Abstract: The Holocaust monuments in Poland commemorate this historical event in the place of its occurrence. This empowers the commemoration, its meanings, and messages. However, the monuments also reflect the way the Polish state’s collective memory consolidates over the years. The memory of the glorious and significant Jewish past in Poland is in the form of ruined synagogues, displaced or neglected gravestones in cemeteries, warehouses full of relics, and ruins of concentration and extermination camps. The memory of this Jewish past remained in the hands of the Poles and became part of the Polish national landscape. One of the ways to commemorate the magnificent and rich Jewish past, the way the Jewish communities were destroyed, and the community members were murdered, is through monuments. Holocaust monuments in Poland were erected right after War World II and continue to be constructed until the present. What is the character of the commemoration presented in the monuments, Polish, Jewish, or universal? Which themes are commemorated, and which artistic expressions were chosen for this purpose? In this chapter, I will discuss Holocaust monuments erected in Poland through the years with tombstones, at the event sites, and former concentration camp sites, addressing their historiographical context, and the variety of visual expressions.
Abstract: The starting point for the present study is the thematization of the concept of “Jewish cultural heritage” and, in this context, the outlining of the role and position of cemeteries in Jewish tradition. The case study focuses on the Hungarian village of Apc, which was home to a Jewish community of just over a hundred people before World War II. After the Holocaust, only a few survivors returned to the settlement; some of them emigrated, while others remained in Apc for the rest of their lives. In recent decades, what has become of the cemetery, one of the most important sites for the former Jewish community of Apc? This paper explores the process of the heritagization of the local Jewish cemetery, one of the activities carried out by the Together for Apc Association, a civil society initiative launched two decades ago. In 2003, the dilapidated and abandoned “Israelite cemetery” was the first of the settlement's deteriorating assets to be declared as local cultural heritage. With the involvement of various actors from the local community (volunteers and local entrepreneurs), and in contact with Jewish organizations (the Federation of Hungarian Jewish Communities, the Foundation for Hungarian Jewish Cemeteries), the cemetery was restored over a period of two years and was “inaugurated” in 2006 in the presence of a rabbi, a cantor, a Jewish secular leader, Holocaust survivors and members of the local society. In the fifteen years since then, care has been taken to ensure that the achievements are sustainable and maintained, and the cemetery has been kept open not only for the descendants of the Jewish community but for all interested parties. But the salvaging of the Apc Jewish cemetery is not only an example of the preservation of the built heritage of a single community: while for the village residents it forms part of their local identity, for the Jewish organizations it represents part of their Jewish identity. What happens when two communities stake a claim to the heritagization of the same site? As a shared goal, or “cause,” the “bipolar” process of the heritagization of the Jewish cemetery in Apc has provided an opportunity for dialogue, collective thinking, and problem solving between Jewish and non-Jewish society, even if the various heritagization goals, coming from different directions, have in many cases generated tensions.
Abstract: This chapter examines the connection between Jewish identity and place in a Jewish community. The focus is on the Jewish cemetery in Trondheim, in the central part of Norway, and the aim is to explore how Jewish identity affects preferences for cemetery space. Against the backdrop of a larger ethnographic study and national research project, this study tracks narratives about burial decisions, illuminating the confluence of Jewish identity and Jewish burial space. The way the Jewish cemetery may mobilize or immobilize Jewish identity and belonging to the Jewish community is a multifaceted subject that relates to such wider experiences as mobility, relations to places of origin and Jewish networks. As discussed in the chapter, several aspects, religion, the Holocaust, and their Jewish kin relations, are in play for the participants and contribute to negotiating their burial decision.
