Abstract: Studie se zabývá obrozením budapešťského židovské čtvrti. Část města, kterou dnes takto označujeme, leží v centru Budapešti, konkrétně ve čtvrtích Erzsébet a Teréz, na hranici šestého a sedmého městského obvodu. Ve studii jsou na příkladech několika restaurací, knihkupectví, prohlídkových okruhů a tzv. barů na staveništi popsány nové tendence, ke kterým v židovském městě dochází. Svou typickou architektonickou podobu získalo židovské město během 19. století a před první světovou válkou. V roce 1944 bylo na jeho území „velké ghetto“. Na zničení architektonicky cenné zástavby se nepodepsala ani tak válka, jako spíše období socializmu, které následovalo po ní. Budovy chátraly, různým vlnám modernizace a přestaveb však čtvrť nepodlehla. Po změně režimu dávalo město stále větší prostor investorům, kteří staré budovy demolovali. Proti těmto necitlivým zásahům se vzedmula vlna občanských iniciativ. Hospodářská krize, která vypukla v roce 2008, pomohla snahám aktivistů o záchranu čtvrti. Mnoho parcel zůstalo po stržení budov prázdných a další demolice byly odloženy. V zachovalých budovách a na volných prostranstvích začaly vznikat různé podniky se zvláštní atmosférou dočasnosti.
Abstract: This chapter describes on the Kraków Festival of Jewish Culture, founded in 1988 by Jewish intellectuals Janusz Makuch and Krzysztof Gierat. The public embrace of Jewish culture in Poland had its roots in the anti-communist dissident movements of the 1960s and 1970s and developed steadily after the success of Solidarność in 1980 opened up new cultural and intellectual freedoms that were only partially stifled by the imposition of martial law in 1981. The pervasiveness of underground networks forced some relaxation of official strictures, too. Many taboos remained in place, but from the early 1980s on, with official sanction that at times verged on co-option, books on Jewish topics were published, research on Jewish subjects was carried out, and exhibitions, concerts, and performances on Jewish themes were held with increasing frequency. The Kraków festival was a milestone in this process and throughout the 1990s served as an important, continuing catalyst, changing and developing as overall conditions in post-communist Poland evolved.
Abstract: In this article, I discuss what I term “Jewface” minstrelsy performance and “Jewfaçade” display in three contemporary contexts with highly divergent historical backgrounds: East-Central Europe, the Iberian Peninsula, and the Jewish Autonomous Republic, a fictitious-sounding but real colony established by Stalin in far eastern Russia near China and still extant today. Jewface encompasses music, dance, theater, and extra-theatrical modes of performance, in which non-Jews dress up and act like “Jews,” as historically imagined; Jewfaçade encompasses museum-type installations, as well as architectural and decorative constructions, depicting imagined “Jewish” life. These “Diaspora Disneys” vary from the education- and tolerance-oriented to the crassly exploitative and commercial to the bizarrely confused. None have much to do with actual Jews, but all convey a tremendous amount regarding dominant “host” cultures’ anxieties over not only their roles in past persecution and genocide but also their own present cultures, politics, and positions in the wider world today. Further, they present a wide array of models of memoriological projection and desire, in what I explicate as spectra of “plethoric” to “voidic” memoriological scenarios and “negotiatory” to “constitutory” memoriological strategies.
Abstract: A “Jew-themed” restaurant provides its patrons with broad-brimmed black hats with foot-long sidecurls to wear, and the menu has no prices; patrons must bargain, or “Jew,” the staff down. A play billed as a tribute to a lost Jewish community ends in a gag: Death throws back his shroud to reveal an open-brain-pate wig, à la the horror flick Nightmare on Elm Street. In a “traditional Jewish wedding dance,” “Jewish wealth” is represented by a local luxury: vacuum-packed juice boxes. In parts of the world where Jews, once populous, have nearly vanished because of oppression, forced exile, and genocide, non-Jews now strive to re-enact what has been lost. In this essay, I will consider three general cases of what I term “Jewface” minstrelsy and
“Jewfaçade” display, in Krakow, Poland; the village of Hervás in western Spain; and Birobidzhan, capital city of Russia’s far-eastern Jewish Autonomous Region, which is known as Birobidzhan as well. Jewface-resembling the “blackface” prevalent in the United States in the nineteenth and twentieth centuries-is the practice of music, dance, theatre, and/or extra-theatrical types of performance, primarily by non-Jews, intended to convey notions of historical Jewish life and culture. Jewfaçade involves architectural and decorative constructions, again mainly by nonJews, meant to evoke ideas of the Jew in similar ways. Ruth Ellen Gruber, the team of Daniela Flesler and Adrian Pérez Melgosa, and other journalists and scholars have documented what Michael Brenner has called “Jewish culture without Jews” in Poland and Spain, as well as elsewhere in Europe (Brenner 1997: 152). However, no comparative study has been made, and no scholar has approached this topic with regard to Birobidzhan. I will provide brief overviews of Jewface and Jewfaçade activities in Krakow, Hervás, and Birobidzhan. I will then demonstrate the ways in which the notions of the figure of the Jew and of local Jewish history are performed, or acted out in these three comparative geographical contexts. These cases, as, in conclusion, I will argue, represent three very different approaches to public memory and memorialization with regard to the Jew, and perhaps in regard to troubled historical legacies more generally.
