jews, mostly notably MTK Budapest by rivals Ferencváros Torna Club (FTC or Fradi), because of their Jewishness. Finally, the chapter looks at attempts to challenge antisemitism in Hungarian football.
Abstract: This chapter outlines the character, causes and extent of antisemitism within English football. This has included several high-profile incidents within English men’s football involving professional players, coaches, officials, and especially supporters. The chapter begins with a short historical background to the presence of Jews and antisemitism in England before moving onto the current situation and then considering how antisemitism is manifest within English football. The chapter expounds why Tottenham historically developed a quasi-Jewish identity that serves as a catalyst for antisemitic abuse from rival supporters. In doing so, the chapter examines the different subcultural meanings and intentions behind the controversial uses of the word ‘Yid’ within the context of English football supporter culture, which has been re-appropriated by Tottenham fans. Finally, the chapter critically reviews the responses to antisemitism in English football by governing bodies within the sport, Jewish community organisations, campaign groups, the criminal justice system, and professional football clubs.
Abstract: In recent decades, comedy studies have displayed a concern with understanding the power dynamics and cultural norms shaping the ‘marginal’ and ‘mainstream’ in comedy. Rarely, however, have intersecting norms concerning religion, gender and race been taken as a point of departure in this field. Through a qualitative analysis of Creeger’s 2022 set Pray It Forward! and of a semi-structured interview conducted with the comedian in August 2022, this chapter explores precisely these issues. Stand-up comedian Rachel Creeger, whose work is the central focus of this chapter, experiences particular intersecting forms of marginalization as an Orthodox Jewish woman on the normatively secular British comedy circuit. She experiences both covert misogyny and anti-Semitism, and more subtle forms of exclusion. At the same time, the frame of marginality is not always experienced by Creeger as a straightforwardly ‘negative’ thing. Instead, Creeger’s comedy complicates the frame of ‘marginality’ through an emphasis on the advantages of having a ‘unique voice’ and on the relatability of her material. Specifically, a repertoire of popular culture references in Creeger’s material blurs the imagined binary between the categories of ‘religion’ and ‘the secular’ and implicitly disrupts norms concerning religion and gender entangled with this binary frame.
Abstract: Since the unification of the two German states in 1990, antisemitic attitudes have been repeatedly polled in cross-sectional or longitudinal national surveys (e.g., the long-term GFE surveys). So far, comparative studies analyzing the development of antisemitism in East and West Germany over a longer time period are scarce. The study covers a time span of 30 years to investigate two forms of antisemitism (classical and secondary), especially with respect to inner-German differences. Applying model-based age-period-cohort analyses (APC) with a total of 19 available representative surveys (maximal period: 1991–2021), theory-driven hypotheses are tested. The statistical approach and respective findings are discussed with emphasis on several challenges accompanying the utilized heterogenous data and different survey modes. Findings reveal that life-cycle effects play a decisive role in the attitudinal development and distribution of antisemitic attitudes. Moreover, approval of antisemitism is to some extent cohort related in both East and West Germany, while disentangling period effects empirically poses challenges due to data limitations. Furthermore, the observed APC structures differ for classical and secondary antisemitism. The chapter concludes with a critical discussion of the results, limitations, and some further thoughts on the open science philosophy in applied social science research.
Abstract: In several of Sjón’s works, there is a preoccupation with the Second World War, especially the issues and ideologies at stake in the run-up to the conflict and in its aftermath. This is evident, for instance, in his trilogy CoDex 1962 and in his most recent novel Korngult hár, grá augu (Red Milk). The issues addressed in these texts are, for instance, the fate of the Jewish immigrant in Iceland, and the peculiar circumstances of the rise of neo-Nazism in post-war Iceland. The memory of the war in Iceland is in many ways at odds with the narratives established elsewhere in Europe. The particular circumstances of the country—occupied by allied forces from 1940 onwards, with its concomitant incursion of modernity, urbanisation, and creation of wealth in what had historically been a very poor country—have greatly influenced how the war is memorialised, or more to the point rather, not memorialised in Iceland. This chapter looks at how Sjón’s novels engage with the ruling national narrative and go against that memory by telling an alternative history of the war, focussing on transnational and marginalised histories and cultures that historically have been ignored in Icelandic cultural memory.
