Abstract: In an extremely critical public sphere surrounding Jewish–Muslim relations in Germany, the multi-award-winning miniseries The Zweiflers has uniquely navigated this intense scrutiny, depicting a nuanced subplot of Jewish–Muslim coexistence. Inspired by HBO’s The Sopranos, the series centres on the Zweifler family, exploring their complex intergenerational dynamics, transnational diasporic ties and alleged connections to Frankfurt’’s underworld. While initially lauded for its portrayal of a modern German-Jewish identity, this article takes a closer look at the significant theme of Jewish–Muslim cooperation in post-war Germany. Drawing on ethnographic research conducted in Frankfurt’s Bahnhofsviertel (train station district), where the series was filmed, The Zweiflers is critically analysed and compared with insights from that long-term fieldwork. This analysis is further contextualized by engaging with the crucial works of diasporic artists and post-migrant filmmakers, alongside scholarship on urban multiculture and anti-essentialist concepts in sociology and cultural studies. The Jewish–Muslim relationships depicted in the series are not merely fictional; they reflect real, historically evolved partnerships characterized by a collective will to overcome contradictions. This nuanced depiction counters static assumptions about community relations often found in the polarized debates surrounding the Israeli–Palestinian conflict, offering a vital contribution to understanding contemporary German society.
Abstract: Muslims across Europe have been labeled as uncivil since the migration waves of postcolonial and guestworker migrants in the mid-20th century. In this paper, I bring the Muslim experience in the German capital into conversation with Civil Sphere Theory (CST), which analyzes how senses of cultural boundedness are supported, shaped, and contested through the interrelations between the institutions of civil society and social movements aimed at expanding civic inclusion. Drawing on two years of ethnographic research in a Berlin mosque, I move from Muslim associations with incivility to the actions these associations provoke in relation to the civil sphere: exploring how those deemed uncivil exert agency in response to, and also in spite of a civil/uncivil divide. Through the voices and experiences of my interlocutors, I show that Muslims are not simply a victimized out-group excluded from the German civil sphere, but are also agents of change who actively seek to gain full inclusion within it. Specifically, I trace how my German Muslim interlocutors contend with their negative social status by drawing on narratives, and enlivening connections that link them to the German Jewish experience: seeking incorporation in the civil sphere through identifications with another “Other,” and through this other, also mainstream society.
Abstract: The filigree ground mosaic is placed at the heart of the Grindel neighbourhood in Hamburg, Germany. Tracing the footprint of the former synagogue that once stood there, proudly, it demarcates an absence. It is a reminder of what the Nazis destroyed and sought to extinguish. The fact that the synagogue will finally be rebuilt, in the same place, with the support of the Federal government and the city, is anything but a matter of course. This will be the first reconstruction project of a synagogue of this size in Germany since the Second World War. Yet the project has been controversial in some respects. The two main concerns expressed in the public debate about the form of reconstruction and whether and how to integrate the Synagogue Monument at first sight appeared to be in irreconcilable competition: the importance of maintaining a culture of remembrance, and the legitimate claim of the Jewish Community to recover and rebuild its former place of worship. This would not merely be, as is often said, a sign of Jewish belonging, of identity and representation, in the urban society. Rather, it is about modes of existence that the architecture itself, in the materiality of its form and its presence, embodies and makes possible. To the people, architecture is what makes the difference. It thus shapes the political landscape.
