Abstract: The Real Deal is a term often used by musicians to describe people they perceive to be more authentic than them. Over the past seven or eight years, I have performed music from Eastern Europe, the Balkans, Turkey and beyond under the umbrella of World Music in one of the most cosmopolitan cities in the world: London. As I negotiated my way onto this scene and played with some of the finest musicians, I became increasingly aware of those I felt to be the Real Deal. I also began to feel that, in certain circumstances, I may also have appeared to be the Real Deal to others. Many of the musicians on this scene had begun their foray into these diverse styles with klezmer and it is this style that I explore most with relation to the Real Deal. As klezmer is a Jewish music style not played, or even enjoyed, by all Jews, this makes notions of the Real Deal much more ambiguous.
This thesis examines the movable perception that is the Real Deal and the complex interplay that results between musicians. Through discussions with twenty musicians with whom I have played regularly, I discussed the Real Deal and how it affects the way we work. Although half of the musicians self-identified as being Jewish and the other half did not, this became only one factor in the complex negotiations involved in professional music making. The often amusing anecdotes of mistaken identity that we shared raised fundamental questions about our stage performances.
I examine the complex issues surrounding klezmer as a style of music and the unique scene that has developed from the American revival in London. I consider the role of the Jewish Music Institute and how it serves the Jewish community and professional musicians in London and beyond. Finally, I assess how my discussions with musicians and the Jewish Music Institute have not only changed and shaped this evolving scene, but forced me to question my own attitudes and practice.
Abstract: I examined the characteristics of converts to Judaism through the Reform Synagogues, 1952-
2002, exploring the psychological impact of conversion, the nature of their Jewish identity and
the durability of their religious commitment through time. Recognising the large variation in the
Jewish practice and attitudes displayed, I also examined the influence of motivational, family
and biographical factors on their Jewish identity.
Motivation for conversion was multi-dimensional. The instrumental desire to create family
unity was identified as the most powerful motivating factor. The strength of this variable
was found to be a significant predictor of the level of behavioural changes in the converts’
Jewish lifestyle. Counter-intuitively, this motivational factor formed negative correlations
with ethnicity and a non-significant relationship with ritual behaviour.
The data highlight differences between the factorial structure of the Jewish identity of converts
and born Jews. For converts, four identity factors were identified: ritual practice, ethnic
belonging, Jewish development and spirituality. Miller et al. have identified three factors
underlying the Jewish identity of born Jews under 50: behavioural ethnicity, religiosity and
mental ethnicity. Survey data of converts has shown a clear division of ritual and ethnic
behaviours, whilst in born Jews, the same differentiation is not demonstrated.
Like moderately engaged born Jews, converts emphasised the notion of affective identity rather
than the actual performance of Jewish ritual acts, though it is clear that ‘on average’ converts
have a somewhat more intense pattern of ritual practice than born (Reform) Jews.
The majority of the converts felt content with the results of their conversion but the relative lack
of emphasis placed on Jewish continuity as opposed to the convert’s individual self-fulfilment,
can be seen as an indication of a possibility that the conversion process may only delay
demographic decline in the Jewish community for just one or two generations.
