Abstract: In recent years, Berlin has witnessed an ever-growing internationalization, predominantly through migration flows from all over the world. Its Jewish population has equally diversified: Berlin is now populated by Jews from the Americas, Europe and also by young Israelis who permanently live in the city. The migrant group of ‘Israelis in Berlin’ has attracted significant media attention in Germany, Israel and beyond and has often been portrayed as detached from the existing local Jewish community. My thesis interrogates this assumption and presents an ethnography which shows diverse and complex affiliations and Jewishness(es) entangled with nationality, ethnicity, religion, gender and sexuality. Through the immersion in ‘Jewish’ and ‘Hebrew’ Berlin, I span an interrelated ethnographic field which I construe as a scene. Focusing on a choir, and its connections to a synagogue and a queer Shabbat event, I investigate ‘how the scene constitutes itself as Jewish’. Combining ethnography with biographical-narrative interviews, I present how this scene is enacted and performed, embedded in the respective historical and socio-political contexts, and constituting itself by migration and conversion. By way of mirroring the biographies of migrants and converts, I argue that Jewishness in the scene is constituted by complexity rather than unity, ambivalence rather than certainty and contestation rather than agreement. The influence of Israeli migration to Berlin and the presence of Hebrew engenders the emergence of new ways of ‘being Jewish’. Under the specific representations of Jewishness in Germany, ‘being Jewish’ is always co-constructed alongside the negotiation over ‘being German’. Thus, by way of mapping trajectories of conversion and migration and their embeddedness in their respective socio-political contexts, I analyse processes of ‘becoming Jewish’ and their impact on this urban scene. In the framework of urban scenes, diaspora and secularism, I describe transformations towards new forms of urban (religious) socialities and aesthetics (music) and show how biographical research and the study of urban scenes offer profound insights towards new understandings of contemporary societies in the light of global transformations.
Abstract: This thesis argues that British orthodox Jewish women (BOJW) generate spaces within the British orthodox religious community to practice piety in a non-conformist fashion. The spaces they generate both enable BOJW to perform these interventions, as well as reflect back on the normative practices of the British orthodox community. In this way these pious practices inform, influence and shift what constitutes normative practice going forward. I ask what sort of agency accounts for these practices, and how these particular practices inform wider questions of agency. Some theories of agency have rendered the religious subject as repressed, and religious women as voiceless, sometimes invisible. Many religious subjects reject this traducing of their choices, and, instead celebrate opportunities for personal and communal religious agency and alternative performances. I consider these pious interventions through the ethnographic examination of three crucial areas of orthodox religious life: education, ritual participation and issues of leadership and authority. These three areas of investigation represent the most significant arenas of religious life within which BOJW negotiate their identities. During the eight months of fieldwork, I conducted twenty-one qualitative in-depth interviews; additionally, I examined material from local communal websites, synagogue-community mailings and advertising. My findings suggest that intelligibility, as a function of identity, plays a vital role in the ways in which BOJW navigate their way through their religious lives in their homes, communities and workplaces – such that it functions as sacred edifice, restrictive restraint as well as avenue for creativity. Contemporaneously, some of the BOJW interviewed stated that although there has been some shift in normative religious practice in their local synagogue-community, they also experienced backlash from local religious authorities who construed their performances as meta-acts of communal, political and social transgression, rather than acts of religious piety – precisely because they were pious acts performed by women.
Abstract: The filigree ground mosaic is placed at the heart of the Grindel neighbourhood in Hamburg, Germany. Tracing the footprint of the former synagogue that once stood there, proudly, it demarcates an absence. It is a reminder of what the Nazis destroyed and sought to extinguish. The fact that the synagogue will finally be rebuilt, in the same place, with the support of the Federal government and the city, is anything but a matter of course. This will be the first reconstruction project of a synagogue of this size in Germany since the Second World War. Yet the project has been controversial in some respects. The two main concerns expressed in the public debate about the form of reconstruction and whether and how to integrate the Synagogue Monument at first sight appeared to be in irreconcilable competition: the importance of maintaining a culture of remembrance, and the legitimate claim of the Jewish Community to recover and rebuild its former place of worship. This would not merely be, as is often said, a sign of Jewish belonging, of identity and representation, in the urban society. Rather, it is about modes of existence that the architecture itself, in the materiality of its form and its presence, embodies and makes possible. To the people, architecture is what makes the difference. It thus shapes the political landscape.
