Abstract: The afterword reflects on the various contributions in this special issue of Ethnoscripts, which explores the dynamics of contemporary Jewish agency in the context of Jewish cultural heritage. It emphasises the complexities and tensions that arise as Jewish subjects engage with their heritage, highlighting negotiations within communities, intergenerational dialogues, and the interplay between State and minority interests. The afterword revisits several matters discussed in the contributions, such as post-vernacularity, counter-heritagisation, and State and national narratives and policies. It highlights dimensions of critical reflection and attention to complexity. It argues that Jewish heritage should not only be revived and enlivened but also critically engaged with, fostering a dialogue that recognises its complexities and contradictions across different contexts and historical narratives. This text introduces the concept of iridescent heritage, which articulates heritage as dynamic, multifaceted, and shaped by the interactions between subjects, heritage objects, and interpretive frameworks. This idea moves away from fixed and flat conceptions of heritage towards a more processual and complex understanding of its meanings. The afterword suggests the explanatory resonance of a conceptualisation of iridescence with the insights from several contributions in the special issue.
Abstract: Haketia, a hybrid Judaeo-Spanish trans-language suppressed under imperial rule in the Maghreb, is being actively reanimated through digital heritagisation practices amongst dispersed communities of speech. How do digital heritage practices enable the postvernacular transformation of Haketia from suppressed vernacular to an active tool of cross-cultural coalition-building? Drawing on virtual ethnography of the eSefarad online platform, this study examines how such platforms operate not as static preservation but through processes of ‘trans situ’ heritagisation, where cultural elements are exchanged across multiple sites, temporalities, and modes of presence. The analysis traces Haketia’s transition to postvernacular performance, where using the language becomes a conscious cultural enactment that forges virtual communities across historical rupture. Rather than representing continuous transmission, these digital practices are marked by inventive reconstruction and purposeful reassembly, conceptualised here as ‘open-source Sephardism’ – a framework grounded in diasporism that privileges relational ‘hereness’ over territorial return. Through collaborative negotiation and cross-cultural coalition, this digital heritage practice fosters the revival of Judaeo-Muslim virtual worldly commons, demonstrating how minoritised vernaculars can be reactivated as living threads of diasporic connection that transcend traditional boundaries of heritage preservation.
Abstract: This article examines contemporary curatorial practices in France as contested sites where North African Sephardic Jewish cultural heritage intersects with broader questions of memory, transmission, and return. It is based on an ethnographic analysis of four case studies: an academic meeting in Cassis in 2019, two exhibitions at the Palais de la Porte Dorée and the Institut du Monde Arabe in 2022, the grassroots Dalâla festival in Paris in 2023, and the 2024–2025 ‘Revenir’ exhibition at the Musée des civilisations de l’Europe et de la Méditerranée in Marseille. The article explores how ‘interrupted transmission’ shapes intergenerational creative memory work among Maghrebi Jewish communities and individuals in France. The study contributes to critical heritage studies by illuminating how minority communities navigate state-sanctioned representations while creating alternative spaces for cultural transmission. Drawing on Svetlana Boym’s concept of reflective nostalgia, Marianne Hirsch’s theory of post-memory, and David Berliner’s work on heritage temporality, the analysis reveals how different curatorial modes – from institutional to grassroots – negotiate the complexities of colonial legacies, displacement trauma, and cultural reclamation. Central to the analysis is the examination of ‘return’ – both the physical journey to an ancestral homeland and the imaginative process of cultural reconnection – as an agential mode of self-affirmation for French-born Jews of Maghrebi descent. I argue that effective engagement with Maghrebi Jewish memory requires multilayered approaches that balance institutional resources with community agency, moving beyond binary frameworks of assimilation/marginalisation or a Jewish/Arab division.
Abstract: State-approved and -funded Jewish cultural heritage has largely focused on concrete tangible spaces or structures, such as synagogues and mikvaot (ritual baths), and material objects. They often represent and evoke an idealised, unchanging Jewishness of the past that is presumed to be acceptable to non-Jewish audiences, yet one that bears little resemblance to lived Judaism, whether past or present. Using hip-hop by Jewish subjects in Germany as a case study, with a special focus on rapper Dimitri Chpakov, this article investigates the mobilisation of popular culture in the twenty-first century by diverse Jewish subjects under the radar of state-sanctioned conceptualisations and representations. Past studies have examined Jewish hip-hop in Germany within the authorised heritage discourse around Holocaust commemoration and anti-Semitism. This article argues that Jewish hip-hop initiatives need to be explored as alternative statements of Jewish heritage, Jewish communal identity, and Jewish diversity, geared towards young living Jewish community members. Such functions tend to be ignored or misunderstood in top-down discourses perpetuated in the public sphere. This article examines the extent to which present-day German Jewish hip-hop prompts a counter-heritagisation process: by creating compelling, deeply personal, and imitable musical forms, it reimagines and reforms conventional definitions of heritage in the service of young Jews living in Germany.
Abstract: Using an interdisciplinary perspective at the intersections of anthropology, Jewish Studies, and critical academic scholarship of heritage, this special issue presents ethnographic examples to explore the relationship between minority groups and the state through the prism of representations of Jewish cultural heritage in the European public sphere. On an empirical level, the articles focus on personal, community-led, and wider public discussions of the way Jewish experience and histories of migration have been (or should be) represented in museums and historical sites, in musical productions and open-air displays, at sites of restitution and in virtual spaces. In this introductory article we summarise the main points of each contribution and some of their connected themes. We then briefly discuss the articles we brought together and outline the main matters of theoretical concern they raise. Key are the aspirations that members of Jewish communities have in negotiating representations of Jewish heritage in Europe and the agentive capacity that diverse Jewish publics, including individual artists and professionals, demonstrate in shaping these representations to achieve, disrupt, or suspend state-sponsored consensus about the preservation of minority heritage.
