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Author(s): Feldman, Rachel Z.
Date: 2022
Abstract: This article examines the Breslover Hasidim who attempted their annual pilgrimage to Uman during the COVID-19 pandemic. Following the Ukrainian border closure in August 2020, which was supported by the State of Israel, thousands of Breslovers were stranded in airports, land borders, and even imprisoned in the weeks leading up to the Jewish New Year. This research contributes to an emerging scholarly literature on religion and COVID-19, challenging the religion and science "conflict thesis," as interviews revealed that the choice of Breslovers to ignore public health directives stemmed less from a disbelief in science than from a conflict between state and religious authority. Pious mobilities emerge, I argue, when secular logics fail to contain and properly modify religious actors. The choice to travel to Uman was made according to a Breslover moral universe as informants turned to the spiritual tools and teachings of Rebbe Nachman to guide their decisions, especially his notion of ratzon [willpower], engaging in a form of pious mobility that attempted to transcend nation-state borders. Pious mobilities not only challenged public health initiatives in 2020, but as I demonstrate in the ethnography, Breslovers' insistence on reaching Uman simultaneously threatened the cooptation of Breslov Hasidim within a Zionist narrative, reigniting a debate over the relocation of Rebbe Nachman's remains to Israel. By ethnographically examining moments of conflict between religious groups and state officials managing the pandemic, we might better inform future public health policies and the messaging aimed at religious populations including ultra-Orthodox Jews.
Author(s): Loentz, Elizabeth
Date: 2006
Abstract: Minority and immigrant Germans' embrace of the derogatory term Kanake as a self-ascription and of the low-status ethnolect Kanak Sprak has been compared to US rappers' combative use of "niggah" and Black English. This essay, however, compares the revaluation of the term Kanake, a non-assimilatory Kanak identity, and the ethnolect Kanak Sprak to some early 20th century German Jews' revaluation and embrace of Eastern European Jewish culture and Yiddish. It demonstrates also how non-minority and non-Jewish Germans have used Yiddish and Kanak Sprak in literature, theater, film, and popular culture to re-inscribe ethnic difference, especially at times when minorities and Jews were becoming indistinguishable from non-minority Germans (emancipation edicts or nationality law reform). Because Kanak Sprak is inseparable from HipHop culture, the second half of the essay examines the many parallels between the importation and naturalization of German HipHop and German Klezmer. Both were imported from the United States in the early 1980s; and following the fall of the Berlin Wall and German re-unification, both have played a role in German Vergangenheitsbewältigung [mastering the past]. While HipHop and Klezmer have become the soundtrack of German anti-racism, anti-Nazism, and multiculturalism; some observers are critical of non-minority and non-Jewish Germans' appropriation or instrumentalization of ethnic music, and have cited instances of antisemitism and racism in German Klezmer and HipHop.
Author(s): Kranz, Dani
Date: 2016