Abstract: How are local understandings of identity, relatedness, and belonging transformed in a global era? How does international tourism affect possibilities for who one can become?
In urban Portugal today, hundreds of individuals trace their ancestry to 15th century Jews forcibly converted to Catholicism, and many now seek to rejoin the Jewish people as a whole. For the most part, however, these self-titled Marranos ("hidden Jews") lack any direct experience of Jews or Judaism, and Portugal's tiny, tightly knit Jewish community offers no clear path of entry. According to Jewish law, to be recognized as a Jew one must be born to a Jewish mother or pursue religious conversion, an anathema to those who feel their ancestors' Judaism was cruelly stolen from them. After centuries of familial Catholicism, and having been refused inclusion locally, how will these self-declared ancestral Jews find belonging among "the Jewish family," writ large? How, that is, can people rejected as strangers face-to-face become members of a global imagined community - not only rhetorically, but experientially?
Leite addresses this question through intimate portraits of the lives and experiences of a network of urban Marranos who sought contact with foreign Jewish tourists and outreach workers as a means of gaining educational and moral support in their quest. Exploring mutual imaginings and direct encounters between Marranos, Portuguese Jews, and foreign Jewish visitors, Unorthodox Kin deftly tracks how visions of self and kin evolve over time and across social spaces, ending in an unexpected path to belonging. In the process, the analysis weaves together a diverse set of current anthropological themes, from intersubjectivity to international tourism, class structures to the construction of identity, cultural logics of relatedness to transcultural communication.
A compelling evocation of how ideas of ancestry shape the present, how feelings of kinship arise among far-flung strangers, and how some find mystical connection in a world said to be disenchanted, Unorthodox Kin will appeal to a wide audience interested in anthropology, sociology, Jewish studies, and religious studies. Its accessible, narrative-driven style makes it especially well suited for introductory and advanced courses in general cultural anthropology, ethnography, theories of identity and social categorization, and the study of globalization, kinship, tourism, and religion.
Abstract: In the 1990s, Vienna's Jews and queers abandoned their clandestine existence and emerged into the city's public sphere in unprecedented numbers. "Symptoms of Modernity" traces this development in the context of Central European history. Jews and homosexuals are signposts of an exclusionary process of nation-building. Cast in their modern roles in the late nineteenth century, they functioned as Others, allowing a national community to imagine itself as a site of ethnic and sexual purity.In Matti Bunzl's incisive historical and cultural analysis, the Holocaust appears as the catastrophic culmination of this violent project, an attempt to eradicate modernity's abject by-products from the body politic. As "Symptoms of Modernity" shows, though World War II brought an end to the genocidal persecution, the nation's exclusionary logic persisted, accounting for the ongoing marginalization of Jews and homosexuals. Not until the 1970s did individual Jews and queers begin to challenge the hegemonic subordination--a resistance that, by the 1990s, was joined by the state's attempts to ensure and affirm the continued presence of Jews and queers. "Symptoms of Modernity" gives an account of this radical cultural reversal, linking it to geopolitical transformations and to the supersession of the European nation-state by a postmodern polity.
Abstract: More than half a century after the Holocaust, in countries where Jews make up just a tiny fraction of the population, products of Jewish culture (or what is perceived as Jewish culture) have become very viable components of the popular public domain. But how can there be a visible and growing Jewish presence in Europe, without the significant presence of Jews? Ruth Ellen Gruber explores this phenomenon, traveling through Germany, Poland, the Czech Republic, Austria, Italy, and elsewhere to observe firsthand the many facets of a remarkable trend. Across the continent, Jewish festivals, performances, publications, and study programs abound. Jewish museums have opened by the dozen, and synagogues and Jewish quarters are being restored, often as tourist attractions. In Europe, at the beginning of the twenty-first century, klezmer music concerts, exhibitions, and cafes with Jewish themes are drawing enthusiastic--and often overwhelmingly non-Jewish--crowds.
In what ways, Gruber asks, do non-Jews embrace and enact Jewish culture, and for what reasons? For some, the process is a way of filling in communist-era blanks. For others, it is a means of coming to terms with the Nazi legacy or a key to building (or rebuilding) a democratic and tolerant state. Clearly, the phenomenon has as many motivations as manifestations. Gruber investigates the issues surrounding this "virtual Jewish world" in three specific areas: the reclaiming of the built heritage, including synagogues, cemeteries, and former ghettos and Jewish quarters; the representation of Jewish culture through tourism and museums; and the role of klezmer and Yiddish music as typical "Jewish cultural products." Although she features the relationship of non-Jews to the Jewish phenomenon, Gruber also considers its effect on local Jews and Jewish communities and the revival of Jewish life in Europe