Abstract: This article focuses on a multireligious building project named House of One in contemporary Berlin. Initiated in 2012 by a Protestant community at the center of Berlin, House of One consists of a synagogue, a church, a mosque, and a communal room. My central suggestion is that House of One is invested in a pluralist re-branding of (liberal) Protestantism, a rebranding that underlies the post-unification emergence of a new national German imaginary: out of “soil” marked as historically Christian spreads an “Abrahamic” future that transcends its particularity via its assumed ability to incorporate Islam and Judaism. Liberal, Christian-secularized norms and affects are thus being rearticulated in a language of religious pluralism, so that a normative, Christian-secularized category of religion can be extended to Christianity’s “monotheistic brothers.” Elaborations of this building project’s intended purpose, I argue, are thus animated by a broader question about the appropriate relation between religion and the state, and conjointly, between the self and culture at a moment in time in which hitherto normative, Christian-secularized assumptions concerning this relation are challenged. As such, the discursive representation that sustains the yet-to-be-built House of One is conducive to the making of a new national imaginary: it is driven both by the desire to renounce past evil through a recognition and inclusion of alterity into the body politic, as much as by the simultaneous de-politization and scrutinization of such alterity.
Topics: Synagogues, Rabbis, Jewish Leadership, Jewish Heritage, Jewish Continuity, Religious Observance and Practice, Religious Denominations, Sephardi Jews, Main Topic: Culture and Heritage, Jewish Museums, Artefacts and Material Culture
Abstract: This article explores how rabbis, directors and members of Amsterdam’s Jewish religious communities view the heritagisation of Jewish religious life by analysing how they interact with Amsterdam’s main synagogues and their collections of ceremonial objects. It focuses on the synagogues of the Jewish Cultural Quarter – the Portuguese Synagogue with its accompanying Sephardi community, and the former Ashkenazi synagogue complex, now the Jewish Museum. From a dynamic heritage perspective, this heterogeneous constellation raises questions about how and why heritage making occurs here. Following a Constructivist Grounded Theory methodology, concurrent data collection and analysis let emerge interrelated conceptual categories that explain how communities interact with these functioning and musealised synagogues and objects: Embodying the transmission of tradition; Instrumentalising the heritage of Jewish religious life; Transforming the beauty of holiness; and Assembling in heritagised synagogues. These categories intersect in the core category of the Jewish religious heritage continuum, which this article presents as a dynamic embodiment of remembering, reconnection, and revival of Jewish tradition. For the interviewees, these performances, and the deployment of functioning and musealised synagogues and collections, form a cultural apparatus that marks their present, diverse and living material culture and grafts a Jewish future onto a Jewish past.
Abstract: The question was asked by a girl of about 12 standing in front of the synagogue. It shows many of the aspects that play a role in the encounter with the New Synagogue Dresden as an out-of-school place of learning and which will be explored here. What is striking is a diffuse lifeworld knowledge with a simultaneous failure to differentiate between different religions, the understanding of symbolism and the double occupation of “Why?” between causal and final cognitive interest. On the one hand, then, the question speaks to the consideration of for what reason, and on the other hand, for what purpose, certain signs and practices occur. After an introduction to the New Synagogue, its potentials for the development of competencies, especially among children and young people, are explored. After that, the focus is on the conditions necessary for its use, and another section deals with the specific difficulties that can arise. The book concludes with a plea for the synagogue as an out-of-school place of learning, also beyond the topic of Judaism.
