Abstract: As the ethical barriers surrounding ‘digital Holocaust etiquette remain contested, scholars like Daniel Magilow and Lisa Silverman question whether there can be unwritten rules of behavior at sites of historical trauma. Because of
significant shifts in the digital arena, too, legacy types of memory formation, such as collective memories associated with physical spaces, are being challenged by a new type of digital archive that is both active and passive. This article seeks to interrogate the socio-psychological aspects of selfies taken at Holocaust memorial sites and of their subsequent shaming. We wish to juxtapose current research findings with the public audience’s reaction to these photos after they have been posted on social media. In many respects, commenters may offer insight into a larger phenomenon outside of what is deemed appropriate in terms of Holocaust memory. Our article may not provide solutions or easy answers, but this is not our goal. Rather, our research aims to point to the complex, often
uncomfortable, nature of this topic due to the fact that selfies encapsulate both micro and macro histories, reality and virtual reality, and a shift in traditional types of memory formation.
Abstract: Immigration et mise en œuvre du processus d’extermination nazi ont forgé le destin commun de nombre de familles juives en France. Leur patrimoine photographique est à l’image de ces événements, fait de ruptures et de traces en pointillées. Ces photos surprennent bien des fois, émeuvent et surtout instruisent. De ce déracinement à la fois géographique et culturel, plusieurs d’entre elles en ont conservé la trace. C’est à partir de l’étude croisée de visuels représentant le costume traditionnel dans l’aire maghrébine, choisie pour exemple et, par corollaire, de l’analyse onomastique de ceux qui en sont revêtus, qu’il est possible de distinguer les différentes facettes du processus de mutation et, ainsi, mieux apprécier les étapes de ce qu’il est convenu de qualifier de marche à la modernité, une modernité où acculturation et sécularisation sont largement imbriquées.
Abstract: For the first time in a single volume, Opening the Drawer brings together illustrated profiles of three generations of Poles who discovered their hidden Jewish identity in often surprising ways. Drawing on interviews with child survivors of the Holocaust; the post-war second generation; and the post-Communist third generation, these voyages of discovery are not simply variations on a theme, but memorable depictions of unearthing long-buried family histories and secrets. They include the stories of an outstanding Catholic priest, a former anti-Semitic football hooligan, students, academics and renowned writers. Each generation has confronted a specific Polish environment which shaped their lives. The profiles reveal the particular Polish contradictions in coming to terms with their upbringing. Although not all embraced some form of Jewish identity, some merely sought the secrets of their past while retaining their previous identity. In a sharp departure from the past, many Poles are expressing a deep, sympathetic interest in the phenomenon of emerging Jews by flocking to Jewish museums and cultural festivals. Until recently, Poland was regarded as a tragic land of ghosts where Jewish life had ceased to exist. But these wide-ranging profiles reflect a growing spectrum of communal activities that paint a different picture.
