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Author(s): Aliberti, Davide
Date: 2026
Date: 2024
Date: 2023
Author(s): Brunssen, Pavel
Date: 2023
Abstract: The European soccer clubs FC Bayern Munich, Austria Vienna, Ajax Amsterdam, and Tottenham Hotspur (London) are known as “Jew Clubs,” although none of them is explicitly Jewish. This study approaches the conundrum of identity performances, (e.g., Jew as self and “Jew” as other) from a transnational perspective. Using the “Jew Clubs” as case studies, I unpack the connection between collective memories and identity formations in post-Holocaust societies through the lens of sports. With the help of a wide range of primary sources and archival material such as fanzines, fan performances, street art, photographs, films, monuments, and museums, this study illustrates how soccer cultures function as a key site for the construction of collective memories and collective identities. As such, this dissertation joins the extant and growing international scholarship on sport and fan cultures, popular culture, Judaic studies, memory cultures, performance studies, museum studies, and German studies. The work also enhances our understanding of antisemitism, philosemitism, and gentile-Jewish relationships. Chapter 1 examines the “Jew Club” as memory culture and provides a detailed analysis of FC Bayern Munich’s “rediscovery” of its German-Jewish former club president Kurt Landauer in the early 21st century. By analyzing how the club’s turn to Landauer overshadowed the club’s role in expelling its Jewish members, this chapter puts forward the argument that memory is always also a form of forgetting. Chapter 2 illustrates how the “Jew Club” FK Austria Vienna (FAK) functions as a “cultural code,” that, in the interwar period, became associated with stereotypically “Jewish” features such as modernity, cosmopolitanism, and rootlessness. It analyzes the puzzling case of a “Jew Club” that is now supported by a neo-Nazi fan base. Finally, this chapter claims that a new “cultural code” emerges, as the club embraces its “Jew Club” identity to counter neo-Nazi fans. Chapter 3 assesses the “Jew Club” as fan performance. It analyzes how Ajax Amsterdam’s supporters developed their identity as “Super Jews” in reaction to the antisemitic taunts by rival fans. The chapter is grounded in a thorough discussion of fan and club cultures, as well as the transformations of Dutch memory culture and Dutch antisemitism. It argues that fan performances offer a particular opportunity to engage with the unmastered history of the Holocaust. Chapter 4 addresses the “Jew Club” as a problem by discussing the case of Tottenham Hotspur. It analyzes the debates about Spurs fans’ appropriation of the term “Yid,” which had previously been used by antisemitic rival supporters. This chapter introduces a new model of linguistic appropriation, which alters our understanding of linguistic reclamation. Ultimately, by engaging Jewish perspectives, it argues that the “Jew Club” offers a unique space for anti-antisemitic agency. The conclusion summarizes the findings of this study, identifies the similarities and differences among the four case studies, and applies the study’s results to reconsider the concept of a “(negative) German-Jewish symbiosis.” In essence, this study illuminates the ways sport clubs and fan cultures perform memory cultures and thus function as an important societal arena for constructing collective identities. The work clarifies the common features and distinctive characteristics of “Jew Clubs” from a transnational perspective. It shows how “soccer” serves as a contested space for questions of identity, subjectivity, and belonging, with implications reaching far beyond the stadium gate.
Date: 2022
Date: 2016
Abstract: This book is the first comprehensive study of postwar antisemitism in the Netherlands. It focuses on the way stereotypes are passed on from one decade to the next, as reflected in public debates, the mass media, protests and commemorations, and everyday interactions. The Holocaust, Israel and 'the Jew' explores the ways in which old stories and phrases relating to 'the stereotypical Jew' are recycled and modified for new uses, linking the antisemitism of the early postwar years to its enduring manifestations in today's world.

The Dutch case is interesting because of the apparent contrast between the Netherlands' famous tradition of tolerance and the large numbers of Jews who were deported and murdered in the Second World War. The book sheds light on the dark side of this so-called 'Dutch paradox,' in manifestations of aversion and guilt after 1945. In this context, the abusive taunt 'They forgot to gas you' can be seen as the first radical expression of postwar antisemitism as well as an indication of how the Holocaust came to be turned against the Jews. The identification of 'the Jew' with the gas chamber spread from the streets to football stadiums, and from verbal abuse to pamphlet and protest. The slogan 'Hamas, Hamas all the Jews to the gas' indicates that Israel became a second marker of postwar antisemitism.

The chapters cover themes including soccer-related antisemitism, Jewish responses, philosemitism, antisemitism in Dutch-Moroccan and Dutch- Turkish communities, contentious acts of remembrance, the neo-Nazi tradition, and the legacy of Theo van Gogh. The book concludes with a lengthy epilogue on 'the Jew' in the politics of the radical right, the attacks in Paris in 2015, and the refugee crisis. The stereotype of 'the Jew' appears to be transferable to other minorities.

Contents:

Preface

1 Why Jews are more guilty than others : An introductory essay, 1945-2016
Evelien Gans
Part I Post-Liberation Antisemitism
2 ‘The Jew’ as Dubious Victim
Evelien Gans
3 The Meek Jew – and Beyond
Evelien Gans
4 Alte Kameraden: Right-wing Antisemitism and Holocaust Denial
Remco Ensel, Evelien Gans and Willem Wagenaar
5 Jewish Responses to Post-Liberation Antisemitism
Evelien Gans
Part II Israel and ‘the Jew’
6 Philosemitism? Ambivalences regarding Israel
Evelien Gans
7 Transnational Left-wing Protest and the ‘Powerful Zionist’
Remco Ensel
8 Israel: Source of Divergence
Evelien Gans
9 ‘The Activist Jew’ Responds to Changing Dutch Perceptions of Israel
Katie Digan
10 Turkish Anti-Zionism in the Netherlands: From Leftist to Islamist Activism
Annemarike Stremmelaar
Part III The Holocaust-ed Jew in Native Dutch Domains
since the 1980s
11 ‘The Jew’ in Football: To Kick Around or to Embrace
Evelien Gans
12 Pornographic Antisemitism, Shoah Fatigue and Freedom of Speech
Evelien Gans
13 Historikerstreit: The Stereotypical Jew in Recent Dutch Holocaust Studies
Remco Ensel and Evelien Gans
Part IV Generations. Migrant Identities and Antisemitism in the Twenty-first Century
14 ‘The Jew’ vs. ‘the Young Male Moroccan’: Stereotypical Confrontations in the City
Remco Ensel
15 Conspiracism: Islamic Redemptive Antisemitism and the Murder of Theo van Gogh
Remco Ensel
16 Reading Anne Frank: Confronting Antisemitism in Turkish Communities
Annemarike Stremmelaar
17 Holocaust Commemorations in Postcolonial Dutch Society
Remco Ensel
18 Epilogue: Instrumentalising and Blaming ‘the Jew’, 2011-2016
Evelien Gans