Abstract: The paper argues that the recent history of Holocaust Studies in Lithuania is characterized by major provision (for research, teaching and publishing) coming from state-sponsored agencies, particularly a state commission on both Nazi and Soviet crimes. Problematically, the commission is itself simultaneously active in revising the narrative per se of the Holocaust, principally according to the ‘Double Genocide’ theories of the 2008 Prague Declaration that insists on ‘equalization’ of Nazi and Soviet crimes. Lithuanian agencies have played a disproportionate role in that declaration, in attempts at legislating some of its components in the European Parliament and other EU bodies, and ‘export’ of the revisionist model to the West. Much international support for solid independent Lithuanian Holocaust researchers and NGOs was cut off as the state commission set out determinedly to dominate the field, which is perceived to have increasing political implications in East-West politics. But this history must not obscure an
impressive list of local accomplishments. A tenaciously devoted group of Holocaust survivors themselves, trained as academics or professionals in other fields, educated themselves to publish books, build a mini-museum (that has defied the revisionists) within the larger state-sponsored Jewish museum, and worked to educate both pupils and the wider public. Second, a continuing stream of non-Jewish Lithuanian scholars, educators, documentary
film makers and others have at various points valiantly defied state pressures and contributed significantly and selflessly. The wider picture is that Holocaust Studies has been built most successfully by older Holocaust survivors and younger non-Jews, in both groups often by those coming to work in it from other specialties out of a passion for justice and truth in history, while lavishly financed state initiatives have been anchored in the inertia of nationalist regional politics.
Abstract: This paper looks at how historical museums in Germany that are not Holocaust or Jewish museums represent Jews. It examines the permanent and temporary exhibitions, as well as their visitors’ experiences, at the two largest national and state-sponsored historical museums: the House of History in Bonn and the German Historical Museum in Berlin. I first analyze the ways in which Jewish symbols and images of Jews tell the story of the Holocaust’s aftermath in those museums. The article then focuses on a temporary exhibition, ‘Shalom: Three Photographers See Germany,’ at the Bonn House of History (August 2015–June 2016). I suggest that the exhibitions create directed viewing, whereby the visitors look at Jews and project the experience of viewing Holocaust images. I argue that as they are presented and viewed in the ‘Shalom’ exhibition, Jews undergo temporal displacement whereby their subject position and possible roles both in remembering and in being remembered are limited. I conclude by showing that Jews, as well as other Holocaust victim groups and migrant groups in Germany today, are not equal subjects of memory, meaning both that their subjectivity as participants in the public sphere is limited to specific roles, times and spaces, and that inter-subjective communication about their representation is limited.