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Author(s): Tollerton, David
Date: 2020
Date: 2012
Abstract: Cet ouvrage dirigé par Jacques et Ygal Fijalkow découle du colloque qui s'est tenu en 2011 à Lacaune sur le thème des voyages de mémoire de la Shoah (colloque soutenu par la Fondation pour la Mémoire de la Shoah). Enseignants, personnels des musées mémoriaux, témoins de la Shoah, acteurs institutionnels, experts et universitaires y livrent leurs regards et leurs analyses sur les voyages d'étude sur la Shoah.

Enseigner la Shoah n’est pas chose facile. Tous les enseignants le savent. Dans le souci de développer des formes nouvelles d’enseignement, certains ont trouvé une solution : sortir de la classe et aller avec leurs élèves sur des lieux de mémoire. Cette façon de faire, dans un contexte de développement des voyages en général, est en plein développement.Du côté des pouvoirs publics, la formule a plu et les soutiens arrivent de sorte que le nombre de voyages augmente d’année en année. Le succès aidant, un débat est né : qu’apportent véritablement ces voyages de mémoire aux élèves qui y participent ?

C’est sur cette toile de fond que cet ouvrage a été rédigé. On y trouvera des éclairages sur ce qu’apportent les institutions spécialisées dans ce domaine. On pourra y voir également comment les choses se passent, aussi bien lors de la préparation que sur les lieux de mémoire eux-mêmes. Et ceci en France mais aussi chez nos voisins anglais, belges, espagnols, italiens, suisses, ainsi qu’en Israël. Le cas d’Auschwitz est privilégié, mais d’autres lieux sont également examinés.
Editor(s): Kucia, Marek
Date: 2011
Author(s): Subotic, Jelena
Date: 2019
Abstract: Yellow Star, Red Star asks why Holocaust memory continues to be so deeply troubled—ignored, appropriated, and obfuscated—throughout Eastern Europe, even though it was in those lands that most of the extermination campaign occurred. As part of accession to the European Union, Jelena Subotić shows, East European states were required to adopt, participate in, and contribute to the established Western narrative of the Holocaust. This requirement created anxiety and resentment in post-communist states: Holocaust memory replaced communist terror as the dominant narrative in Eastern Europe, focusing instead on predominantly Jewish suffering in World War II. Influencing the European Union's own memory politics and legislation in the process, post-communist states have attempted to reconcile these two memories by pursuing new strategies of Holocaust remembrance. The memory, symbols, and imagery of the Holocaust have been appropriated to represent crimes of communism.

