Abstract: Drawing on thirty in-depth interviews with faith leaders in the UK (including Islam, Christianity, Judaism, Hinduism, and Sikhism), we examine the diverse ways religious groups reorient religious life during COVID-19. Analysing the shift to virtual and home-based worship, we show the creative ways religious communities altered their customs, rituals, and practices to fit a new virtual reality amidst rigid social distancing guidelines. This study offers a distinctive comparative perspective into religious creativity amidst acute social change, allowing us to showcase notable differences, especially in terms of the possibility to fully perform worship online. We found that whilst all faith communities faced the same challenge of ministering and supporting their communities online, some were able to deliver services and perform worship online but others, for theological reasons, could not offer communal prayer. These differences existed within each religion rather than across religious boundaries, representing intra-faith divergence at the same time as cross-faith convergence. This analysis allows us to go beyond common socio-religious categories of religion, while showcasing the diverse forms of religious life amidst COVID-19. This study also offers a diverse case study of the relationship between religions as well as between religion, state, and society amidst COVID-19.
Abstract: Shabbat day with its ritual phases and liturgies, chosen as a focus for this study, presents an ideological paradox, with notions of both particularism and universalism (P/U) in the core of its narrative. Ritual with all its elements, such as participants, objects, space, music, body gestures and style of service, provide additional meaning to what is embedded in the words, and this needs to be taken into consideration while examining the ideology of a prayerbook. The ritual process may affect or alter their P/U meaning.
Thus, to advance the debate in discussing P/U in the contemporary British Jewish Orthodox, Reform and Liberal prayerbooks and ritual, I engage here with Judaism as a vernacular religion. Because it is not enough to examine only verbal expressions of the prayerbooks, I also consider the verbal, behavioural and material expressions of religious belief. I identify and critically assess various strategies, which depend for their effectiveness on the approach to change of specific worshippers and prayer leaders, and that are deployed in order to remove or minimize the impact of undesired particularistic formulations.
Drawing these threads together, I triangulate the reading of Shabbat texts with ethnographical methodologies, thereby providing a better understanding of the way in which Jewish liturgy works as lived religion. The thesis contributes to further discussion of P/U notions within Jewish liturgy and serves to advance methodological thinking about siddurim and Jewish ritual.
Abstract: This article is a discussion on my research that examines the social and musical aspects of orthodox women’s Rosh Chodesh groups. These groups, both past and present, are not a widespread phenomenon and have remained very much on the periphery of Jewish practices which, apart from communities based in Israel, already operate on the periphery of non-Jewish societies. As such, my research has required a broad, international focus. My discussion is largely based on groups in North America and Europe (specific locations examined include New York, Montreal, Amsterdam, Berlin, and London, which is also the site for fieldwork on the relatively recent phenomenon called the ‘Partnership Minyan’). I also conducted preliminary fieldwork with the much-discussed group Women of the Wall (WoW) based in Jerusalem.
Abstract: How effective is religious activity believed to be in coping with depression? This study assessed the perceived effectiveness of different religious activities — previously identified as important in coping — among 282 people in the UK. The mean age was 25 years, and participants were either Christian, Hindu, Jewish, Muslim, other religion, or no religion. Relative to other kinds of help for depression, religious activity was not seen as particularly helpful for depression. Religious activity was seen as less helpful by the ever‐depressed than by the never‐depressed and as less helpful by women than by men. Among religious activities, faith and prayer were seen as the most helpful. Muslims believed more strongly than other groups in the efficacy of religious coping methods for depression, were most likely to say they would use religious coping behaviour, and were least likely to say they would seek social support or professional help for depression. Other differences between groups were also observed, and comparisons with qualitative material obtained in an earlier study were made. The implications of these findings for help‐seeking are considered.
Abstract: In this article I investigate ritual life at the Moscow Choral Synagogue, the largest and longest running Orthodox synagogue in the Russian capital. Unlike many Eastern European synagogues, this synagogue is a thriving prayer community due to its unique congregation of Russian, Georgian, Bukharan, Mountain, and visiting Western Jews. I focus on a fistfight that took place between an Israeli and a Georgian Jew during prayer. I detail how Russian and Georgian Jews interpreted the incident to be a result of their different ethnicities, Russian and Georgian respectively. The fight elucidates how ritual in post-Soviet society provides the means for the production of ethnicity and Jewish identity. Arguing for localism within Judaism's transnational ideology, I suggest that Jewish identity, like ritual, is performative and contextual. I also show how the shifting power relations in post-Soviet society have reshaped ethnicity, making state-endorsed market reform a reference point of ethnic differentiation.
Abstract: The Movement for Reform Judaism [MRJ] - has been undergoing substantial changes in its style and patterns of worship. The introduction of a new prayer book has been accompanied by a pronounced focus on the music of the various synagogues, as a key element in the re-envisioning of prayer and spirituality in 21st century congregations. These have taken place within the context of the wider context of synagogue renewal, which surfaced first in the USA as Synagogue 2000 (now Synagogue 3000), entailing study, reflection and implementation of a variety of different changes in the hope of attracting and retaining Jews in synagogue services.
This thesis focuses on the relationship between forms of liturgical and ritual music and patterns of spirituality and identity within the UK Reform Jewish world during a period of significant social change. ‘Getting the music right’ is, for some, a major aspect in synagogal renewal and commands a central place in the focus on Judaism into the twenty-first century. Focusing on attitudes towards and experiments with music afford a distinctive manner to access the complexities involved in the interplay of diverse community traditions and contemporary pressures for change.
The complexities of this examination are mirrored in the interdisciplinary perspective of this thesis, as it encompasses the theoretical resources of theological, historical, and social scientific disciplines. Through the historical expansion of the movement, and the synagogues in which I have engaged in ethnographic research, we will note the shifts in movement and synagogal musical cultures, each affording a unique perspective on music in worship. Each helps to elucidate a little bit what constitutes the perspectives and preoccupations of the Anglo-Reform Jewish world.
Abstract: Jewish musical practices stemming from Kabbalah and Hasidic mystical traditions are currently the object of growing attention among a variety of different Jewish communities in Europe and North America, as well as in non-Jewish spiritual circles. This article focuses on contemporary practices of niggunim – the (mostly) wordless melodies with roots in Hasidic Jewish traditions, sung, chanted and sometimes danced in preparation for, or as a form of, ardent prayer. The practice is seen as an example of the expressive, engaging, emotional and embodied forms of prayer that currently attract many Jews of different institutional attachments. As niggunim travel into new contexts, they are reframed and reconsidered in order to meet the needs and expectations of contemporary religious communities, characterised by a liberal and egalitarian, global and transformative religiosity. The article seeks to explore the different functions niggunim are put to today and the motives which drive different people to engage in the practice. The analysis is based on ethno-graphic material in the form of in-depth interviews conducted among progressive Jews in the London area. As a conclusion, the article suggests an approach to contemporary niggunim practices that incorporates perspectives from both literature and ethnography in order to deepen the understanding of the motives for and functions of singing niggunim today