Abstract: Cet article vise à analyser les raisons pour lesquelles des femmes françaises et juives libérales ont été ordonnées rabbines tardivement, en 1990, malgré un principe d’égalité en vigueur depuis 1846, et en si petit nombre. Cette question sera abordée dans une perspective féministe, à l’aide d’approches et de concepts issus de la sociologie des
organisations et du travail. Nous tenterons de comprendre les mécanismes de « plafond de verre » (Laufer, 2004) et de vitrail (de Gasquet, 2009), qui freinent l’accès de ces femmes aux postes de pouvoir et à la fonction de rabbin selon l’approche « Genre – Organisation – Système » (Fagenson, 1990), approche non encore employée dans les études des institutions religieuses juives. Nous verrons alors que le poids du patriarcat systémique, un rabbinat organisé selon des valeurs, des modèles et une gestion masculine, ainsi que l’autocensure des femmes et l’enfermement des hommes dans des stéréotypes genrés, ont contribué à la construction d’un plafond de vitrail qui a eu raison des principes égalitaires.
Abstract: In the lives of students in Luxembourg’s Liberal Jewish complementary school, flexibility and mobility are highly valued as key characteristics of modern living. Complementary school students feel they easily meet these criteria—they are multilingual, cosmopolitan, and their approach to Jewish life is flexible, and equally importantly, they look, dress, and comport themselves “like everyone else.” These factors are understood to facilitate multiple movements and belongings in the contemporary world. The students directly contrast their ways of being with those of more observant Jews whom they refer to as “religious”; the material, embodied, and visible nature of observant Jewish life is perceived to be an impediment to participation and success in the secular sphere. However, when Jewishness appears in these students’ secular school classrooms, it is most often represented by Orthodox-presenting men—often a man in a yarmulke. Further, these men and their yarmulkes are taken to represent all Jews, framed as a homogeneous group of religious adherents. For many complementary school students, these experiences can be jarring—they suddenly find themselves on the “wrong” side of the religious–secular divide and grouped together with those from whom they could not feel more distant. Drawing on ethnographic fieldwork and a material approach to religion, this article argues that the yarmulke comes to point to different levels and modes of observance and identities and enable different possible belongings in the secular public sphere as it travels across contexts that include different definitions of and attitudes toward religion and Jewishness.
Abstract: This article explores how Jews in Finland relate to the musical traditions of their synagogues and the changes that have occurred in the customs over time and as the result of various cultural and spiritual influences. Based on ethnographic data, it focuses on rituals, liturgy, and music as contexts for negotiating relationships between the institution and the individual, memory practices, and contemporary innovation – being and doing Jewish, to use concepts from the vernacular religion framework. The article outlines the historical development of Minhag Finland, the vernacular liturgical customs. It concludes that the “turn to traditions” should be stated in the plural, as several Jewish customs, cultures, and context are engaged in the negotiations around liturgy. This is not just a way to freeze time and preserve the status quo. Instead, seeking for meaningful models in the past paves the way for change – especially when turning toward a broad range of traditions.
Abstract: Kristallnacht, 1938, was a defining moment, changing the course of history. Can the Jewish heritage destroyed before and during World War II be reconstructed? This paper will link eschatological thought and the relevant Mishnaic texts, in particular the value of holiness and its attributes both in time and place. Can a synagogue be de-sanctified? Is the value in the material or the use?
Reviewing these tragic events, the possible criteria for reconstructing the architectural components of Jewish life should be considered, through the evidence of history, the record of events, values of the past, and the new realities of the future. Another significant concern is not so much in understanding the changing and diverse values of a community but the approaches toward the interpretations of these values. In this debate, where existential or historical models play a major role, Judaism tends toward the former, recalling events over time and the allegory in the facts.
What remained in Europe were the ruins, the memory of places and events, and the resilience of the human spirit. However, there are compounded memories and multiple voices, ever changing, challenging the identities of real and virtual communities. How do we evaluate the facts and the extended contexts over time that demand renegotiation of their meaning and interpretation?
On current projections, the Jews may become an insignificant number in European society over the course of the twenty-first century. Can these buildings, as reconstructed, live without the spirit of the people; can new people inhabit the reconstructions, or is the ruin the true manifestation of the course of history? The divergent case studies of the three ShUM cities, Speyer, Worms, and Mainz, in Germany provide a glimpse into the debate and an appraisal of the moment in time.
There are common attitudes facing recovery and reconstructions for uprooted communities after tragedies that leave scars on history. The case studies of Jewish heritage reconstruction and the considerations of impermanence provide another perspective to the restorations of the Bamiyan Buddhas and together a chilling evidence to the consequences of racism.