Abstract: En dépit de quelques zones d’ombre sur le rôle de certains acteurs grecs, l’histoire de la destruction du cimetière juif de Thessalonique est aujourd’hui bien documentée. À la suite des travaux menés par plusieurs historiens, il est en effet établi que la vaste nécropole juive de Thessalonique a été détruite à partir du 6 décembre 1942, sur ordre de l’occupant allemand, à l’instigation de certaines franges de la population chrétienne locale et des autorités municipales qui convoitaient depuis longtemps cet espace de quelque trente-cinq hectares, d’une grande richesse historique, archéologique et épigraphique, situé initialement hors les murs, de la via Egnatia à la colline des « Quarante-Églises », mais bloquant l’extension de la ville vers l’est depuis la démolition de la muraille orientale de la Selanik ottomane à la fin du xixe siècle. Durant les deux semaines qui suivirent l’ordre final de démolition donné par Max Merten, le conseiller civil du commandement militaire allemand de Thessalonique-Égée (Befehlshaber Saloniki-Ägäis), des centaines d’employés rasèrent le vieux cimetière juif dont les pierres tombales furent livrées au pillage puis utilisées comme matériaux de construction. C’est ainsi que nombre de dalles et de stèles funéraires furent disséminées dans toute la ville et qu’elles s’offrent encore aujourd’hui au regard, dispersées à divers endroits de l’ancienne « petite Jérusalem », voire dans les environs.
Au-delà de quelques rappels indispensables pour comprendre dans quelles circonstances le plus vaste cimetière juif sépharad…
Topics: Antisemitism, Antisemitism: Christian, Antisemitism: Far right, Cemeteries, Jewish - Christian Relations, Jewish Perceptions of Antisemitism, Nationalism, Main Topic: Holocaust and Memorial, Holocaust, Holocaust Commemoration, Holocaust Memorials, Memory
Abstract: This thesis presents the first integrated history of Vienna’s four Jewish cemeteries as sites reflecting the construction, negotiation and at times contestation of Jewish communal belonging within Viennese society, embedded in the Viennese cityscape. Through a novel analysis of the sepulchral epigraphy of the thousands of matzevot or grave-memorials contained therein, the development and expression of codes of belonging constructed in the nexus between shifting notions of ‘Jewish’ and ‘Viennese’ culture are illuminated in a longue durée from the medieval into the modern periods. The Shoah, while it does not represent the first instance of the violent erasures of Jewish life and culture in the city, through its magnitude and presence in living memory constitutes a profound rupture in the historic enmeshment of the Jewish community in Viennese society. During the Shoah, the cemeteries became a focal point for the attempted excision or revision of Jewish cultural heritage and its place in Viennese culture, perpetrated by a complex network of agency, with the cemeteries moreover becoming recalibrated as sites of intense Jewish-communal introspection and activity. The cemeteries constituted after the Shoah some of the only sites of Jewish heritage to survive in the physical and memorial landscape, becoming moreover deeply contested sites of memory, within the context of the fledgling re-establishment of Jewish life in the city and the conflicted political and historical discourses in the Second Austrian Republic. This thesis presents the cemeteries as sites of the most profound engagements with Vienna’s long and convoluted Jewish history, comprising moments of great cultural prowess as well as murderous destructivity, embodying the deeply interactive yet conflicted relationship between the City of Vienna and its successive Jewish communities.
Abstract: La culture juive possède peut-être plus que toute autre, une dimension européenne, compte tenu des déplacements et des vicissitudes que l'Histoire a imposé au peuple juif au cours des siècles. Ce lien culturel reste très perceptible à travers les éléments patrimoniaux particuliers qu'ont légué les diverses communautés juives au sein des nations de l'Europe qui les ont accueillies. La valeur historique, artistique ou architecturale de ce patrimoine en fonction du rôle et de l'importance des communautés juives dépend le plus souvent de facteurs propres à l'histoire de chaque pays. Cependant, un destin historique commun transcende les différences nationales. L'évaluation de la qualité artistique ou de l'intérêt historique du patrimoine juif en Europe apparaît de ce fait comme une démarche difficile. Elle est d'autant plus souhaitable sur un plan global qu'ainsi elle permettra de rééquilibrer une vision parfois restrictive de certains aspects de ce patrimoine, évalués selon des critères qualitatifs ou quantitatifs reposant sur des références à un patrimoine plus traditionellement reconnu. C'est la raison qui a conduit la direction du Patrimoine à organiser au musée d'Art et d'Histoire du Judaïsme à Paris une conférence internationale consacrée au patrimoine juif européen en janvier 1999. Ce colloque, premier du genre organisé en Europe, et réunissant des universitaires, des architectes, des responsables de collections et des représentants d'institutions, était consacré à la connaissance, à la conservation et à la mise en valeur du patrimoine juif dans les pays d'Europe.
