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Date: 2021
Abstract: Why Do People Discriminate against Jews? provides a data-rich analysis of the causes of discrimination against Jews across the globe. Using the tools of comparative political science, Jonathan Fox and Lev Topor examine the causes of both government-based and societal discrimination against Jews in 76 countries. As they stress, anti-Semitism is an attitude, but discrimination is an action. In examining anti-Jewish discrimination, they combine ideas and theories from classic studies of anti-Semitism with social science theories on the causes of discrimination. On the one hand, conspiracy theories, a major topic in the anti-Semitism literature, are relatively unexplored in the social science literature as a potential instigator of discrimination. On the other, social science theories developed to explain how governments justify discrimination against Muslims are rarely formally applied to the processes that lead to discrimination against Jews. Fox and Topor conclude by identifying three potential causes of discrimination: religious causes, anti-Zionism, and belief in conspiracy theories about Jewish power and world domination. They conclude that while all three influence discrimination against Jews, belief in conspiracy theories is the strongest determinant. The most rigorous and geographically wide-ranging analysis of discrimination against Jews to date, this book reshapes our understanding of the persecution of religious minorities in general and the Jewish people in particular.

Contents:
Acknowledgments
Chapter 1: Introduction
Chapter 2: Patterns of Discrimination
Chapter 3: Religious Anti-Semitism
Chapter 4: Anti-Zionism and Anti-Israel Behavior and Sentiment
Chapter 5: Conspiracy Theories
Chapter 6: The British Example
Chapter 7: Conclusions
Appendix
Bibliography
Date: 2013
Author(s): Alexander, Phil
Date: 2021
Abstract: How can a traditional music with little apparent historical connection to Berlin become a way of hearing and making sense of the bustling German capital in the twenty-first century? In Sounding Jewish in Berlin, author Phil Alexander explores the dialogue between the city's contemporary klezmer scene and the street-level creativity that has become a hallmark of Berlin's decidedly modern urbanity and cosmopolitanism. By tracing how klezmer music engages with the spaces and symbolic meanings of the city, Alexander sheds light on how this Eastern European Jewish folk music has become not just a product but also a producer of Berlin.

This engaging study of Berlin's dynamic Yiddish music scene brings together ethnomusicology, cultural studies, and urban geography to evoke the sounds, atmospheres, and performance spaces through which klezmer musicians have built a lively set of musical networks in the city. Transcending a restrictive framework that considers this music solely in the context of troubled German-Jewish history and notions of guilt and absence, Alexander shows how Berlin's current klezmer communitya diverse group of Jewish and non-Jewish performersimaginatively blend the genre's traditional musical language with characteristically local tones to forge an adaptable and distinctively twenty-first-century version of klezmer. Ultimately, the music's vital presence in Berlin is powerful evidence that if traditional music is to remain audible amid the noise of the urban, it must become a meaningful part of that noise.