Abstract: Selon la tradition, ce n’étaient pas les Juifs qui gardaient le Shabbat, mais c’était le Shabbat, qui gardait les Juifs pendant des milliers des années. Malgré le fait que le contenu et le sens de l’institution du Shabbat est caractérisé par de changements continus, il représente, en effet, un élément de la tradition multicolore et complexe du peuple Juif, contribuant à la construction et à la maintenance de l’identité même au 21ième siècle. Dans mon étude, j’examine l’importance du Shabbat dans les vies des individus, et dans celles des communautés de deux synagogues budapestoises de nos jours. Je m’appuierai sur mes deux études sur le terrain réalisées dans deux synagogues des courants neo-orthodoxe et néologue. En comparant les résultats de ces recherches, je démontrerai comment les interdictions du Shabbat puis les conditions, et les défis du monde moderne – par exemple le renoncement aux outils de la télécommunication ou bien aux moyens du transport public – résultent de stratégies d’harmonisation différentes. Les communautés Juives modernes et postmodernes doivent faire face aux problèmes inconnus auparavant: chaques communautés disposent de réponses officielles aux questions de la circulation, ou du réchauffement du repas pendant Shabbat, de l’usage du smartphone ou l’ordinateur, etc., et entre les murs de la synagogue, les membres de la communauté sont obligés de se comporter selon ces règles. D’après mes expériences les réponses individuelles diffèrent souvent de la résolution officielle, et la communauté peut prendre des sanctions contre les offenseurs d’un comportement impropre – en général ce sont plutôt des avertissements oraux. L’examen de la vie privée est hors contrôle de la communauté, puisque c’est l’individu soi-même qui construit son identité, et qui décide s’il préfère adhérer aux régulations de Shabbat ou acheter une paire de jeans. Toujours est-il, que dans la majorité des cas il y a une contradiction entre la pratique réelle et l’image idéalisé du comportement individuelle. Par de réponses et de réflexions individuelles, je montrerai un aperçu de la vie Juive de Budapest de nos jours. Une des forces organisatrices de cette vie est l’effort fait pour s’identifier dans une société du 21ième siècle déterminée par de règles religieuses, la tradition, mais également par la science et la technique.
Abstract: This paper analyses how the Jewish community in Bratislava dealt with the first and second waves of the COVID-19 pandemic that took place between the 1st March 2020 and 30 May 2021. Because the public health measures in force at the time rendered traditional ethnological research methods inapplicable, the author’s main source of information was the online communication of the leadership and administration of the Bratislava Jewish Religious Community (JRC) with its members. On the 9th March 2020, the government implemented the first battery of public health measures. Already on the same day, the JRC released a newsletter encouraging its members to observe the authorities’ guidance. It also cancelled all of its scheduled activities. The leadership would go on to distribute masks and hygiene supplies to the oldest members of the community, facilitate the vaccination of Holocaust survivors. Part of Slovak society compared restrictions on social contacts, a mask mandate, and a limitation on free movement to the suffering of the Jews in the Wartime Slovak State, highlighting this supposed parallel by wearing yellow stars. The effective limits on social contacts brought communal life within the community to a standstill, which had a particular effect on the older generations. The pandemic also inevitably led to a ban on communal worship and necessitated adjustments in the observance of traditional Jewish holidays, particularly Pesach. In many families, the communal Seder supper was held online via Zoom or Skype. The community had also to improvise during Hannukah, with an Orthodox or liberal rabbi assisting in the lighting of candles in the homes of members who requested it.
Abstract: Gershom Scholem argued in his momentous book Major Trends in Jewish Mysticism (1941, 34) that as the traditional Hasidic way of life was extinguished by the Holocaust, the last ‘authentic’ form of Jewish mysticism came to a close: “it has become again what it was in the beginning: the esoteric wisdom of small groups of men out of touch with life and without any influence in it”. Nevertheless, practices stemming from Kabbalah and Jewish mystical sources have since the turn of the millennium become more popular than ever inside as well as outside Jewish communities in Europe and North America, relocating and reframing traditional practices for a late-modern, urban, liberal and inclusive spiritual milieu. But are such vernacular practices to be seen as ‘authentic’ continuations of the tradition, or merely as vulgar commodification? Here, the views of contemporary researchers differ significantly.
