“Are you Protestant Jews or Roman Catholic Jews?” Literary Representations of Being Jewish in Ireland
Translated Title: Holocaust Literature and Second-Generation Survivors
Topics: Holocaust survivors - children of, Holocaust survivors, Literature, Fiction, Main Topic: Holocaust and Memorial
Abstract: This article deals with Swedish Holocaust literature by and about the second-generation witnesses, e.g. the children of survivors. It focuses on three novels: Suzanne Gottfarb’s Systrarna Blaumans hemlighet [“The Secret of the Blauman Sisters”] (1987) and Susanne Levin’s Leva vidare [“Live on”] (1994) and Som min egen [“As my own”] (1996). The Holocaust is an integral part of the protagonists’ life and identity, although he or she has not personally experienced the event and in the article I examine three aspects of the conditions of life for the second-generation survivors. Firstly, their search for knowledge about their parents’ experiences. Secondly, the burden of this generation to carry and fulfil the expectations of their parents and thirdly their struggle with identity in a multi-cultural society, where identity not only stems from heritage.
Abstract: This article argues that twenty-first century cultural representations of British-Jewish life are, on the one hand, various, popular and successful, and, on the other, defensive and apologetic to the extent that they are liable to offer readers and viewers literal and aesthetic translations of the detail of Jewish culture. It explores the workings of such a process in relation to a variety of recent texts about contemporary and wartime British-Jewish life, including Howard Jacobson’s novel The Finkler Question, Mike Leigh’s play Two Thousand Years, Robert Popper’s television series Friday Night Dinner, and fiction by Andrew Sanger, Naomi Alderman, Charlotte Mendelson and Natasha Solomons.
Antisemitism and Israel in British Jewish fiction: perspectives on Clive Sinclair’s Blood Libels (1985) and Howard Jacobson’s The Finkler Question (2010)
Topics: Literature, Fiction, Antisemitism, Israel-Diaspora Relations, Main Topic: Culture and Heritage
Abstract: Recently Howard Jacobson’s Booker Prize winning novel The Finkler Question (2010) and Peter Kosminsky’s controversial TV mini-series The Promise (2011) have forcefully re-introduced the issue of Israel to British Jewish cultural creativity. Both need to be understood not only in the context of contemporary British Jewish cultural creativity but also of the earlier literary engagement with Israel in British Jewish fiction. Focusing in particular on Clive Sinclair’s Blood Libels (1985) and Jacobson’s novel, this article traces notions of Israel in British Jewish fiction since its establishment in 1948 to the present day.
Capturing the Public's Imagination: Publications on Jewish Themes in Slovakia and the Czech Lands, 1989-1995
Topics: Publishing, Jewish History, Holocaust, Fiction, Literature, Main Topic: Culture and Heritage