Yellow Star, Red Star presents in-depth accounts of Holocaust remembrance practices in Serbia, Croatia, and Lithuania, and extends the discussion to other East European states. The book demonstrates how countries of the region used Holocaust remembrance as a political strategy to resolve their contemporary "ontological insecurities"—insecurities about their identities, about their international status, and about their relationships with other international actors. As Subotić concludes, Holocaust memory in Eastern Europe has never been about the Holocaust or about the desire to remember the past, whether during communism or in its aftermath. Rather, it has been about managing national identities in a precarious and uncertain world.
Author(s): Alexander, Phil
Date: 2019
Abstract: Silence appears frequently in discourses of the Holocaust – as a metaphorical absence, a warning against forgetting, or simply the only appropriate response. But powerful though these meanings are, they often underplay the ambiguity of silence’s signifying power. This article addresses the liminality of silence through an analysis of its richly textured role in the memorial soundscapes of Berlin. Beyond an aural version of erasure, unspeakability, or the space for reflection upon it, I argue that these silent spaces must always be heard as part of their surrounding urban environment, refracting wider spatial practices and dis/order. When conventions are reversed – when the present is silent – the past can resound in surprising and provocative ways, collapsing spatial and temporal borders and escaping the ritualized boundaries of formal commemoration. This is explored through four different memorial situations: the disturbing resonances within the Holocaust Memorial; the transgressive processes of a collective silent walk; Gleis 17 railway memorial’s opening up of heterotopic ‘gaps’ in time; and sounded/silent history in the work of singer Tania Alon. Each of these examples, in different ways, frames a slippage between urban sound and memorial silence, creating a parallel symbolic space that the past and the present can inhabit simultaneously. In its unpredictable fluidity, silence becomes a mobile and subversive force, producing an imaginative space that is ambiguous, affective and deeply meaningful. A closer attention to these different practices of listening disrupts a top-down, strategic discourse of silence as conventionally emblematic of reflection and distance. The contemporary urban soundscape that slips through the silent cracks problematizes the narrative hegemony of memorial itself.
Author(s): Potel, Jean-Yves
Date: 2009
Date: 2019
Abstract: La disparition de la quasi-totalité des Juifs de Pologne pendant la Seconde Guerre mondiale est due à leur assassinat systématique par les Allemands. Mais que sait-on des comportements de la population polonaise ? La paix revenue, que sont devenus les derniers survivants ? Que nous dit aujourd’hui l’irruption de ce passé dans la société polonaise ? Comment vivre avec la mémoire d’Auschwitz, de Treblinka, de Belzec, autant de mémoriaux situés en Pologne ?
Depuis une quinzaine d’années, des historiens de ce pays ont montré combien il était difficile aux Juifs qui tentaient d’échapper aux tueurs de trouver appui auprès des populations locales, surtout en milieu rural, tant en raison de la politique de terreur menée par l’occupant que de l’hostilité de la société polonaise à l’égard des Juifs. Leurs travaux font désormais autorité dans le monde entier. Pourtant, depuis quelques années, les autorités de Varsovie mettent en œuvre une « politique historique » qui vise à minorer, voire à nier, la participation de franges importantes de la population polonaise à la traque des Juifs.