Abstract: In 2015, Spain passed a law that concedes Spanish citizenship extraterritorially to persons recognized as Sephardic Jews and descended from the Sephardic Jews expelled from Spanish kingdoms in the fifteenth century. This chapter explores the implications of this institutional effort to repair a historical injustice. Given Spain’s membership in the European Union, this granting of national citizenship implies by extension European citizenship as well. In addition to proving Sephardic ancestry, applicants need to demonstrate cultural ties to Spain. This cultural connection is inflected by the official notion of Hispanicness and its legal implications. However, the 2015 law omitted the expulsions of Muslims and Moriscos (converts to Christianity from Islam), which took place during a similar historical period. By doing so, the 2015 law established a three-pronged way of redefining certain collective identities as deserving, or undeserving, of Spanish/EU citizenship: by requiring proof of Sephardic origins; by requiring a recognized cultural connection to Spain; and by denying Muslim ancestry. This chapter argues that this law fits into a rewriting of Spanish and European identity, coding Europe in racialized terms. Multiple scales of inclusion/exclusion are at work in this law, ultimately through a process of de- and re-racialization of citizenship.
Abstract: This chapter focuses on the city of Odesa and its altered reality after Russia’s invasion of Ukraine in February 2022. It discusses the different levels of fragmentation that run through the everyday life of a city and its residents and create fissures in identity and kinship, upheavals and reversals of historical memory, and challenges for conducting research during the war. Ukraine has an unusually complex ethno-linguistic and religious composition, with inherited historical divides. As a borderland, it constituted a pronounced case of political and national fragmentation even before the war. Odesa has its own forms of fragmentation, populated as it is by a rich amalgam of people and cut through with the afterlives of empires. The war has intensified all of these forms of fragmentation, bringing different histories into the present. The chapter addresses fragmentation on three different scales: the vignettes of Jewish Odesans reflecting on the war in the contexts of self, family, community, city, and nation; the historical narratives and historical truths revealed by the term “denazification,” which has served as Putin’s justification for the invasion of Ukraine.; and the reflections of a fragmented anthropologist, highlighting ethical dilemmas and practical difficulties of researching a constantly changing and deeply painful reality during the war.
Abstract: In August 1942, a majority of Bochnia’s Jewish residents were deported to the Bełżec death camp by the German occupying forces – this was the beginning of the direct extermination of Bochnian Jews which lasted for over a year. To commemorate them, as well as all other Jews murdered during the German occupation of Bochnia, the Stanisław Fischer Museum in Bochnia organised an exhibition, inaugurated on the 80th anniversary of this tragic event. The exhibition showed the presence of Jews in the town, remembered important figures whose roots came from Bochnia, and presented the activity of some contemporary descendants of former Jewish inhabitants of the town. The items on display were, in part, property of the museum, Judaica on loan from other museums, scanned documents from the National Archive in Kraków, and also materials submitted by families, descended from Bochnia residents, who live abroad.
Abstract: The Holocaust monuments in Poland commemorate this historical event in the place of its occurrence. This empowers the commemoration, its meanings, and messages. However, the monuments also reflect the way the Polish state’s collective memory consolidates over the years. The memory of the glorious and significant Jewish past in Poland is in the form of ruined synagogues, displaced or neglected gravestones in cemeteries, warehouses full of relics, and ruins of concentration and extermination camps. The memory of this Jewish past remained in the hands of the Poles and became part of the Polish national landscape. One of the ways to commemorate the magnificent and rich Jewish past, the way the Jewish communities were destroyed, and the community members were murdered, is through monuments. Holocaust monuments in Poland were erected right after War World II and continue to be constructed until the present. What is the character of the commemoration presented in the monuments, Polish, Jewish, or universal? Which themes are commemorated, and which artistic expressions were chosen for this purpose? In this chapter, I will discuss Holocaust monuments erected in Poland through the years with tombstones, at the event sites, and former concentration camp sites, addressing their historiographical context, and the variety of visual expressions.
