'No so Komo las de Agora' (Im Not Like Those Modern Girls): Judeo-Spanish Songs Meet the Twenty-First Century
Abstract: The Judeo-Spanish song tradition has experienced many changes in recent years as it enters the 'world music' scene. Change, however, can be seen as a constant feature of the many aspects of Judeo-Spanish song and performance practice. Here, various genres are examined, together with some of the changes they have undergone in repertoire, style and context, and a selection of reactions to changes on the part of Sephardi Jews interviewed over several years. To a large extent, the repertoire has moved from the home to public representation, and is performed more by professional artists with no Sephardi background than by people from Sephardi communities, raising questions of appropriation and representation.
Music in the Lives of Judeus and Ciganos in a Portuguese Village: two adjacent and separate minorities
“Maria, sister of Aaron, play your tambourine”: Music in the Lives of Crypto-Jewish Women in Portugal