Sur place, malgré les embûches et les intimidations, les historiens travaillent, publient, organisent des colloques, forment des étudiants. Les auteurs réunis dans cet ouvrage témoignent de la vitalité de cette historiographie. Faire connaître aujourd’hui la fécondité scientifique et la portée critique de la nouvelle école historique polonaise est une exigence intellectuelle, morale et politique.
Author(s): Katz, Dovid
Date: 2017
Abstract: The paper argues that the recent history of Holocaust Studies in Lithuania is characterized by major provision (for research, teaching and publishing) coming from state-sponsored agencies, particularly a state commission on both Nazi and Soviet crimes. Problematically, the commission is itself simultaneously active in revising the narrative per se of the Holocaust, principally according to the ‘Double Genocide’ theories of the 2008 Prague Declaration that insists on ‘equalization’ of Nazi and Soviet crimes. Lithuanian agencies have played a disproportionate role in that declaration, in attempts at legislating some of its components in the European Parliament and other EU bodies, and ‘export’ of the revisionist model to the West. Much international support for solid independent Lithuanian Holocaust researchers and NGOs was cut off as the state commission set out determinedly to dominate the field, which is perceived to have increasing political implications in East-West politics. But this history must not obscure an
impressive list of local accomplishments. A tenaciously devoted group of Holocaust survivors themselves, trained as academics or professionals in other fields, educated themselves to publish books, build a mini-museum (that has defied the revisionists) within the larger state-sponsored Jewish museum, and worked to educate both pupils and the wider public. Second, a continuing stream of non-Jewish Lithuanian scholars, educators, documentary
film makers and others have at various points valiantly defied state pressures and contributed significantly and selflessly. The wider picture is that Holocaust Studies has been built most successfully by older Holocaust survivors and younger non-Jews, in both groups often by those coming to work in it from other specialties out of a passion for justice and truth in history, while lavishly financed state initiatives have been anchored in the inertia of nationalist regional politics.
Author(s): Katz, Dovid
Date: 2017
Date: 2013
Author(s): Blacker, Uilleam
Date: 2014
Date: 2015
Date: 2015
Date: 2018
Author(s): Kucia, Marek
Date: 2001
Abstract: Sixty years after KL Auschwitz had been established by the Nazis on the outskirts of Oświęcim, a town in occupied Poland, to serve primarily as a ‘concentration camp’ for the Polish political prisoners and later as the major site of the ‘final solution of the Jewish question’, and 55 years after its nightmare ended through the liberation by the Soviet Army, a national representative survey of public opinion was conducted to measure the significance, knowledge and symbolism of KL Auschwitz among Poles today.1 This was the first comprehensive nation-wide survey of public opinion about Auschwitz in Poland. It covered some of the issues addressed in earlier surveys carried out since 1995.2 The survey was a part of a larger research project that deals with the changing perception and attitudes of Poles to Auschwitz in 1990s. This project also includes archival research, content analysis of the media and school text books, and empirical quantitative and qualitative research among the Polish visitors to the State Museum Auschwitz-Birkenau in Oświęcim and the Museum’s staff. The project in general and the survey in particular have been undertaken to fill in the gap of knowledge and understanding of the Polish perceptions of and attitudes to what is a painful historical fact, a complex symbol and a matter of controversies. A research objective also was to provide cognitive background to educational activities about Auschwitz in Poland and world-wide, in particular to the activities of the State Museum Auschwitz-Birkenau as well as Polish and international school curricula designers and textbook writers.
Author(s): Morsch, Günter
Date: 2001
Abstract: In 1995 the German federal centre for political education published a collection of essays on the problems arising from public representations of the Holocaust. Angela Genger, director of the Dusseldorf Memorial Centre, expressed her worries about developments at the major memorial centres following the unification of Germany. Under the heading ‘Are we facing a roll back?’, she laments that ‘the discursive and process-orientated practice adopted since the early eighties’ has been playing ‘non-principal role’2 in the memorials’ quest for renewal. As president of the working group for memorials in North Rhine-Westfalia, she particularly regrets that the discourse has since become ‘state-based’. In the old federal republic, the protagonists had often met with solid political opposition from the various municipalities, regions and federal states. Passionate and lengthy debates were carried on between so-called ‘barefoot historians’ and history workshops, trade union and church groups (especially ‘Aktion Sühnezeichen’), engaged activists and local politicians, but most of all former inmates and other victims of National Socialism. They eventually succeeded in bringing about a range of vastly different, decentralized memorials. These are seen in strong contrast to the centralized memorials, which are funded by the federal government and the relevant states, were conceived by historians and other experts, and are headed by academics and administrators enjoying a superior level of social security, with pension benefits and even the provision of housing.
Editor(s): Coen, Paolo
Date: 2018
Abstract: L'arte e il Museo rappresentano due settori all'avanguardia nella ricerca e nella trasmissione della Memoria della Shoah. Esattamente queste due frontiere disciplinari si occupano fra l'altro dei molti e diversi modi in cui la Memoria stessa è vista, comunicata o percepita. Il libro, frutto di uno studio durato molti anni, accoglie contributi di specialisti fra i più accreditati nei due temi: persone, situazioni e realtà nuove e a tratti sorprendenti aiutano il lettore a comprendere meglio i volti, le sembianze della Memoria della Shoah nel mondo di oggi e di domani.

Indice
Maya Zack, Counterlight

Clara Ferranti, Per una definizione linguistica del totalitarismo del XXI secolo: “radiografia” controluce dell’epoca contemporanea

Paolo Coen, Da Richard Serra in qua. La memoria dell’Olocausto nell’arte e nel Museo, fra continuità, fratture e intersezioni

Eleonora Palmoni, Proposta per musealizzare una delle località di internamento fascista nelle Marche: la Villa Giustiniani-Bandini di Urbisaglia

Daria Brasca, “Holocaust-Era Looted Art” nel contesto italiano: le collezioni private ebraiche tra rimozioni storiche e mancata coscienza nazionale