This chapter’s point of departure is this controversy over ‘authenticity’ in research on Jewish mysticism. A vernacular religion perspective is applied as a means of untying the knot that has formed through the unfruitful juxtaposing of classic and contemporary Jewish mysticism. Discourses of authenticity are exemplified by a case study dealing with contemporary practices of niggunim singing: (mainly) wordless melodies sung as a means of elevating the soul to God, repairing the world and strengthening the divine presence in the world. Niggunim is a practice with roots in Hasidic Judaism, which is currently experiencing a renaissance within contemporary Jewish spirituality. Ethnographic material has been gathered among Jews from progressive milieus in London to shed light on the practice in general, and this chapter analyses how the practitioners reflect upon authenticity.
Abstract: The term ‘cultural heritage’, as defined and developed by the UNESCO, includes oral traditions and living expressions inherited from our ancestors and passed on to our descendants. The ways, how the understanding of this concept is put into practice is, however, often limited to visual rather than audible forms of culture, such as within the context of Jewish culture in Switzerland. Here, much effort has been put e.g. into the preservation of the tangible Jewish heritage of the two villages Endingen and Lengnau in Surbtal, but less into safeguarding of the musical traditions of these two villages. Against this background, the chapter argues to apply the concept of cultural sustainability in the study of the so-called Minhag Ashkenaz (the Western-German custom) in Swiss synagogue music. Within the context of this chapter, the concept is first of all understood as an independent and alternative concept from UNESCO’s intangible cultural heritage. Thus transformed, it better represents the discursive and dynamic processes of preserving, transmitting and sharing cultural expressions – such as orally transmitted synagogue chants.
Abstract: This chapter highlights stories of women’s conversion in contemporary Western European contexts. Theorising the connections among religion, storytelling, identity, subject-formation, and conversion, the chapter conceptualises conversion stories as enabling individual subjects to negotiate a terrain of difference and transformation, including multiple dimensions of belonging. On the basis of a critical operationalisation of Wohlrab-Sahr’s (1999) analytical concepts of ‘syncretism’ and ‘symbolic battle’, the analysis focuses on four memoirs written by women who turn to Judaism and Islam, and looks at motivations for conversion, and understandings of the past and present and different selves. The case studies show that the memoirs construct lifeworlds and selves on a continuum of syncretic and symbolic battle scripts. They moreover demonstrate that converts’ experiences need to be situated within the respective religious traditions, as well as within larger discourses about Judaism and Islam in Western Europe. As such, the chapter contributes empirical insights into experiences of religious, social, and gendered trajectories of conversion/transformation. Moreover, it connects empirical converts’ experiences of becoming Jewish or Muslim to theorising the positions of Judaism and Islam as minoritised traditions and communities in Western Europe.
Abstract: This chapter analyses the intersections between Judaism, conversion, belonging, and gender, through the lived material practice of the tallit. Conversion to a religious tradition is not merely a change in mind set, but rather implies the learning, performance and negotiation of a religious habitus. This is especially the case with conversions to Judaism, or giyur, which focuses on the learning of practices and commitment to synagogue life. Such process of ‘self-making’ is directly related to questions of gender and the possibility of taking on certain objects and tasks. Drawing on ethnographic fieldwork, this chapter traces how conversion materialises in daily ritual practice for women in various Jewish communities in the specific ritual use of the prayer shawl, or tallit. Gender equality has been one of the prime topics by which liberal Judaism came to distinguish itself from orthodoxy in the Netherlands. A symbol of this difference is the use of the tallit by women, both in the local Dutch context as well as internationally. Historically, women have been excluded from Shul life, and wearing a tallit, as is permitted in liberal synagogues, can be revolutionary as a marker of inclusion. For converted women in the Jewish diaspora of the Netherlands, wearing the tallit in service can be a confirmation of their Jewishness, but is more often met with ambivalence. Some don’t practice, because they do not want to disturb the status quo, or because they see value in gender segregation in shul. Others do, for equally varied reasons, from political quests for emancipation, to pious desires for submission and devotion. As a compromise, specific forms of ‘women’s tallit’ have entered the synagogues, worn by women who do so out of pious desire. This chapter starts from these various prayer shawl practices, to trace broader questions of belonging. It asks not only how this object is used, but also which types of gender discourses, pious desires, and notions of agency are expressed through the use (or lack thereof) of a tallit.