Abstract: In the late nineteenth and early twentieth centuries, the Jewish socialist movement played a vital role in protecting workers’ rights throughout Europe and the Americas. Yet few traces of this movement or its accomplishments have been preserved or memorialized in Jewish heritage sites.
The Remembered and Forgotten Jewish World investigates the politics of heritage tourism and collective memory. In an account that is part travelogue, part social history, and part family saga, acclaimed historian Daniel J. Walkowitz visits key Jewish museums and heritage sites from Berlin to Belgrade, from Krakow to Kiev, and from Warsaw to New York, to discover which stories of the Jewish experience are told and which are silenced. As he travels to thirteen different locations, participates in tours, displays, and public programs, and gleans insight from local historians, he juxtaposes the historical record with the stories presented in heritage tourism. What he finds raises provocative questions about the heritage tourism industry and its role in determining how we perceive Jewish history and identity. This book offers a unique perspective on the importance of collective memory and the dangers of collective forgetting.
Abstract: Several exhibitions in recent years – in the ‘Deutsches Auswandererhaus’ Bremerhaven and other museums in Germany, the United Kingdom, Australia, and the United States – have used suitcases (and ‘the suitcase’) as a central symbol and metaphor for the migration process. Based on a variety of examples, the article discusses the idea and the use of memory containers – and their function as archives – in the context of emigration, transmigration, and immigration. Suitcases are the most obvious material objects relating to these processes and the connected cultural practices. They are concrete objects, but beyond that they have been used as symbols and metaphors for the experience of travel and of dislocation. Suitcases often contained, and therefore are connected to, other items of memory storage: photographs and personal documents (letters, diaries about the migration experience – documents that have been termed, in a different context, ‘Schreibakte auf der Schwelle’ – acts of writing on the threshold); manuscripts, farewell letters (written on the boat, in border stations, in port cities), memorial and yizkor books, songs and poems, self-drawn maps which show the stations of the journey. An analysis of such ‘things’ – material objects which often carried an emotional value – and their representation in museums and exhibitions opens up a wide and rich field of research for the ethnography of migration.
Abstract: The 2015 law granting Spanish nationality to the descendants of Jews expelled in 1492 is the latest example of a widespread phenomenon in contemporary Spain, the "re-discovery" of its Jewish heritage.
In The Memory Work of Jewish Spain, Daniela Flesler and Adrián Pérez Melgosa examine the implications of reclaiming this memory through the analysis of a comprehensive range of emerging cultural practices, political initiatives and institutions in the context of the long history of Spain's ambivalence towards its Jewish past.
Through oral interviews, analyses of museums, newly reconfigured "Jewish quarters," excavated Jewish sites, popular festivals, tourist brochures, literature and art, The Memory Work of Jewish Spain explores what happens when these initiatives are implemented at the local level in cities and towns throughout Spain, and how they affect Spain's present
Abstract: This thesis critically examines the public representation of medieval Anglo-Jewish history today through a cross-section of medieval Anglo-Jewish communities which act as case studies; Winchester, York, Norwich, Bristol, and Northampton respectively. These case studies frame the investigation of issues associated with the limited and often contested archaeological evidence relating to England’s medieval Jews, as well as the frequent tendency of contemporary public facing history to focus on the negative aspects of medieval Jewish life, notably by highlighting persecution and victimisation. It also analyses the development of the most recent public facing interpretations of medieval Anglo-Jewish history in each location, which have been deliberately chosen to provide a range of towns and cities which contain evidence of alleged medieval Jewish human remains.
The assessment of key stakeholders in the public representation of medieval Anglo-Jews was central to this study, and as such this thesis carefully considered the roles of various stakeholders in the preservation and representation of medieval Anglo-Jewish history and memory. Within this thesis, each stakeholder had a valid voice in the assessment of how the history and memory of England’s medieval Jews had been treated and represented. Decolonialist research methodologies were herein utilised in order to fully address the complexities of the various voices of stakeholders; from the perspectives of individuals, communities, and organisations, through a sensitive approach towards respectful interviewing and data collection. This thesis, therefore, provides a uniquely rounded interpretation of stakeholder involvement and investment in how medieval Anglo-Jewish communities are remembered today.
The history and memory of medieval Anglo-Jews has been subject to periods of omission and marginalisation, with the study of medieval Jewish history often hindered by a lack of sources on everyday life. This thesis contributes to the increasingly multi- and inter-disciplinary study of England’s medieval Jews through the application of Death Studies, offers new hypotheses based on traditional Jewish approaches to death ritual and burial practice, and provides fresh insights into aspects of medieval Jewish life with a focus on the dead.
