Abstract: The present study examines Jewish politics in Communist Hungary. As it is widely known, politicians of Jewish origin played an important role in the political life of post-war Hungary as leaders of the Communist party or as officials in the Communist governments. Their activity had a considerable effect, both directly and indirectly, on the life of Hungarian Jews. "Judeo-Bolshevic" rule is still a favorite topic of contemporary antisemitic publiciations. No doubt, the question of whether the Jewish origin of these politicians had an impact on their decisions, and if so, to what extent, could be a relevant subject for historical study. However, this essay deals with a different topic. It is concerned only with those politicians in post-war Hungary who identified themselves publicly as Jews or openly
represented Jewish causes. How did these politicians, who viewed Jews as a collectivity and sought to defend the Jews’ collective interests, act in the troublesome post-war decades?
Topics: Klezmer, Jewish Music, Jewish - Non - Jewish Relations, Holocaust Commemoration, Memory, Jewish Heritage, Cultural Politics, Jewish Culture, Jewish Revival, Ethnography, Ethnomusicology, Main Topic: Culture and Heritage
Abstract: Klezmer in Europe has been a controversial topic ever since this traditional Jewish wedding music made it to the concert halls and discos of Berlin, Warsaw, Budapest and Prague. Played mostly by non-Jews and for non-Jews, it was hailed as "fakelore," "Jewish Disneyland" and even "cultural necrophilia." Klezmer's Afterlife is the first book to investigate this fascinating music scene in Central Europe, giving voice to the musicians, producers and consumers of the resuscitated klezmer. Contesting common hypotheses about the klezmer revival in Germany and Poland stemming merely from feelings of guilt which emerged in the years following the Holocaust, author Magdalena Waligorska investigates the consequences of the klezmer boom on the people who staged it and places where it occurred. Offering not only a documentation of the klezmer revival in two of its European headquarters (Kraków and Berlin), but also an analysis of the Jewish / non-Jewish encounter it generates, Waligorska demonstrates how the klezmer revival replicates and reinvents the image of the Jew in Polish and German popular culture, how it becomes a soundtrack to Holocaust commemoration and how it is used as a shining example of successful cultural policy by local officials