Abstract: Bulgarian Jews to a large extent escaped the horrors of the Holocaust, yet their opposition to the antisemitic policies of Bulgarian governments during the war led a disproportionate number of them to join left-wing opposition groups and eventually perish in the anti-fascist struggle. Fallen Jewish partisans, relatively well-known during the socialist period, were nevertheless commemorated first and foremost as communists, rather than as heroes from one of Bulgaria's minorities. The communist post-war regime's reluctance to recognize Jewish anti-fascist activity separately and the mass exodus of Bulgarian Jews to Israel, as well as the persistent antisemitism within the Eastern Bloc, all contributed to the marginalization of the memory of Jewish anti-fascism before the collapse of communism. The 1989 transition resulted in further neglect of Jewish suffering and martyrdom as the very premise of their heroic actions – anti-fascism – was erased and replaced by the new anti-communist mnemonic canon. Post-1989 Bulgaria even gradually rehabilitated controversial figures from the pre-1944 ruling elite by virtue of their anti-communist credentials. Curiously, a single fallen female Jewish partisan, Violeta Yakova, has received public attention that has evaded her fellow martyrs. Her name resurfaced as Bulgarian nationalists began organizing the annual Lukov March – a torch-lit procession commemorating a pro-fascist interwar general assassinated by Yakova. The case of the Bulgarian-Jewish partisan can therefore provide a much-needed revisiting of the way that Jewish anti-fascism has been commemorated and reveal the complex dynamics of contemporary memory politics, antisemitism, and right-wing populism in Bulgaria.
Abstract: Using a ‘lived religion’ approach, this chapter analyses interviews conducted with Orthodox Jewish women to investigate how women learn about kashrut [Jewish dietary] rules, the resources they use when dealing with kashrut problems, and the kashrut practices that they develop themselves. The research shows the persistence of mimetic, family-based models in the transmission and practice of kashrut among women, thus challenging the scholar Haym Soloveitchik’s famous claim that text-based learning has superseded mimetic learning in the modern Jewish world. The chapter suggests that the two types of learning are strongly gendered, and it explores the differences between the ways men and women learn about and understand kashrut practices. The research highlights the difference, and the tense relationship, between elite text-based culture (almost exclusively male in the Orthodox Jewish world) and popular practice (largely in the hands of women in Orthodox daily kashrut observance) and raises issues of rabbinic control and authority versus family loyalty and self-confidence. The study reveals the divergence between a nominally hegemonic authority of elite, male-authored texts and their interpretation by rabbis, and an unacknowledged lived religion in which women decide everyday ritual practice. Taylor-Guthartz suggests that to gain a complete picture of any religious tradition, knowledge of its elite written aspects must be balanced with the investigation of lived, everyday religious practice, and the complex relationships between these two elements must be appreciated and understood.
Abstract: In Hungary, during the decades of the communist regime, mentioning Jewish values or wounds would not have fit into the idealistic consensus (and uniformity, even more). So, virtually 100,000 Hungarian Jews tried to hide or forget their roots.
After the regime change in 1989, the Jewish revival progressed with tremendous force. The children and grandchildren of Holocaust survivors, who had hardly heard anything about Judaism or even about the history of their family at home, suddenly “reinvented” Jewish life. Institutions and grassroots places with an informal, but distinctly Jewish spirit, were born. For the new generations their Jewishness became a positive, almost “sexy” distinction from anybody else.
Interestingly, literature did not take over this vibrant revival. Despite the fact that the significant part of the Hungarian writers, especially the winners of international awards, are of Jewish descent. Thus, Jews are overrepresented in Hungarian literature. Nevertheless, this is a traditional tendency in Hungary that writers don’t really like to belong to minority groups. That’s why, Jewish themes or even the topics of the Holocaust and the representation of the life of the Second Generation, hardly fit into this mainstream perception. Recently, some of the Third and the Fourth Generation - mostly lesser-known, younger writers and especially women - have already begun to investigate the repressed memory of their families.
Abstract: Visitor Experience at Holocaust Memorials and Museums is the first volume to offer comprehensive insights into visitor reactions to a wide range of museum exhibitions, memorials, and memory sites.