Manfredo Coen, Il Parco del Cardeto ad Ancona

Chiara Censi, Il patrimonio ebraico di Ancona e delle Marche. La musealizzazione del Cimitero Ebraico di Ancona

Lola Kantor-Kazovsky, Post-Holocaust Reflexion in Moscow Non-conformist Art of the 1960s and Michail Grobman’s Israeli Leviathan group

Danielle Pardo Rabani, La memoria del Bene, Brindisi accoglie: proposta per il recupero e la valorizzazione della ex Stazione Sanitaria Marittima di via Mater Domini

Giorgia Calò, Rappresentare il non rappresentabile. Il volto della Shoah

Anastasia Felcher, Of Their Own Design: Curatorial Solutions to Commemorate the Shoah in Museums across Eastern Europe

Elenco delle immagini
Author(s): Volmert, Miriam
Date: 2017
Editor(s): Florian, Alexandru
Date: 2018
Abstract: How is the Holocaust remembered in Romania since the fall of communism? Alexandru Florian and an international group of contributors unveil how and why Romania, a place where large segments of the Jewish and Roma populations perished, still fails to address its recent past. These essays focus on the roles of government and public actors that choose to promote, construct, defend, or contest the memory of the Holocaust, as well as the tools—the press, the media, monuments, and commemorations—that create public memory. Coming from a variety of perspectives, these essays provide a compelling view of what memories exist, how they are sustained, how they can be distorted, and how public remembrance of the Holocaust can be encouraged in Romanian society today.

Contents:

Memory under Construction: Introductory Remarks / Alexandru Florian

Part I: Competing Memories and Historical Obfuscation
1. Ethnocentric Mindscapes and Mnemonic Myopia / Ana Brbulescu
2. Post-Communist Romania’s Leading Public Intellectuals and the Holocaust / George Voicu
3. Law, Justice, and Holocaust Memory in Romania / Alexandru Climescu
4. Romania: Neither "Fleishig" nor "Milchig": A Comparative Study / Michael Shafir
5. "Wanting-not-to-Know" about the Holocaust in Romania: A Wind of Change? / Simon Geissbühler

Part II: National Heroes, Outstanding Intellectuals or Holocaust Perpetrators?
6. Mircea Vulcnescu, a Controversial Case: Outstanding Intellectual or War Criminal? / Alexandru Florian
7. Ion Antonescu’s Image in Post-Communist Historiography / Marius Cazan
8. Rethinking Perpetrators, Bystanders, Helpers/Rescuers, and Victims: A Case Study of Students' Perceptions / Adina Babe
Author(s): Meng, Michael
Date: 2011
Abstract: After the Holocaust, the empty, silent spaces of bombed-out synagogues, cemeteries, and Jewish districts were all that was left in many German and Polish cities with prewar histories rich in the sights and sounds of Jewish life. What happened to this scarred landscape after the war, and how have Germans, Poles, and Jews encountered these ruins over the past sixty years?

In the postwar period, city officials swept away many sites, despite protests from Jewish leaders. But in the late 1970s church groups, local residents, political dissidents, and tourists demanded the preservation of the few ruins still standing. Since the collapse of the Soviet Union in 1989, this desire to preserve and restore has grown stronger. In one of the most striking and little-studied shifts in postwar European history, the traces of a long-neglected Jewish past have gradually been recovered, thanks to the rise of heritage tourism, nostalgia for ruins, international discussions about the Holocaust, and a pervasive longing for cosmopolitanism in a globalizing world.

Examining this transformation from both sides of the Iron Curtain, Michael Meng finds no divided memory along West–East lines, but rather a shared memory of tensions and paradoxes that crosses borders throughout Central Europe. His narrative reveals the changing dynamics of the local and the transnational, as Germans, Poles, Americans, and Israelis confront a built environment that is inevitably altered with the passage of time. Shattered Spaces exemplifies urban history at its best, uncovering a surprising and moving postwar story of broad contemporary interest.
Author(s): Schult, Tanja
Date: 2017
Date: 2007
Date: 2008