Abstract: This dissertation is an ethnography of children and young people growing up Jewish in Luxembourg. It focuses on the students of a Talmud Torah class in a Liberal synagogue that, in recent years, has drawn increasing numbers of highly mobile, multilingual families from around the world. As these students learn how to be Jewish and carry on Jewish tradition, they simultaneously explore what it means to be modern and to be modern Jews. This process pushes them to confront a series of ambiguities and apparent paradoxes across the contexts of their everyday lives – in Talmud Torah, at home, and at school. Based on 31 months of fieldwork, this dissertation reveals the nuanced semiotic ideologies and competing visions of modernity that become visible through the lens of the students' Talmud Torah learning, including learning to read Hebrew, engaging with religious texts, and participating in ritual performance, and their school experiences. The students grapple with, navigate, and position themselves in relation to these different 'projects of modernity' as they work to make sense of and bring together the aims of Jewish continuity and liberal modernity and all that these entail. By exploring these processes, this dissertation aims to participate in the anthropological conversation about 'modernities' and 'the modern' as a project that is both embracing of the liberal, the secular, and inclusivity and can be powerfully normative, constraining, and exclusionary, and to encourage us as anthropologists and teachers to think about how we might leave open the possibility for nuance and alternative attachments, desires, goals, mobilities, and ways of being in the classroom and beyond.
Abstract: A progresszív judaizmus egy reformer zsidó vallási mozgalom és ideológia, amelynek gyökerei a felvilágosodásig nyúlnak vissza. Ma világviszonylatban követőinek számát tekintve a legnépesebb zsidó vallási irányzat. Magyarországon az első progresszív szervezetet a rendszerváltozás időszakában alapították. Vallási vezetője egy női rabbi lett, ami különösen szembetűnővé tette újító, szabadelvű, emancipált felfogását és gyakorlatát. Integrációs törekvéseit határozott elutasítás fogadta a tágabb zsidó vallási mezőben. A disszertáció a progresszív judaizmus hazai megjelenésének társadalmi körülményeivel és szerepével foglalkozik. Megvizsgálja, hogyan és milyen tényezők hatására alakult a hazai progresszív szervezetek helyzete – társadalmi bázisa, támogatottsága, elfogadottsága és erőforrás-ellátottsága – fennállásuk óta. Igyekszik megragadni a közösségi-felekezeti vonzás fontosabb elemeit, és arra keresi a választ, kik számára és miért vonzó, milyen igényeknek tesz eleget, milyen funkciót tölt be a hívek életében és a társadalomban. A több mint egy évtizedet átfogó kutatás első eredményei rávilágítottak arra, hogy a progresszív közösséghez való csatlakozás motivációi nem szűkíthetők le a vallásosságra és a valláshoz való visszatérésre, ezért a kutatás a továbbiakban kiemelt figyelmet fordított annak megismerésére és magyarázatára, hogy milyen tényezők alakítják az egyéni és társadalmi cselekvéseket. A mozgatórugókat az egyének saját interpretációin keresztül, a társadalmi cselekvéseket a maguk természetes közegében, alapvetően résztvevő megfigyelésen alapuló terepmunka során vizsgálta. Az empirikus tapasztalatok arra engednek következtetni, hogy a zsidó vallásnak és hagyománynak a zsidó identitásépítésben is komoly szerepe van, és az egyének társadalmi cselekvését zsidó önazonosságuk, illetve ezzel kapcsolatos útkeresésük irányítja. A szerző a szakirodalom vonatkozó elméleteinek és téziseinek áttekintésével, az azokra való reflexió során igyekezett kialakítani egy olyan keretet, amelybe a kutatási tapasztalatok értelmezése komplex módon ágyazható.