Drawing exclusively upon empirical research, chapters within the book offer critical insights about visitor experience at museums and memory sites in the United States, Poland, Austria, Germany, France, the UK, Norway, Hungary, Australia, and Israel. The contributions to the volume explore visitor experience in all its complexity and argue that visitors are more than just "learners". Approaching visitor experience as a multidimensional phenomenon, the book positions visitor experience within a diverse national, ethnic, cultural, social, and generational context. It also considers the impact of museums’ curatorial and design choices, visitor motivations and expectations, and the crucial role emotions play in shaping understanding of historical events and subjects. By approaching visitors as active interpreters of memory spaces and museum exhibitions, Popescu and the contributing authors provide a much-needed insight into the different ways in which members of the public act as "agents of memory", endowing this history with personal and collective meaning and relevance.
Visitor Experience at Holocaust Memorials and Museums offers significant insights into audience motivation, expectation, and behaviour. It is essential reading for academics, postgraduate students and practitioners with an interest in museums and heritage, visitor studies, Holocaust and genocide studies, and tourism.
Table of Contents
Introduction: Visitors at Holocaust Museums and Memory sites
Diana I. Popescu
Part I: Visitor Experience in Museum Spaces
Mobile Memory; or What Visitors Saw at the United States Holocaust Memorial Museum
Michael Bernard-Donals
Visitor Emotions, Experientiality, Holocaust, and Human Rights: TripAdvisor Responses to the Topography of Terror (Berlin) and the Kazerne Dossin (Mechelen)
Stephan Jaeger
"Really made you feel for the Jews who went through this terrible time in History" Holocaust Audience Re-mediation and Re-narrativization at the Florida Holocaust Museum
Chaim Noy
Understanding Visitors’ Bodily Engagement with Holocaust Museum Architecture: A Comparative Empirical Research at three European Museums
Xenia Tsiftsi
Attention Please: The Tour Guide is Here to Speak Out. The Role of the Israeli Tour Guide at Holocaust Sites in Israel
Yael Shtauber, Yaniv Poria, and Zehavit Gross
The Impact of Emotions, Empathy, and Memory in Holocaust exhibitions: A Study of the National Holocaust Centre & Museum in Nottinghamshire, and the Jewish Museum in London
Sofia Katharaki
The Affective Entanglements of the Visitor Experience at Holocaust Sites and Museums
Adele Nye and Jennifer Clark
Part II: Digital Engagement Inside and Outside the Museum and Memory Site
"…It no longer is the same place": Exploring Realities in the Memorial Falstad Centre with the ‘Falstad Digital Reconstruction and V/AR Guide’
Anette Homlong Storeide
"Ways of seeing". Visitor response to Holocaust Photographs at ‘The Eye as Witness: Recording the Holocaust’ Exhibition
Diana I. Popescu and Maiken Umbach
Dachau from a Distance: The Liberation during The COVID-19 Pandemic
Kate Marrison
Curating the Past: Digital Media and Visitor Experiences at the Memorial to the Murdered Jews of Europe
Christoph Bareither
Diversity, Digital Programming, and the Small Holocaust Education Centre: Examining Paths and Obstacles to Visitor Experience
Laura Beth Cohen and Cary Lane
Part III: Visitors at Former Camp Sites
The Unanticipated Visitor: A Case Study of Response and Poetry at Sites of Holocaust Memory
Anna Veprinska
"Did you have a good trip?" Young people’s Reflections on Visiting the Auschwitz-Birkenau State Museum and the Town of Oświęcim
Alasdair Richardson
Rewind, Relisten, Rethink: The Value of Audience Reception for Grasping Art’s Efficacy
Tanja Schult
"The value of being there" -Visitor Experiences at German Holocaust Memorial Sites
Doreen Pastor
"Everyone Talks About the Wind": Temporality, Climate, and the More-than Representational Landscapes of the Mémorial du Camp de Rivesaltes
Ian Cantoni
Guiding or Obscuring? Visitor Engagement with Treblinka’s Audio Guide and Its Sonic Infrastructure
Kathryn Agnes Huether
